Lev Samoilovich Rosenberg Collection

Maria Kuznetsova, costume design for L Adoration
1195795 Maria Kuznetsova, costume design for L Adoration, 1922 (pencil and gouache on paper) by Bakst, Leon (1866-1924); 28.9x21.4 cm; Private Collection; Photo eChristies Images; Russian

Costume design for a Jewish Elder for the drama Judith, 1922 (pencil
1195699 Costume design for a Jewish Elder for the drama Judith, 1922 (pencil, w/c & gouache on paper) by Bakst, Leon (1866-1924); 28x19 cm; Private Collection; Photo eChristies Images; Russian

The Chinese Mandarin, costume design for Sleeping Beauty, 1921 (pencil
1195794 The Chinese Mandarin, costume design for Sleeping Beauty, 1921 (pencil, w/c & gouache) by Bakst, Leon (1866-1924); 40.5x26 cm; Private Collection; Photo eChristies Images; Russian

Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil
1195675 Costume design for Oedipus at Colonnus- Antigone, c. 1899 to 1909 (pencil, pen and black ink, w/c on paper) by Bakst

A costume design for Salome : Herodiade, (pencil and gouache
1195599 A costume design for Salome : Herodiade, (pencil and gouache, heightened with gold) by Bakst, Leon (1866-1924); 27x22.5 cm; Private Collection; Photo eChristies Images; Russian

Costume design for Ammoun, depicting a Nubian male dancer, (encil and gouache
990928 Costume design for Ammoun, depicting a Nubian male dancer, (encil and gouache, silver and gold paint) by Bakst, Leon (1866-1924); 30.5x21 cm; Private Collection; (add.info)

Egyptian Costume Designs for a Dancer, a Musician, Ta-Or, and Cleopatras Sister
985512 Egyptian Costume Designs for a Dancer, a Musician, Ta-Or, and Cleopatras Sister, (pencil and gouache on paper) by Bakst

The Yellow Sultana, 1916 (charcoal, w / c, gouach)
1195790 The Yellow Sultana, 1916 (charcoal, w/c, gouach) by Bakst, Leon (1866-1924); 46.5x68 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Costume design for a male dancer in Danse Juive
990930 Costume design for a male dancer in Danse Juive, wearing knickerbockers and a turban, playing a tambourine, (pencil and gouache on paper) by Bakst

Costume design for Madame Trouchanova in La Peri
1195697 Costume design for Madame Trouchanova in La Peri, 1911 (lithograph printed in colours, with gold paint, on paper) by Bakst

The Card Players, c. 1903 (pencil and gouache on paper)
1195539 The Card Players, c. 1903 (pencil and gouache on paper) by Bakst, Leon (1866-1924); 47.5x61 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Costume design for Bacchanale, soloist ballerina
985513 Costume design for Bacchanale, soloist ballerina, (pencil and gouache on paper) by Bakst, Leon (1866-1924); 30.5x21 cm; Private Collection; (add.info.: Costume design for Bacchanale)

Rinaldo, 1917 (pencil, ink, w / c & gouache, heightened with gold)
1195853 Rinaldo, 1917 (pencil, ink, w/c & gouache, heightened with gold) by Bakst, Leon (1866-1924); 45.2x29.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Costume design for Oedipus at Colonnus- the Stranger, c
1195674 Costume design for Oedipus at Colonnus- the Stranger, c. 1899-1909 (pencil, w/c & silver paint on paper) by Bakst

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Lev Samoilovich Rosenberg, also known as Leon Bakst, was a prolific Russian artist and costume designer who left an indelible mark on the world of theater and ballet. Born in 1866, he collaborated with renowned choreographer Sergei Diaghilev and his Ballets Russes, creating stunning costumes that brought characters to life on stage. One of Bakst's notable works includes his collaboration with Maria Kuznetsova for L'Adoration. Their combined efforts resulted in breathtaking costume designs that perfectly captured the essence of the production. In 1922, Bakst designed costumes for Judith, where he crafted a striking Jewish Elder ensemble using pencil sketches. His attention to detail and ability to convey cultural nuances through clothing made him a sought-after designer. Bakst's talent extended beyond traditional productions; he also worked on Sleeping Beauty, creating an exquisite Chinese Mandarin costume. The intricate pencil design showcased his ability to blend different cultures seamlessly. Another remarkable piece is Bakst's Oedipus at Colonnus-Antigone costume design from 1899-1909. With pencil strokes full of emotion and depth, he captured the essence of these iconic characters from Greek mythology. Salome: Herodiade saw Bakst combining both pencil and gouache techniques to create captivating costume designs. The fusion of colors added vibrancy while maintaining an air of mystery surrounding this biblical tale. Ammoun depicted a Nubian male dancer through Bakst's skillful use of pencil and gouache mediums. The resulting artwork showcased not only his artistic prowess but also celebrated diversity within dance forms. Bakst even ventured into Egyptian culture with his drawings depicting various costumes for dancers, musicians like Ta-Or, and Cleopatra's sister. These detailed illustrations highlighted his versatility as a designer who could capture historical accuracy effortlessly. The Yellow Sultana stands out among Bakst's works with its charcoal, watercolor, and gouache medium.