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Loose Collection (page 6)

"Exploring the World of 'Loose': From Cup Day at Ascot to Tomando Mate in Argentina" Socializing and sipping on champagne

Background imageLoose Collection: Girl Reclining on Sofa (oil on canvas)

Girl Reclining on Sofa (oil on canvas)
2962846 Girl Reclining on Sofa (oil on canvas) by Steer, Philip Wilson (1860-1942); Private Collection; Whitford Fine Art, London, UK; English, out of copyright

Background imageLoose Collection: Arranging flowers for a spring bouquet (oil on board)

Arranging flowers for a spring bouquet (oil on board)
615841 Arranging flowers for a spring bouquet (oil on board) by Gilbert, Victor Gabriel (1847-1933); 29.2x36.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLoose Collection: A young woman in classical dress, holding a red rose (oil on canvas)

A young woman in classical dress, holding a red rose (oil on canvas)
615832 A young woman in classical dress, holding a red rose (oil on canvas) by Bellanger, Georges (1847-1918); 80x64.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLoose Collection: Potamak (oil on board)

Potamak (oil on board)
615830 Potamak (oil on board) by Blanche, Jacques-Emile (1861-1942); 74.9x99.2 cm; Private Collection; (add.info.: Illustration of the poem Potamak by Jean Maurice EugAne Clement Cocteau (1889-1963)

Background imageLoose Collection: Study in profile of seated woman (charcoal on paper)

Study in profile of seated woman (charcoal on paper)
2652040 Study in profile of seated woman (charcoal on paper) by Belleroche, Albert de (1864-1944); Private Collection; eLiss Fine Art; English, out of copyright

Background imageLoose Collection: Diana Manners, later wife of Duff Cooper, 1st Viscount Norwich, 1919 (oil on canvas)

Diana Manners, later wife of Duff Cooper, 1st Viscount Norwich, 1919 (oil on canvas)
466013 Diana Manners, later wife of Duff Cooper, 1st Viscount Norwich, 1919 (oil on canvas) by Shannon, James Jebusa (1862-1923); Belvoir Castle, Leicestershire, UK; Irish, out of copyright

Background imageLoose Collection: The Holy Family in the Carpenters Shop (pen & ink with wash on paper)

The Holy Family in the Carpenters Shop (pen & ink with wash on paper)
449318 The Holy Family in the Carpenters Shop (pen & ink with wash on paper) by Rembrandt Harmensz. van Rijn (1606-69) (school of); 17.1x22.5 cm; eThe Devonshire Collections

Background imageLoose Collection: The Tired Haymaker (black chalk on paper)

The Tired Haymaker (black chalk on paper)
955424 The Tired Haymaker (black chalk on paper) by Millet, Jean-Francois (1814-75); 26.9x20.7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLoose Collection: Recalling the Flock, 1866-72 (oil on panel)

Recalling the Flock, 1866-72 (oil on panel)
954572 Recalling the Flock, 1866-72 (oil on panel) by Millet, Jean-Francois (1814-75); 11.5x11.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageLoose Collection: A Shooting Trip on the Shores of the Sea of Marmora (engraving)

A Shooting Trip on the Shores of the Sea of Marmora (engraving)
1044279 A Shooting Trip on the Shores of the Sea of Marmora (engraving) by English School, (19th century); Private Collection; (add.info.: A Shooting Trip on the Shores of the Sea of Marmora)

Background imageLoose Collection: Bridgnorth, 1925 (w / c on paper)

Bridgnorth, 1925 (w / c on paper)
940551 Bridgnorth, 1925 (w/c on paper) by Steer, Philip Wilson (1860-1942); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageLoose Collection: View near Bridgnorth, c. 1925 (w / c on paper)

View near Bridgnorth, c. 1925 (w / c on paper)
940544 View near Bridgnorth, c.1925 (w/c on paper) by Steer, Philip Wilson (1860-1942); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageLoose Collection: Spring Mood, c. 1908 (oil on canvas)

Spring Mood, c. 1908 (oil on canvas)
984592 Spring Mood, c.1908 (oil on canvas) by Sauter, George (1866-1937); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; German, out of copyright

Background imageLoose Collection: The Czech Quartet of the composer Sergei Taneyev, 1912 (oil on cardboard)

The Czech Quartet of the composer Sergei Taneyev, 1912 (oil on cardboard)
3055229 The Czech Quartet of the composer Sergei Taneyev, 1912 (oil on cardboard) by Shemyakin, Michail Fyodorovich (1875-1944); Tchaikovsky Museum, Klin

Background imageLoose Collection: Still Life with Flowers and Fruit (oil on canvas)

Still Life with Flowers and Fruit (oil on canvas)
693020 Still Life with Flowers and Fruit (oil on canvas) by Tobeen, Felix Elie (1880-1938); 33x65.5 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Background imageLoose Collection: A Woman Lit by a Rainbow (ink & w / c on tracing paper)

