Lavreince Collection

La Comparaison, (Comparison), 1786, (1913). Artist: Jean Francois Janinet
La Comparaison, (Comparison), 1786, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

L Aveu Difficile, (Difficult Confession), 1787, (1913). Artist: Jean Francois Janinet
L Aveu Difficile, (Difficult Confession), 1787, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Jamais D Accord, (Never in agreement), 1785-1810, (1913). Artist: Augustin Le Grand
Jamais D Accord, (Never in agreement), 1785-1810, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Graces Parisiennes Au Bois De Vincennes, 1790, (1913). Artist: Jean-Baptiste Chapuy
La Graces Parisiennes Au Bois De Vincennes, 1790, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Les Trois Soeurs Au Parc De Saint-Cloud, (Three Sisters in Parc Saint-Cloud), c1790, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century

L Indiscretion, 1788, (1929). Artist: Jean-Francois Janinet
L Indiscretion, 1788, (1929). Illustration from the Apollo Volume IX, no 53, (May 1929)

L aveu Difficile, 1786 (1931). Artist: Jean-Francois Janinet
L aveu Difficile, 1786 (1931). From Apollo magazine, volume XIII, no 76, April 1931

L Indiscretion, 1786 (1931). Artist: Jean-Francois Janinet
L Indiscretion, 1786 (1931). From Apollo magazine, volume XIII, no 76, April 1931

Salvatore Tresca after Nicolas Lavreince (Italian, probably 1750 - 1815), The Preparations for the Ballet, 1782, stipple and etching

Romain Girard after Nicolas Lavreince (French, born c. 1751), Valmont and Emilie, 1788, color stipple and etching

Auguste-Claude-Simon Legrand after Nicolas Lavreince (French, 1765 - 1815 or after), Le joli chien, stipple, etching, and engraving

Louis Le Coeur after Nicolas Lavreince (French, active c. 1784 - 1825), Si tu voulais, color aquatint and etching

Nicolas Delaunay after Nicolas Lavreince (French, 1739 - 1792), L heureux moment, 1777, etching and engraving

Geraud Vidal after Nicolas Lavreince (French, 1742 - 1801), La balancoire mysterieuse, 1784, etching and engraving

Jean-Baptiste Chapuy after Nicolas Lavreince (French, c. 1760 - 1802), Le petit favori, color aquatint and etching

Jean-Louis Delignon after Nicolas Lavreince (French, 1755 - c. 1804), Les offres seduisantes, 1782, etching and engraving

Jean-Franazois Janinet after Nicolas Lavreince (French, 1752 - 1814), Le petit conseil, color aquatint

A Woman Playing the Guitar, 1788-9, engraved by Jean-Francois Janinet (etching
XOS1765973 A Woman Playing the Guitar, 1788-9, engraved by Jean-FranAzois Janinet (etching and wash manner printed in colour inks) by Lafrensen

Beaumarchais / Lavreince
PIERRE-AUGUSTIN CARON de BEAUMARCHAIS French clockmaker and writer depicted reading his works to some friends

All Professionally Made to Order for Quick Shipping

"Lavreince: A Glimpse into the Artistic World of 18th Century France" Step back in time and immerse yourself in the captivating world of Lavreince, a renowned artist whose works continue to mesmerize art enthusiasts even today. La Comparaison (Comparison), painted in 1786 by Jean Francois Janinet, invites us to explore the intricacies of human nature through a thought-provoking composition. In L'Aveu Difficile (Difficult Confession), also created by Janinet in 1787, we witness an emotional moment frozen in time. The delicate brushstrokes convey the inner turmoil experienced during this challenging confession. Augustin Le Grand's masterpiece Jamais D'Accord (Never in agreement) from 1785-1810 showcases the complexities of relationships and communication. This piece serves as a reminder that understanding and compromise are essential for harmonious coexistence. Transporting us to Parisian elegance is Jean-Baptiste Chapuy's La Graces Parisiennes Au Bois De Vincennes from 1790. The graceful figures depicted amidst lush greenery evoke a sense of serenity and sophistication. The bond between siblings takes center stage in Les Trois Soeurs Au Parc De Saint-Cloud, skillfully crafted by Chapuy around 1790. Through his brushwork, he captures both their individuality and unity within the enchanting setting of Parc Saint-Cloud. Jean-Francois Janinet's L'Indiscretion from 1788 immerses us into a scene filled with intrigue and secrets. With masterful use of light and shadow, Janinet creates an atmosphere shrouded in mystery - leaving viewers captivated by what lies beneath its surface. Lavreince's artistry shines once again through L'Aveu Difficile (1931).