Leatherstocking Tales Collection

The Prairie on Fire, 1827. Creator: Alvan Fisher
The Prairie on Fire, 1827. Natty Bumppo creates a firebreak, scene from " The Prairie" by James Fenimore Cooper

Signature of novelist James Fenimore Cooper
3501409 Signature of novelist James Fenimore Cooper; (add.info.: Signature of James Fenimore Cooper 1789 to 1851. American novelist of frontier tales).

The young men advanced towards the ridge, Deerslayer in front (colour litho)
3626827 The young men advanced towards the ridge, Deerslayer in front (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: The young men advanced towards the ridge)

She made the arches of the forest ring with her screams (colour litho)
3626824 She made the arches of the forest ring with her screams (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info)

Scene from Last of the Mohicans, by James Fenimore Cooper (chromolitho)
1093675 Scene from Last of the Mohicans, by James Fenimore Cooper (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Last of the Mohicans)

Scene from The Deerslayer, by James Fenimore Cooper (chromolitho)
1093678 Scene from The Deerslayer, by James Fenimore Cooper (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from The Deerslayer, by James Fenimore Cooper)

Illustration from The Deerslayer, by James Fenimore Cooper (colour litho)
3626822 Illustration from The Deerslayer, by James Fenimore Cooper (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: Illustration from The Deerslayer)

"Aye, water shall you have if you drink the lake dry"(colour litho)
3626820 " Aye, water shall you have if you drink the lake dry" (colour litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: " Aye)

Signature Of James Fenimore Cooper 1789 To 1851. American Novelist Of Frontier Tales

COOPER: DEERSLAYER, 1925. Deerslayer, Chingachgook, and Judith inspect the contents of the trunk. Illustration by N.C. Wyeth to a 1925 edition of The Deerslayer by James Fenimore Cooper

COOPER: DEERSLAYER, 1925. Hetty stopped paddling. Illustration by N.C. Wyeth to a 1925 edition of The Deerslayer by James Fenimore Cooper

COOPER: DEERSLAYER, 1925. The Native American with his tomahawk charges Deerslayer [Natty Bumppo]: illustration by N.C. Wyeth to a 1925 edition of The Deerslayer by James Fenimore Cooper

LAST OF THE MOHICANS, 1919. The Fight in the Forest: illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

LAST OF THE MOHICANS, 1919. Illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

LAST OF THE MOHICANS, 1872. Half-title of an 1872 edition of James Fenimore Cooper s
LAST OF THE MOHICANS, 1872. Half-title of an 1872 edition of James Fenimore Coopers The Last of the Mohicans, with illustrations by Felix Octavius Carr Darley

LAST OF THE MOHICANS, 1872. Illustration by Felix Octavius Carr Darley from an 1872 edition of James Fenimore Coopers The Last of the Mohicans

Deerslayer with Judith: illustration by N. C. Wyeth to a 1925 edition of The Deerslayer by James Fenimore Cooper
COOPER: DEERSLAYER, 1925. Deerslayer with Judith: illustration by N.C. Wyeth to a 1925 edition of " The Deerslayer" by James Fenimore Cooper

Judith went herself on the platform... [where] she found Chingachgook studying the shores of the lake
COOPER: DEERSLAYER, 1925. Judith went herself on the platform... [where] she found Chingachgook studying the shores of the lake. Illustration by N.C

Hurry Harry seized the nearest Huron by the waist, raised him entirely from the platform
COOPER: DEERSLAYER, 1925. Hurry Harry seized the nearest Huron by the waist, raised him entirely from the platform, and hurled him into the water. Illustration by N.C

A man of gigantic mould broke out of the tangled labyrinth of a small swamp, emerging into an opening
COOPER: DEERSLAYER, 1925. A man of gigantic mould broke out of the tangled labyrinth of a small swamp, emerging into an opening. Illustration by N.C

Deerslayer, tied to a stake, endures trial by tomahawk and knife at the hands of the Huron Native Americans
COOPER: DEERSLAYER, 1925. Deerslayer, tied to a stake, endures trial by tomahawk and knife at the hands of the Huron Native Americans. Illustration by N.C

LAST OF THE MOHICANS, 1872. Wood engraving after Felix O. C. Darley from an 1872 edition of James Fenimore Coopers The
LAST OF THE MOHICANS, 1872. Wood engraving after Felix O.C. Darley from an 1872 edition of James Fenimore Coopers The Last of the Mohicans

LAST OF THE MOHICANS, 1872. Half-title of an 1872 edition of James Fenimore Coopers The Last of the Mohicans, with illustrations by Felix Octavius Carr Darley

LAST OF THE MOHICANS, 1872. Wrapper of an 1872 edition of James Fenimore Coopers The Last of the Mohicans

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"Exploring the Wild West: A Journey through the Leatherstocking Tales" Immerse yourself in the captivating world of James Fenimore Cooper's Leatherstocking Tales, a series of frontier novels that transport readers to untamed landscapes and thrilling adventures. In "The Prairie on Fire, " Alvan Fisher's vivid artwork depicts a dramatic scene as flames engulf the vast expanse, setting the stage for an epic tale of survival and courage. As we follow the young men advancing towards the ridge in "Deerslayer in front, " their determination is palpable. They embody bravery and resilience, ready to face any challenge that comes their way. The forest echoes with screams in "She made the arches of the forest ring with her screams. " This powerful lithograph captures a moment filled with tension and danger, leaving us eager to uncover what lies ahead. Cooper's masterpiece, "Last of the Mohicans, " takes center stage in multiple chromolithographs. From heart-pounding chase scenes to poignant encounters between cultures, these illustrations bring his gripping narrative to life. "The Deerslayer" also shines through its vibrant lithographs. We witness intense confrontations and breathtaking landscapes that mirror both beauty and treacherousness found within nature itself. Amidst all these thrilling moments, Cooper's signature reminds us of his legacy as an American novelist who skillfully crafted tales set against rugged frontiers. His work continues to captivate readers even today. So join us on this journey into uncharted territories where water is promised even if one were to drink an entire lake dry. The Leatherstocking Tales await your exploration - stories that will leave you breathless and yearning for more adventure beyond imagination.