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Loaves Collection (page 3)

"Deliciously Divine: Exploring the World of Loaves" Indulge in the heavenly taste of Tsoureki (Tsourekia), a traditional Greek Easter bread that transports you to Greece

Background imageLoaves Collection: Europe, Italy, Sicily. Sant Angelo Muxaro. White bread loaves in the traditional bakery

Europe, Italy, Sicily. Sant Angelo Muxaro. White bread loaves in the traditional bakery

Background imageLoaves Collection: Admiring Bread

Admiring Bread - Two ladies in the kitchen admiring two freshly baked loaves of bread. Artist: Anon. Date: 1924

Background imageLoaves Collection: Loaves were brought from all the bakers, by Muriel Baines

Loaves were brought from all the bakers, by Muriel Baines
Illustration, Loaves were brought from all the bakers, by Muriel Baines Date: 20th century

Background imageLoaves Collection: Advertisement for Hovis Bread and Biscuits

Advertisement for Hovis Bread and Biscuits. Illustration of loaves of bread cascading from a flour mill across the world. Captioned Drive the World, Cure for Indigestion

Background imageLoaves Collection: Brownies in the Bakery

Brownies in the Bakery Date: 1910

Background imageLoaves Collection: Bomb damage in a London suburb, WW2

Bomb damage in a London suburb, WW2
Bomb damage in a London suburb during the Second World War (23 August 1940). Bombs were dropped in the early hours of the morning

Background imageLoaves Collection: Corn Laws were introduced in 1815 to protect the British farmer from foreign competition

Corn Laws were introduced in 1815 to protect the British farmer from foreign competition, 19th century (lithograph)
527846 Corn Laws were introduced in 1815 to protect the British farmer from foreign competition, 19th century (lithograph) by Seymour

Background imageLoaves Collection: Jesus and his disciples at the Last Supper. Mark 14:22. From Gustave Dore Bible, 1866

Jesus and his disciples at the Last Supper. Mark 14:22. From Gustave Dore Bible, 1866. Wood engraving
535963 Jesus and his disciples at the Last Supper. Mark 14:22. From Gustave Dore Bible, 1866. Wood engraving by Dore, Gustave (1832-83); Universal History Archive/UIG

Background imageLoaves Collection: Supper at Emmaus, c. 1645-50 (oil on canvas)

Supper at Emmaus, c. 1645-50 (oil on canvas)
7352771 Supper at Emmaus, c.1645-50 (oil on canvas) by Assereto, Giovacchino (1600-49); 90x113 cm; Private Collection; (add.info.: Artist: Gioacchino Assereto (1600-1649)); Luisa Ricciarini

Background imageLoaves Collection: St Benedict drinks poisoned wine, 1415-20, (tempera on wood)

St Benedict drinks poisoned wine, 1415-20, (tempera on wood)
7146402 St Benedict drinks poisoned wine, 1415-20, (tempera on wood) by Pietro, Nicolo di (fl.1394-1430); Galleria degli Uffizi, Florence, Tuscany

Background imageLoaves Collection: The Baker. 19th century reproduction of 16th century (engraving)

The Baker. 19th century reproduction of 16th century (engraving)
3052931 The Baker. 19th century reproduction of 16th century (engraving) by Amman, Jost (1539-91) (after); Private Collection; (add.info.: engraving by Jost Amman)

Background imageLoaves Collection: The Baker, 1568 (engraving)

The Baker, 1568 (engraving)
3782498 The Baker, 1568 (engraving) by Amman, Jost (1539-91); (add.info.: The Baker from the Book of Trades / Das Standebuch (Panoplia omnium illiberalium mechanicarum...)

Background imageLoaves Collection: Man eating Milk-Soup (oil on canvas)

Man eating Milk-Soup (oil on canvas)
490041 Man eating Milk-Soup (oil on canvas) by Permeke, Constant (1886-1952); 153x170 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageLoaves Collection: The Miller. 19th century reproduction of 16th century engraving by Jost Amman

The Miller. 19th century reproduction of 16th century engraving by Jost Amman
3052930 The Miller. 19th century reproduction of 16th century engraving by Jost Amman; Private Collection

Background imageLoaves Collection: Esau sells his birthright, 1640 (oil on canvas)

Esau sells his birthright, 1640 (oil on canvas)
7352725 Esau sells his birthright, 1640 (oil on canvas) by Assereto, Giovacchino (1600-49); 98x124 cm; Musei di Strada Nuova, Genoa, Liguria

Background imageLoaves Collection: The Bean Eater, 1584 (oil on canvas)

The Bean Eater, 1584 (oil on canvas)
7212935 The Bean Eater, 1584 (oil on canvas) by Carracci, Annibale (1560-1609); 57x68 cm; Chateau d'Azay le Rideau, Indre et Loire, France; Photo © Stefano Baldini

Background imageLoaves Collection: The Baker, 1568 (engraving)

The Baker, 1568 (engraving)
3782165 The Baker, 1568 (engraving) by Amman, Jost (1539-91); (add.info.: The Baker from the Book of Trades / Das Standebuch (Panoplia omnium illiberalium mechanicarum...)

