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Lavoro Collection

"Lavoro: A Glimpse into the Rich Tapestry of Human Endeavors" Step back in time to Ancient Egypt

Background imageLavoro Collection: IMMIGRATION USA 'We look for a million-man: very good salary', c.1885 (woodcut)

IMMIGRATION USA 'We look for a million-man: very good salary', c.1885 (woodcut)
2967620 IMMIGRATION USA 'We look for a million-man: very good salary', c.1885 (woodcut); (add.info.: IMMIGRATION USA 'We look for a million-man)

Background imageLavoro Collection: World War 1 1914 1918-An amputee soldier returns to work in the countryside

World War 1 1914 1918-An amputee soldier returns to work in the countryside
5314356 World War 1 1914 1918-An amputee soldier returns to work in the countryside; (add.info.: World War 1 1914 1918-An amputee soldier returns to work in the countryside. 1917); SeM Studio/UIG.

Background imageLavoro Collection: Jam Factory (oil on plywood)

Jam Factory (oil on plywood)
5894096 Jam Factory (oil on plywood) by Salvarani, Arcangelo (1882-1953); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol,inv)

Background imageLavoro Collection: Washerwomen (etching and aquatint on pape, plate)

Washerwomen (etching and aquatint on pape, plate)
3713109 Washerwomen (etching and aquatint on pape, plate) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: In the kitchen (litho)

In the kitchen (litho)
3712768 In the kitchen (litho) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol: Giuseppe Graziosi (1879-1942)

Background imageLavoro Collection: Woman beating the Wheat (bronze)

Woman beating the Wheat (bronze)
3713107 Woman beating the Wheat (bronze) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: Washerwomen in the Farmyard (etching and aquatint on paper, plate)

Washerwomen in the Farmyard (etching and aquatint on paper, plate)
3713111 Washerwomen in the Farmyard (etching and aquatint on paper, plate) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: Cart with Oxen (etching and aquatint on paper, plate)

Cart with Oxen (etching and aquatint on paper, plate)
3713110 Cart with Oxen (etching and aquatint on paper, plate) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: The Ploughing (oil on cardboard)

The Ploughing (oil on cardboard)
3712770 The Ploughing (oil on cardboard) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: Working in the Fields (etching and aquatint on pape, plate)

Working in the Fields (etching and aquatint on pape, plate)
3713137 Working in the Fields (etching and aquatint on pape, plate) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLavoro Collection: The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)

The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)
6200624 The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas) by Albertis, Paolo de (1770-1844); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imageLavoro Collection: The labours and the work of Adam and Eve, Byzantine mosaic, Old Testament Cycle-Earthly Paradise

The labours and the work of Adam and Eve, Byzantine mosaic, Old Testament Cycle-Earthly Paradise
6166390 The labours and the work of Adam and Eve, Byzantine mosaic, Old Testament Cycle-Earthly Paradise, XII-XIII century (mosaic) by Byzantine

Background imageLavoro Collection: Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)

Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)
6262920 Lectern and fragments of the choir, 1330-70 (carved and inlaid wood) by Sienese School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageLavoro Collection: Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)

Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)
6262922 Lectern and fragments of the choir, 1330-70 (carved and inlaid wood) by Sienese School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Orvieto)

Background imageLavoro Collection: Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)

Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)
6262931 Lectern and fragments of the choir, 1330-70 (carved and inlaid wood) by Sienese School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Orvieto)

Background imageLavoro Collection: Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)

Lectern and fragments of the choir, 1330-70 (carved and inlaid wood)
6262928 Lectern and fragments of the choir, 1330-70 (carved and inlaid wood) by Sienese School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Orvieto)

Background imageLavoro Collection: The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)

The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)
6200623 The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas) by Albertis, Paolo de (1770-1844); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imageLavoro Collection: Young Fishermen, 1855 (oil on canvas)

Young Fishermen, 1855 (oil on canvas)
6200625 Young Fishermen, 1855 (oil on canvas) by Induno, Domenico (1815-78); Private Collection; (add.info.: Domenico Induno: " Giovani pescatori", olio su tela, 1855.); Ghigo Roli

Background imageLavoro Collection: The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)

The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)
6200622 The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas) by Albertis, Paolo de (1770-1844); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imageLavoro Collection: Miller, 1720 (oil on canvas)

Miller, 1720 (oil on canvas)
5973918 Miller, 1720 (oil on canvas) by Cifrondi, Antonio (1655-1730); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Mugnaio")

Background imageLavoro Collection: Firemen using a fire pump

Firemen using a fire pump
XEE555424 Firemen using a fire pump by French School, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Background imageLavoro Collection: Austrian farmers on their way to church, 18th century

Austrian farmers on their way to church, 18th century
Austrian farmers in Sunday Best outfits on their way to church, 18th century. Contadini dell Austria che si recano alla chiesa

Background imageLavoro Collection: Korean Porters in the Chemulpo harbour (South Korea), unloding the junks - Illustration

Korean Porters in the Chemulpo harbour (South Korea), unloding the junks - Illustration
LSE808542 Korean Porters in the Chemulpo harbour (South Korea), unloding the junks - Illustration after a 19th century photography by J

Background imageLavoro Collection: Ancient Greece: Pottery, 1866 (coloured engraving)