A Woman Lit by a Rainbow (ink & w / c on tracing paper)
693011 A Woman Lit by a Rainbow (ink & w/c on tracing paper) by Tobeen, Felix Elie (1880-1938); 29x18 cm; Private Collection; (add.info)

Background imageLoose Collection: Flemish military attendant, 16th century

Flemish military attendant, 16th century
5855289 Flemish military attendant, 16th century by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Flemish military attendant, 16th century, in loose jacket, wide green sleeves)

Background imageLoose Collection: The Cafe Suisse, 1914 (oil on canvas)

The Cafe Suisse, 1914 (oil on canvas)
1707428 The CafeSuisse, 1914 (oil on canvas) by Sickert, Walter Richard (1860-1942); 53.3x38.1 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageLoose Collection: Holy Island Castle, 1893 (pencil & w / c on paper)

Holy Island Castle, 1893 (pencil & w / c on paper)
1763671 Holy Island Castle, 1893 (pencil & w/c on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Background imageLoose Collection: On some Remarkable Examples of Irregular Growth in the Oyster (engraving)

On some Remarkable Examples of Irregular Growth in the Oyster (engraving)
1608111 On some Remarkable Examples of Irregular Growth in the Oyster (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageLoose Collection: Fanny Cornforth, Study for Joan of Arc (pencil on paper)

Fanny Cornforth, Study for Joan of Arc (pencil on paper)
1202915 Fanny Cornforth, Study for Joan of Arc (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 38.9x35.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageLoose Collection: The Kitchen in Rembrandts House, 1650 (crayon on paper)

The Kitchen in Rembrandts House, 1650 (crayon on paper)
1272613 The Kitchen in Rembrandts House, 1650 (crayon on paper) by Rembrandt Harmensz. van Rijn (1606-69); 45.7x 60.9 cm; Pushkin Museum, Moscow, Russia; Photo eFine Art Images; Dutch

Background imageLoose Collection: Ethel Sands (oil on canvas)

Ethel Sands (oil on canvas)
1272508 Ethel Sands (oil on canvas) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford, UK; (add.info)

Background imageLoose Collection: Sarah Bernhardt, 1889 (oil on panel)

Sarah Bernhardt, 1889 (oil on panel)
1630574 Sarah Bernhardt, 1889 (oil on panel) by Hardy, Dudley (1867-1922); 24.1x16.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: Sarah Bernhardt (c)

Background imageLoose Collection: The Strange Adventures of Two Runaway Elephants in Kentish Town, London (engraving)

The Strange Adventures of Two Runaway Elephants in Kentish Town, London (engraving)
1061509 The Strange Adventures of Two Runaway Elephants in Kentish Town, London (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageLoose Collection: The Three Children of the 4th Marquis of Cholmondeley (oil on canvas)

The Three Children of the 4th Marquis of Cholmondeley (oil on canvas)
1066216 The Three Children of the 4th Marquis of Cholmondeley (oil on canvas) by Holland, Ada (19th Century); Private Collection; (add.info)

Background imageLoose Collection: Van Gogh in Conversation, 1890 (black chalk on paper)

Van Gogh in Conversation, 1890 (black chalk on paper)
1066040 Van Gogh in Conversation, 1890 (black chalk on paper) by Pissarro, Lucien (1863-1944); 17.8x22.5 cm; Ashmolean Museum, University of Oxford

Background imageLoose Collection: Loose! (engraving)

Loose! (engraving)
1056307 Loose! (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: Loose! Illustration for The Graphic)

Background imageLoose Collection: (w / c on paper)

(w / c on paper)
940558 (w/c on paper) by Steer, Philip Wilson (1860-1942); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageLoose Collection: Low Tide, Walmer Beach, 1934 (w / c on paper)

Low Tide, Walmer Beach, 1934 (w / c on paper)
940542 Low Tide, Walmer Beach, 1934 (w/c on paper) by Steer, Philip Wilson (1860-1942); 23.2x30.9 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info.: Paper: 232 x 309mm Mount)

Background imageLoose Collection: The Wye above Chepstow, c. 1905 (w / c on paper)

The Wye above Chepstow, c. 1905 (w / c on paper)
940540 The Wye above Chepstow, c.1905 (w/c on paper) by Steer, Philip Wilson (1860-1942); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageLoose Collection: An escaped elephant on the rampage in the Cafe de la Comedie in Perigueux, France (colour litho)

An escaped elephant on the rampage in the Cafe de la Comedie in Perigueux, France (colour litho)
3097548 An escaped elephant on the rampage in the Cafe de la Comedie in Perigueux, France (colour litho) by French School

Background imageLoose Collection: Beggars by a Door, 1870 (oil on panel)

Beggars by a Door, 1870 (oil on panel)
3036940 Beggars by a Door, 1870 (oil on panel) by Fortuny y CarbAo (Fortuny i Marsal), Mariano JoseMarAia Bernardo (1838-74); 22.9x18.3 cm; Cleveland Museum of Art, OH