Background imageLoaves Collection: The Piki Maker, Hopi, 1904 (orotone)

The Piki Maker, Hopi, 1904 (orotone)
1197653 The Piki Maker, Hopi, 1904 (orotone) by Curtis, Edward Sheriff (1868-1952) ; 25.4x20.4 cm; Private Collection; Photo © Christie's Images

Background imageLoaves Collection: Pessa'h

Pessa'h
2096708 Pessa'h by Schnorr von Carolsfeld, Julius (1794-1872); (add.info.: Religion. Old Testament. The Jewish Passover and the 10 plagues of Egypt)

Background imageLoaves Collection: Man and boy. end 19th century (oil on canvas)

Man and boy. end 19th century (oil on canvas)
AIS5332828 Man and boy. end 19th century (oil on canvas) by Spanish School, (19th century); (add.info.: Valencia. Museum of Fine Arts of Valencia); Photo © Rotger/AIC

Background imageLoaves Collection: The Holy Bible. 1866. SENNACHERIB (705-681 BC). King of Assyria (705-681 BC)

The Holy Bible. 1866. SENNACHERIB (705-681 BC). King of Assyria (705-681 BC)
CUL4892523 The Holy Bible. 1866. SENNACHERIB (705-681 BC). King of Assyria (705-681 BC). Angel of Yahweh of the army of Sennacherib

Background imageLoaves Collection: The Holy Supper. 1620 - 1628 (oil on canvas)

The Holy Supper. 1620 - 1628 (oil on canvas)
AIS5332826 The Holy Supper. 1620 - 1628 (oil on canvas) by Ribalta, Juan (1597-1628); 116x86 cm; (add.info.: RIBALTA, Juan (1596-1628) Valencia

Background imageLoaves Collection: Afternoon Tea, c. 1874 (oil on canvas)

Afternoon Tea, c. 1874 (oil on canvas)
7343062 Afternoon Tea, c.1874 (oil on canvas) by Gonzales, Eva (1849-1883); 66.99 -- 49.53 cm; Dallas Museum of Art, Texas

Background imageLoaves Collection: Esau Selling his Birthright (oil on canvas)

Esau Selling his Birthright (oil on canvas)
7333470 Esau Selling his Birthright (oil on canvas) by Giordano, Luca (1634-1705); 190.5x165.1 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: Giordano, Luca (b.1634, d.1705)

Background imageLoaves Collection: Detail of the Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)

Detail of the Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)
472308 Detail of the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel) by Bouts, Dirck (c.1415-75); Museums of Louvain, Belgium; (add.info.: See 472299)

Background imageLoaves Collection: Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c

Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)
472303 Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel) by Bouts, Dirck (c.1415-75); Museums of Louvain, Belgium; (add.info.: See 472299)

Background imageLoaves Collection: The Seven Works of Mercy (oil on panel)

The Seven Works of Mercy (oil on panel)
704033 The Seven Works of Mercy (oil on panel) by Francken, Frans II the Younger (1581-1642); Church of St. Andrew, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Background imageLoaves Collection: A Dutch Breakfast (oil on panel)

A Dutch Breakfast (oil on panel)
471453 A Dutch Breakfast (oil on panel) by Schooten, Floris van (fl.1612-1655); 50x82 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageLoaves Collection: Hour and day dial originating from Brabant (oil on panel)

Hour and day dial originating from Brabant (oil on panel)
472298 Hour and day dial originating from Brabant (oil on panel) by Leuvens Master (15th century); Museums of Louvain, Belgium

Background imageLoaves Collection: Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c

Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)
472301 Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel) by Bouts, Dirck (c.1415-75); Museums of Louvain, Belgium; (add.info.: See 472299)

Background imageLoaves Collection: Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c

Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)
472300 Detail of the Triptych of the Last Supper, from the Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel) by Bouts, Dirck (c.1415-75); Museums of Louvain, Belgium; (add.info.: See 472299)

Background imageLoaves Collection: The Last Supper, 1927 (oil on canvas)

The Last Supper, 1927 (oil on canvas)
490037 The Last Supper, 1927 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 395x300 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageLoaves Collection: The Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)

The Altarpiece of the Holy Sacrament, c. 1464-68 (oil on panel)
472299 The Altarpiece of the Holy Sacrament, c.1464-68 (oil on panel) by Bouts, Dirck (c.1415-75); Museums of Louvain, Belgium; (add.info.: The central panel depicts the Last Supper)

Background imageLoaves Collection: The Multiplication of Loaves and Fishes (oil on panel)

The Multiplication of Loaves and Fishes (oil on panel)
471272 The Multiplication of Loaves and Fishes (oil on panel) by Francken or Franck, Ambrosius the Elder (1544-1618); 280x212 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageLoaves Collection: Tasting it in the yard of the farm, in Imagier de l'enfance, c. 1900 (engraving)

Tasting it in the yard of the farm, in Imagier de l'enfance, c. 1900 (engraving)
DUV4206113 Tasting it in the yard of the farm, in Imagier de l enfance, c.1900 (engraving) by Raffin, Ferdinand (1870?-1948); 14.5 x 18.5 cm; Private Collection; (add.info)

