Lawrence Alma Tadema Collection (page 3)

Lawrence Alma-Tadema, a renowned Dutch-British artist of the 19th century

Lawrence Alma Tadema Collection: Glaucus Nydia 1867 Lawrence Alma-Tadema British

Glaucus Nydia 1867 Lawrence Alma-Tadema British
Glaucus and Nydia, 1867. Lawrence Alma-Tadema (British, 1836-1912). Oil on wood panel; framed: 55.5 x 81 x 4.5 cm (21 7/8 x 31 7/8 x 1 3/4 in.); unframed: 39 x 64.3 cm (15 3/8 x 25 5/16 in.)

Lawrence Alma Tadema Collection: Welcome Footsteps (Well-known Footsteps), May 7, 1883. Creator: Leopold Lowenstam

Welcome Footsteps (Well-known Footsteps), May 7, 1883. Creator: Leopold Lowenstam
Welcome Footsteps (Well-known Footsteps), May 7, 1883

Lawrence Alma Tadema Collection: Sappho and her companions listening as the poet Alcaeus plays a kithara

Sappho and her companions listening as the poet Alcaeus plays a kithara, on the island of Lesbos by Lawrence Alma-Tadema

Dreaming woman, Lawrence Alma Tadema, 1875

Sketch for the improviser, Lawrence Alma Tadema, 1878

Naked woman and an armored knight, Lawrence Alma-Tadema, 1875

Sphinx, Lawrence Alma Tadema, 1875

The Egyptian Widow, Lawrence Alma Tadema, 1872

Lawrence Alma Tadema Collection: Sunny Days Signed and dated in brown paint, lower left: L Alma-Tadema [ ? ]'

Sunny Days Signed and dated in brown paint, lower left: L Alma-Tadema [ ? ]"
Sunny Days Signed and dated in brown paint, lower left: " L Alma-Tadema [ ? ]", Lawrence Alma-Tadema, 1836-1912, Dutch

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Lawrence Alma-Tadema, a renowned Dutch-British artist of the 19th century, captivated audiences with his exquisite paintings that transported viewers to ancient worlds filled with beauty and opulence. One such masterpiece is "At Aphrodite's Cradle (The Ever-New Horizon), " an oil on panel painting that showcases Alma-Tadema's meticulous attention to detail. The scene depicts a serene oasis where the goddess of love herself is cradled in nature's embrace. In "A Lover of Art, " we see Alma-Tadema's passion for his craft come alive on canvas. This oil painting portrays a gentleman engrossed in studying a piece of art, highlighting the artist's own deep appreciation for artistic expression. Alma-Tadema also had a talent for capturing interior spaces, as seen in "Interior of Gaius Marcius's House. " With watercolor on paper, he brings to life the grandeur and elegance of Roman architecture, transporting us back in time. "Silver Favourites" transports us to another era yet again - this time to early 20th-century England. Through delicate brushstrokes and careful composition, Alma-Tadema captures two young women admiring their silver trinkets amidst an atmosphere of leisure and luxury. In "A Roman Flower Market, " painted in 1868, Alma-Tadema takes us back even further into ancient Rome. The vibrant colors and bustling market scene evoke the sights and sounds experienced by Romans during this period. "Etruscan Vase Painters" showcases Alma-Tadema's fascination with history as he explores the world of Etruscan artistry through vivid depictions on canvas. His attention to detail allows us to appreciate not only the beauty but also the skill behind these ancient works. "The Frigidarium, " created in 1890 but later reproduced around 1915, presents an enchanting view into a Roman bathhouse.