Liebana Collection

MAP OF THE WORLD, c1060. Map of the world, centering on Jerusalem. Spanish manuscript illumination, c1060, from the work of Beatus of Liebana (c730-c800)

Comments of the Beatus of Liebana to the Book of the Apocalypse, 1086
3499643 Comments of the Beatus of Liebana to the Book of the Apocalypse, 1086; Diocesan Museum of El Burgo de Osma, Province of Soria, Castile and Lion

Beatus from San Millan de la Cogolla, dated between 929-930
3499680 Beatus from San Millan de la Cogolla, dated between 929-930; (add.info.: Beatus from San Millan de la Cogolla, dated between 929-930)

Beatus of Liebana. Sheet 150. Death of the Beast and the enemies of God. Mozarabic art. Miniature Painting. Proc: SPAIN

DDE-90035158
Aerial tramway in the Picos de Europa at Fuente De, Liebana, Cantabria, northwestern Spain. Date: 20/07/2005

DDE-90035154
The Picos de Europa near Potes, Liebana, Cantabria, northwestern Spain. Date: 20/07/2005

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Alpine Chough flying in the Picos de Europa at Fuente De, Liebana, Cantabria, northwestern Spain. Date: 20/07/2005

DDE-90035156
Picos de Europa at Fuente De, Libana, Cantabria, northwestern Spain. Date: 20/07/2005

The Ark of the Covenant and the Beast, Miniature in the Beatus of Seu d Urgell (Commentary on the Apocalypse by Beatus of Liebana) codex on parchment made??, probably, in Castile or Leon, c. 975-1000

The Ark of the Covenant and the Beast, miniature in the Beatus of Turin (Commentary on the Apocalypse of Beatus of Liebana), codex on parchment made?

Harvest, grape harvest and the winepress of the wrath of God, detail, miniature in the Beatus of San Millan (Commentary on the Apocalypse of Beatus of Liebana)

Man decapitating the enemy, detail of the scene The Siege of Jerusalem (c. 597 b
Man decapitating the enemy, detail of the scene The Siege of Jerusalem (c.597 b.C) by the troops of the king of Babylon, Nebuchadnezzar II (605-562 b.C)

Illuminated page in Beatus of Don Fernando and Dona Sancha, based on Comments to the apocalypse of Beatus of Liebana, codex from 1047

Beatus of Liebana (c. 730- c. 800). The Commentary on the Apocalypse. The Ark of Noah. National Library. Madrid

Blessed of Valcavado. Illuminated codex. Detail
Blessed of Valcavado. 10th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John

Blessed San Pedro of Cardena. Illuminated codex. Detail
Blessed San Pedro of Cardena. 12th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John. Miniature depicting St

Detail of soldiers in Commentarius in Apocalypsim (Commentary on the Apocalypse) (776-786) work of Beatus of Li颡 na. 11th-12th century catalan copy of the visigothic Beatus of Girona of 976

ELDERS AND LAMB, c1100. Manuscript illumination, Spanish. c1100, from Beatus de Liebanas Commentary on the Apocalypse

MAIUS BEATUS, c950 A. D. The New Jerusalem. Spanish manuscript illumination, c950
MAIUS BEATUS, c950 A.D. The New Jerusalem. Spanish manuscript illumination, c950, from the Maius Beatus, an illuminated copy of the Commentary on the Apocalypse, by Beatus of Liebana, 8th century

APOCALYPSE. Babylon in flames. Spanish manuscript illumination, c950, from Commentary on the Apocalypse by Beatus of Liebana

NEW JERUSALEM, c1220. New Heavenly Jerusalem. Spanish manuscript illumination from Las Huelgas Apocalypse by Beatus of Liebana, 1220

NEBUCHADNEZZAR. Nebuchadnezzar eating grass: Spanish manuscript illumination from Commentary on Apocalypse by Beatus of Liebana