Background imageLoose Collection: North Shields (charcoal on paper)

North Shields (charcoal on paper)
3050621 North Shields (charcoal on paper) by Charlton, William Henry (1846-1918); Hatton Gallery, University of Newcastle Upon Tyne

Background imageLoose Collection: A Young Woman in a Blue Dress, 1866 (w / c & white gouache on paper)

A Young Woman in a Blue Dress, 1866 (w / c & white gouache on paper)
3060375 A Young Woman in a Blue Dress, 1866 (w/c & white gouache on paper) by Fortuny y CarbAo (Fortuny i Marsal), Mariano JoseMarAia Bernardo (1838-74); 35.9x24.4 cm; Minneapolis Institute of Arts

Background imageLoose Collection: A Herald Angel (oil on canvas)

A Herald Angel (oil on canvas)
780782 A Herald Angel (oil on canvas) by Constable, John (1776-1837); 43.1x32.4 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Background imageLoose Collection: View into the Exedra at Chiswick (pen & ink with brown wash on paper)

View into the Exedra at Chiswick (pen & ink with brown wash on paper)
908590 View into the Exedra at Chiswick (pen & ink with brown wash on paper) by Kent, William (1684-1748); 29x40.3 cm; eThe Devonshire Collections

Background imageLoose Collection: Grey Sea, Boat Running Ashore, c. 1845-50 (w / c on paper)

Grey Sea, Boat Running Ashore, c. 1845-50 (w / c on paper)
870069 Grey Sea, Boat Running Ashore, c.1845-50 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Leeds Museums and Galleries (Leeds Art Gallery)

Background imageLoose Collection: The fury of an ox (Colour Litho)

The fury of an ox (Colour Litho)
2783488 The fury of an ox (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The fury of an ox. Suddenly frightened, an ox slipped the streets of Bobbio (Piacenza)

Background imageLoose Collection: Moment of Terror (Colour Litho)

Moment of Terror (Colour Litho)
2783991 Moment of Terror (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A moment of terror)

Background imageLoose Collection: The Hydrophobic Horse (Colour Litho)

The Hydrophobic Horse (Colour Litho)
2783788 The Hydrophobic Horse (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The hydrophobic horse)

Background imageLoose Collection: To give the thrill (colour litho)

To give the thrill (colour litho)
2778325 To give the thrill (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: To give the thrill)

Background imageLoose Collection: An English ship from Calcutta carrying a load of animals for the zoo... (colour litho)

An English ship from Calcutta carrying a load of animals for the zoo... (colour litho)
2778138 An English ship from Calcutta carrying a load of animals for the zoo... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageLoose Collection: The Whaler, 1845 (w / c over pencil on paper)

The Whaler, 1845 (w / c over pencil on paper)
2899413 The Whaler, 1845 (w/c over pencil on paper) by Turner, Joseph Mallord William (1775-1851); 22.7x32.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageLoose Collection: Bother these loose stones! Oh lack-a-daisy me! (coloured engraving)

Bother these loose stones! Oh lack-a-daisy me! (coloured engraving)
607055 Bother these loose stones! Oh lack-a-daisy me! (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Honi soit qui mal y pense; Bother these loose stones)

Background imageLoose Collection: Study for The Sleeper, 1863 (black chalk on paper)

Study for The Sleeper, 1863 (black chalk on paper)
617391 Study for The Sleeper, 1863 (black chalk on paper) by Whistler, James Abbott McNeill (1834-1903); 24.4x17.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageLoose Collection: Whiteleys Farms: Thirteen loose horse-boxes (b / w photo)

Whiteleys Farms: Thirteen loose horse-boxes (b / w photo)
6007111 Whiteleys Farms: Thirteen loose horse-boxes (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Thirteen loose horse-boxes)



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"Exploring the World of 'Loose': From Cup Day at Ascot to Tomando Mate in Argentina" Socializing and sipping on champagne, Cup Day at Ascot is a loose affair where fashion meets excitement. Embrace the Argentinean culture as locals gather, tomado mate - a loose leaf tea enjoyed with friends and conversation. A captivating sight, David Wright's woman in a short black underslip exudes confidence and allure through her loose elegance. Unraveling the mystery of writing, deciphering a rebus can be both challenging and fun for those who love playing with words. Immerse yourself in Croatian traditions as you witness a man dressed in the traditional costume of Dubrovnik region during their lively festivities. Picture No. 11671487 captures an intriguing moment that leaves room for interpretation – let your imagination run wild. In the English countryside, a gamekeeper gives directions to an adventurous couple embarking on an exhilarating fox hunt – freedom runs loose here. Discover England's hidden gem – Loose Church and village near Maidstone offers serenity amidst picturesque landscapes that will leave you breathless. Pandora opens up possibilities while Hope keeps our hearts light; these two contrasting forces remind us that life is full of surprises yet filled with optimism. Transport yourself back to 1905 as you witness a man confidently maneuvering his way around the kitchen, showcasing how even mundane tasks can be done with flair and looseness.