Mamelon Collection

The Mamelon and Malakoff, from the Mortar Battery, 1855. Creator: Roger Fenton
The Mamelon and Malakoff, from the Mortar Battery, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Panoramic View of the Fortifications, Town, and Harbour of Sebastopol (engraving)
2785680 Panoramic View of the Fortifications, Town, and Harbour of Sebastopol (engraving) by English School, (19th century); Private Collection; (add.info.: Panoramic View of the Fortifications)

Part of the Interior of the Mamelon (engraving)
1608007 Part of the Interior of the Mamelon (engraving) by English School, (19th century); Private Collection; (add.info.: Part of the Interior of the Mamelon)

Plan of the Mamelon and Malakoff Tower (engraving)
1602286 Plan of the Mamelon and Malakoff Tower (engraving) by English School, (19th century); Private Collection; (add.info.: Plan of the Mamelon and Malakoff Tower)

The Great Redan, the Malakhoff, and the Mamelon (engraving)
2785527 The Great Redan, the Malakhoff, and the Mamelon (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Redan, the Malakhoff, and the Mamelon)

Explosion of the French Magazine in the Mamelon (engraving)
2785525 Explosion of the French Magazine in the Mamelon (engraving) by English School, (19th century); Private Collection; (add.info.: Explosion of the French Magazine in the Mamelon)

The Mamelon after the Explosion of the Magazine (engraving)
2785526 The Mamelon after the Explosion of the Magazine (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: The Mamelon after the Explosion of the Magazine)

The War in Crimea (engraving)
2785437 The War in Crimea (engraving) by Portch, Julian (active c. 1855); Private Collection; (add.info.: The War in Crimea)

The French carrying the Mamelon (engraving)
2785412 The French carrying the Mamelon (engraving) by Morin, Edmond (1824-82) (after); Private Collection; (add.info.: The French carrying the Mamelon)

The Mamelon Vert, 1855-1856. Creator: James Robertson
The Mamelon Vert, 1855-1856

The Council of War on the Morning of the Taking of the Mamelon. Lord Raglan, Omar Pasha, Marshal Pelissier, 1855

SEBASTOPOL BATTLE PLAN
Battle plan showing the fortifications : the Mamelon, and the Malakoff beyond it, are the key defences the Allies have to overcome before they can take the city itself Date: 1854 - 1855

Crimean War, inside a French rifle pit
Crimean War -- interior of a French rifle pit in the parallel before the Mamelon fort and White Tower. 1855

Crimean War, allied attack on Russian fortresses
Crimean War -- grand allied attack on Russian fortresses, capture of the Mamelon fort, bombardment of the town. 1855

Crimean War, trenches and battery
Crimean War -- trenches and battery erected before the Mamelon and Flagstaff bastion. 1855

Crimean War - Robertson photograph
James Robertson, (1813-1888) Crimean War, The Mamelon Date: circa 1855

Council War Morning Taking Mamelon Lord Raglan
Artokoloro

Source Size = 3862 x 2927
Part of the Interior of the Mamelon; the Interior of the Mamelon on the 9th of June

A Panoramic View of the External and Internal Defences of Sebastopol, the Batteries
XND70149 A Panoramic View of the External and Internal Defences of Sebastopol, the Batteries, Trenches and Siege Works of the Allies from sketches of a military engineer on the staff of Sir J

Sebastopol with the Redan, Malakoff & Mamelon - Colonel Shadforth seated in the foreground, Crimean War, 1853-1856, Roger Fenton historic war campaign photo

Sebastopol with the Redan, Malakoff & Mamelon, Crimean War, 1853-1856, Roger Fenton historic war campaign photo

Council of War held at Lord Raglans Head Quarters, the morning of the successful attack on the Mamelon portraits of Lord Raglan, Mara© chal Pa© lissier, & Omar Pacha

Sebastopol with the Redan, Malakoff & Mamelon - Colonel Shadforth seated in the foreground. Distant view of Sevastopol and the principal Russian fortifications; Colonel Shadforth seated on a rock in

Sebastopol with the Redan, Malakoff & Mamelon. Distant view of Sevastopol and the principal Russian fortifications. Date 1855. Sebastopol with the Redan, Malakoff & Mamelon

The Mamelon & the Malakof from the front of the mortar batteries. Date 1855. The Mamelon & the Malakof from the front of the mortar batteries. Date 1855

From Mamelon Vert, Cauterets, Pyrenees, France. Date between ca. 1890 and ca. 1900

Council of War held at Lord Raglans Head Quarters, the morning of the successful attack on the Mamelon portraits of Lord Raglan, Marechal Pelissier, & Omar Pacha. Allied leaders seated at a table

Distant view of Sebastopol with the Mamelon & Malakoff Tower The lines of Gordons Battery in the middle distance. Distant view of Sevastopol looking towards the Dockyard Harbor with the Malakoff

Sebastopol Defences
Interior scene in the Mamelon Vert, a key position overlooking the city, during the siege of Sebastopol

The Mamelon, residence of the kings of Sikasso and sacred site that housed the citys protector spirits, Sikasso, Mali, Africa

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The Mamelon, a pivotal stronghold in the historic Battle of Sebastopol during the Crimean War, holds an intriguing tale of triumph and tragedy. Captured through various engravings and photographs, this formidable fortification witnessed both glorious victories and devastating explosions. Roger Fenton's lens captured the awe-inspiring view of The Mamelon and Malakoff from the Mortar Battery in 1855. This panoramic shot showcased the grandeur of these structures amidst a backdrop of war-torn landscapes. Engraved depictions further revealed intricate details such as Part of the Interior of the Mamelon, allowing viewers to immerse themselves in its architectural marvels. To strategize their approach, military planners relied on Plan of the Mamelon and Malakoff Tower engravings. These blueprints provided crucial insights into enemy defenses that would shape battle tactics for years to come. Notably, The Great Redan, Malakhoff, and The Mamelon engraving depicted key locations where soldiers fought valiantly for control over these strongholds. However, not all moments within The they were triumphant. Witnessed through powerful engravings like Explosion of French Magazine in the Mamelon or The Mamelon after Explosion of Magazine; they depict catastrophic events that left scars on both man-made structures and human lives alike. James Robertson's lens shifted focus towards another aspect - capturing daily life at The Mamelon Vert between 1855-1856. These images provide glimpses into how soldiers coped with adversity amidst constant warfare while also showcasing resilience amid chaos. One particularly poignant moment was immortalized by an engraving titled "The Council Of War On Morning Of Taking Of The Mamelon. " It symbolizes unity among commanders as they meticulously planned their assault on this strategic position – a turning point leading to eventual victory. Ultimately, Sebastopol Battle Plan served as a guiding light throughout this tumultuous period.