BEATUS OF SAINT-SEVER. Page from the Beatus made at the Abbey of Saint-Sever in Gascogny, France, c1050. The manuscript contains Beatus of Liebanas Commentary on the Apocalypse

Picos de Europa at Fuente De, Liebana, Cantabria, northwestern Spain

Aerial tramway in the Picos de Europa at Fuente De, Liebana, Cantabria, northwestern Spain

View of the Picos de Europa from an aerial tramway at Fuente De, Liebana, Cantabria, northwestern Spain

Picos de Europa at Fuente De, Libana, Cantabria, northwestern Spain

The Picos de Europa near Potes, Liebana, Cantabria, northwestern Spain

Miniature from Beatus of Liebana (San Beato c730-c800) Spanish monk, Commentary on the Apocalypse (Revelations) from the 11th century copy belonging to Fernando I and Sancha of Castile and Leon

Beatus of Liebana. 10th c. Sheet 150. Death of the Beast and the enemies of God. Mozarabic art. Miniature Painting. SPAIN. San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial

Beatus of Girona. 976. Fol. 16v, Crucifixion
" Beatus of Girona. 976. Fol. 16v, Crucifixion. Copy in Visigothic style, finished in 976, of the " Commentaries on the Apocalypse" by Beatus of Liebana

The town of Potes, Liebana, Cantabria, northwestern Spain

The Picos de Europa near the town of Potes, Liebana, Cantabria, northwestern Spain

Residential homes in the Picos de Europa near Potes, Liebana, Cantabria, northwestern Spain

HARVESTING, 975. Harvesting wheat and grapes, and protecting a city. Manuscript illumination, 975, from Beatus of Liebanas Commentary on the Apocalypse

APOCALYPSE, c950. Babylon: Spanish manuscript illumination, c950, from Commentary on the Apocalypse by Beatus of Liebana

BATTLESCENE, 975. Defending a castle. Manuscript illumination, 975, for Beatus of Liebanas Commentary on the Apocalyse

Statue of a pilgrim, Liebana, Cantabria, Spain, Europe

Santo Toribio monastery sculpture, Liebana, Cantabria, Spain, Europe

Crucifixion icon in Santo Toribio monastery, Liebana, Cantabria, Spain, Europe

Santo Toribio monastery door, Liebana, Cantabria, Spain, Europe

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Liebana, a captivating region in Cantabria, Spain, holds within its borders a rich tapestry of history and culture. From ancient manuscripts to breathtaking monasteries, a treasure trove of wonders. One such marvel is the Map of the World from around 1060. This Spanish manuscript illumination centers on Jerusalem, showcasing the significance of this holy city even during medieval times. It serves as a testament to the enduring power and influence of religion. Speaking of religious icons, the Crucifixion icon in Santo Toribio monastery is an awe-inspiring sight. Located in Liebana itself, this masterpiece transports visitors back in time with its intricate details and profound symbolism. It reminds us of the deep devotion that has permeated these lands for centuries. At the heart of Liebana's spiritual heritage lies Beatus himself. A renowned theologian and writer from the 8th century, his Commentary on the Apocalypse continues to captivate scholars today. His insightful interpretations shed light on biblical prophecies and offer glimpses into medieval thought. The Ark of the Covenant takes center stage in several miniatures found within Beatus' works. These exquisite illustrations depict both divine glory and apocalyptic chaos – contrasting themes that reflect humanity's eternal struggle between good and evil. But Liebana isn't just about spirituality; it also celebrates life's bountiful gifts. In one miniature depicting Harvest, grape harvesters diligently work amidst vineyards while others tread grapes underfoot to produce wine – a symbol not only of abundance but also divine wrath when misused. Warfare too finds its place among these pages as we witness a man decapitating his enemy during The Siege of Jerusalem scene from ancient times (597 B. C. ). Such scenes remind us that history can be brutal yet serve as reminders for peace-seeking generations. As you explore Liebana's remarkable past through these hints, you'll discover a region that has preserved its heritage with utmost care.