Background imageLoaves Collection: Back home, in Imagier de l'enfance, c. 1900 (engraving)

Back home, in Imagier de l'enfance, c. 1900 (engraving)
DUV4206107 Back home, in Imagier de l enfance, c.1900 (engraving) by Raffin, Ferdinand (1870?-1948); 14.5 x 18.5 cm; Private Collection; (add.info.: Back home: in the yard of the farm)

Background imageLoaves Collection: Oven set in the wood for the making of bread, destined for the many lumberers working on the drill

Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day
LSE4328980 Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day, the maintenance and use of the oven is done by women and children

Background imageLoaves Collection: Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness

Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness
JLJ4648317 Allegorical representation of the earths city, human sin, pride, anger, lust, envy, laziness, exces and their opposing virtues, piete, nuance, sobriete... Miniature from manuscript ms

Background imageLoaves Collection: Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan

Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum)
IND113200 Isolde pleading with Queen Guinevere for protection, Roman du Chevalier Tristan, 15th century (vellum) by French School, (15th century); Musee Conde, Chantilly

Background imageLoaves Collection: Pilgrims and the Poor welcomed by the Pia Almoina, c. 1330-1345 (fresco)

Pilgrims and the Poor welcomed by the Pia Almoina, c. 1330-1345 (fresco)
IND364426 Pilgrims and the Poor welcomed by the Pia Almoina, c.1330-1345 (fresco) by Catalan School, (14th century); Museo Diocesano de Solsona, Lleida

Background imageLoaves Collection: Fol. 59v Christ Feeds the Five Thousand (vellum)

Fol. 59v Christ Feeds the Five Thousand (vellum)
ALI142892 Fol.59v Christ Feeds the Five Thousand (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageLoaves Collection: Due to the food crisis, several tumultuous scenes have taken place in many French cities

Due to the food crisis, several tumultuous scenes have taken place in many French cities against... (colour litho)
2808826 Due to the food crisis, several tumultuous scenes have taken place in many French cities against... (colour litho) by Beltrame

Background imageLoaves Collection: The Hunger March in London (Colour Litho)

The Hunger March in London (Colour Litho)
2783643 The Hunger March in London (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Hunger March in London)

Background imageLoaves Collection: The Ill-matched Pair, 1566 (oil on wood)

The Ill-matched Pair, 1566 (oil on wood)
3588384 The Ill-matched Pair, 1566 (oil on wood) by Massys or Metsys, Jan (1509-75); 97x134 cm; National Museum, Stockholm, Sweden

Background imageLoaves Collection: The long, ever-growing procession of the little Belgian children (colour litho)

The long, ever-growing procession of the little Belgian children (colour litho)
2777608 The long, ever-growing procession of the little Belgian children (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: " The long)

Background imageLoaves Collection: The Three Angels, detail of The Hospitality of Abraham and the Sacrifice of Isaac

The Three Angels, detail of The Hospitality of Abraham and the Sacrifice of Isaac, 6th century (mosaic) (see 154709)
XIR322556 The Three Angels, detail of The Hospitality of Abraham and the Sacrifice of Isaac, 6th century (mosaic) (see 154709) by Byzantine School, (6th century); San Vitale, Ravenna, Italy

Background imageLoaves Collection: The Feeding of the Five Thousand (oil on panel)

The Feeding of the Five Thousand (oil on panel)
XIR209258 The Feeding of the Five Thousand (oil on panel) by Patenier or Patinir, Joachim (1487-1524); Monasterio del Escorial, Madrid, Spain; (add.info.: The multiplication of bread and fish; )



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"Deliciously Divine: Exploring the World of Loaves" Indulge in the heavenly taste of Tsoureki (Tsourekia), a traditional Greek Easter bread that transports you to Greece, the heart of Europe. As you stroll through St. Malo in Brittany, France, let your senses be captivated by the aroma emanating from a baker's sign, tempting you with freshly baked loaves. Remember the biblical tale of Jesus Feeding 5000? Just like those miraculous loaves and fishes, bread has always been a symbol of abundance and nourishment throughout history. Sing along to "London Bridge (New Version)" while savoring each bite of warm Greek bread, reminding us that food brings people together across cultures and continents. At an Italian market in Walton-on-Thames, Surrey, England, explore a vibrant bread stall displaying an array of mouthwatering loaves and slices - truly a feast for both eyes and palate. Discover how bread plays an essential role at National Children's Home Bakery in Harpenden as they provide sustenance for young souls on their journey towards brighter futures. Uncover over 120 ways to use this versatile staple with an enchanting cover design showcasing its endless possibilities - from sandwiches to French toast or even croutons. Step into Hereford Industrial School Bakery where hard work transforms simple ingredients into freshly baked loaves that bring comfort and hope to many lives. Marvel at "The Miracle of the Loaves and Fishes" engraving from Matthew XV, 36; it serves as a reminder that even small acts can create miracles when shared with others. Let your taste buds rejoice as you relish each bite of these delectable creations - whether it's Tsoureki or any other variety - because nothing compares to freshly baked loaves.