Ancient Greece: Pottery, 1866 (coloured engraving)
XEE702538 Ancient Greece: Pottery, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Background imageLavoro Collection: Ancient Egypt: Carving a statue of the Abu Simbel Temple, 1866 (coloured engraving)

Ancient Egypt: Carving a statue of the Abu Simbel Temple, 1866 (coloured engraving)
XEE702492 Ancient Egypt: Carving a statue of the Abu Simbel Temple, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Background imageLavoro Collection: Women compositors at the printing office of the Victoria Press, Great Coram Street

Women compositors at the printing office of the Victoria Press, Great Coram Street
XEE557569 Women compositors at the printing office of the Victoria Press, Great Coram Street, London, in 1860. by English School, (19th century); Private Collection; Stefano Bianchetti; English

Background imageLavoro Collection: Harvesting of rubber in the forests of Brazil

Harvesting of rubber in the forests of Brazil
XEE555432 Harvesting of rubber in the forests of Brazil by French School, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Background imageLavoro Collection: Senegalese black weaver

Senegalese black weaver
XEE555430 Senegalese black weaver by French School, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Background imageLavoro Collection: Oil mill used on the west coast of Africa

Oil mill used on the west coast of Africa
XEE555427 Oil mill used on the west coast of Africa by French School, (19th century); Private Collection; Stefano Bianchetti; French, out of copyright

Background imageLavoro Collection: Self-portrait at the easel. (oil on canvas, 1660)

Self-portrait at the easel. (oil on canvas, 1660)
LRI4610507 Self-portrait at the easel. (oil on canvas, 1660) by Rembrandt Harmensz. van Rijn (1606-69); Louvre, Paris, France; (add.info.: Self-portrait at the easel)

Background imageLavoro Collection: Divine weapons forged in the Volcanos Forge in front of some angels lying in

Divine weapons forged in the Volcanos Forge in front of some angels lying in
LRI4608215 Divine weapons forged in the Volcanos Forge in front of some angels lying in the clouds, Detail (Fresco, 16th century) by Luini, Bernardino (c.1480-1532); Pinacoteca di Brera, Milan

Background imageLavoro Collection: Preparing for the Paris exhibition of 1900 : view of the building operations from

Preparing for the Paris exhibition of 1900 : view of the building operations from
XEE557548 Preparing for the Paris exhibition of 1900 : view of the building operations from the north side of the Seine. by Renouard

Background imageLavoro Collection: R 01800

R 01800
campania, isola d ischia, una spiaggia di lacco ameno, 1945 1950

Background imageLavoro Collection: DAD 00051

DAD 00051
usa, california, veduta di san francisco durante i lavori di costruzione del bay bridge, 1935

Background imageLavoro Collection: CAS 01104

CAS 01104
asia, india, calcutta, una via con impalcature e riscio, 1964

Background imageLavoro Collection: CBG 00050

CBG 00050
pakistan, addetto ai servizi di ristorazione sui treni, 1955

Background imageLavoro Collection: Turin, Italy - The US Pavilion - Turin International Exhibit

Turin, Italy - The US Pavilion - Turin International Exhibit
Turin, Italy - The United States Pavilion at the Turin International Exhibition of 1911 at the Parco del Valentino. Date: 1911

Background imageLavoro Collection: pensione per cani e gatti

pensione per cani e gatti

Background imageLavoro Collection: europa, italia, toscana, crete senesi, azienda agricola vergelle, pastori

europa, italia, toscana, crete senesi, azienda agricola vergelle, pastori

Background imageLavoro Collection: Palazzo della Civiltࠤel Lavoro. 1938-1943

Palazzo della Civiltࠤel Lavoro. 1938-1943
Palazzo della Civiltࠤ el Lavoro. 1938-1943. ITALY. LAZIO. ROME. Rome


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"Lavoro: A Glimpse into the Rich Tapestry of Human Endeavors" Step back in time to Ancient Egypt, where the grandeur of the pyramids stands tall as a testament to their unwavering dedication and hard work. The colossal structures, meticulously built by countless laborers, showcase the power of lavoro. In 1866, a colored engraving captures the awe-inspiring tuna fish mattanza in Solanto. Amidst this ancient tradition, we witness not only skilled fishermen but also the royal family's presence, highlighting how lavoro unites people from all walks of life. Delve further into history with a Byzantine mosaic depicting Adam and Eve's labors in Earthly Paradise. This masterpiece from XII-XIII century showcases mankind's eternal connection with lavoro – our ceaseless efforts to cultivate and shape our surroundings. Marvel at carved and inlaid wood lecterns and fragments of choirs dating back to 1330-70. These intricate creations stand as testaments to craftsmanship born out of passion for one's trade – an ode to those who pour their heart and soul into ogni singolo dettaglio (every single detail). The vibrant oil paintings transport us through time once more; whether it be witnessing young fishermen navigating treacherous waters or capturing moments during another tuna fish mattanza attended by royalty. These artworks immortalize lavori that have sustained communities for centuries. Even beyond artistry lies essential occupations like that of a miller depicted in a captivating 1720 oil painting. With sleeves rolled up, he embodies diligence while grinding grains - his contribution vital for sustenance. Lastly, let us not forget those brave firefighters utilizing fire pumps - exemplifying selflessness as they battle against raging infernos. Their tireless commitment reminds us that some lavori are driven by duty towards safeguarding lives and property. From ancient civilizations' monumental constructions to everyday trades shaping society today.