Late Eighteenth Century Collection (page 8)

The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period

Late Eighteenth Century Collection: A View of Paris from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink

A View of Paris from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink
989644 A View of Paris from the Heights of Saint Cloud, 1791 (black lead, pen and gray ink, watercolour on wove paper) by Debret

Late Eighteenth Century Collection: Portrait of Johann Burki, Commissaire General of the Canton of Berne, and his family

Portrait of Johann Burki, Commissaire General of the Canton of Berne, and his family
990385 Portrait of Johann Burki, Commissaire General of the Canton of Berne, and his family, 1797 (oil on canvas) by Legrand

Late Eighteenth Century Collection: Studies of Heads of a Young Man and Girl, (oil on canvas)

Studies of Heads of a Young Man and Girl, (oil on canvas)
990361 Studies of Heads of a Young Man and Girl, (oil on canvas) by Gandolfi, Gaetano (1734-1802); 50.8x36.2 cm; Private Collection; (add.info.: Studies of Heads of a Young Man and Girl)

Late Eighteenth Century Collection: A Child, (oil on canvas)

A Child, (oil on canvas)
990327 A Child, (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 40x32 cm; Private Collection; (add.info.: A Child. Jean-Honore Fragonard (1732-1806). Oil on canvas

Late Eighteenth Century Collection: The Vision of the Deluge, (oil on canvas)

The Vision of the Deluge, (oil on canvas)
990304 The Vision of the Deluge, (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 247x206 cm; Private Collection; (add.info.: The Vision of the Deluge)

Late Eighteenth Century Collection: Views of the Chateau de Mousseaux and its Gardens, (oil on canvas)

Views of the Chateau de Mousseaux and its Gardens, (oil on canvas)
990303 Views of the Chateau de Mousseaux and its Gardens, (oil on canvas) by Hue, Jean-Francois (1751-1823); 75.1x89.2 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Plate VII (a colourful exotic bird), 1776 (hand-coloured engraving)

Plate VII (a colourful exotic bird), 1776 (hand-coloured engraving)
986463 Plate VII (a colourful exotic bird), 1776 (hand-coloured engraving) by Brown, Peter (fl.1758-99); 29.2x23.2 cm; Private Collection; (add.info.: Plate VII (a colourful exotic bird)

Late Eighteenth Century Collection: View of Hall in Tirol, 1779-1792 (hand-coloured etching)

View of Hall in Tirol, 1779-1792 (hand-coloured etching)
986409 View of Hall in Tirol, 1779-1792 (hand-coloured etching) by Austrian School, (18th century); 39.4x53.5 cm; Private Collection; (add.info.: View of Hall in Tirol)

Late Eighteenth Century Collection: Chart of the Island of Timor, c. 1760 (ink and wash on paper)

Chart of the Island of Timor, c. 1760 (ink and wash on paper)
986261 Chart of the Island of Timor, c.1760 (ink and wash on paper) by Dutch School, (18th century); 90x58.5 cm; Private Collection; (add.info.: Chart of the Island of Timor)

Late Eighteenth Century Collection: The Drake, 1791-96 (hand-coloured engraving)

The Drake, 1791-96 (hand-coloured engraving)
986241 The Drake, 1791-96 (hand-coloured engraving) by Lord, Thomas (1755-1832); 44x27.6 cm; Private Collection; (add.info.: The Drake)

Late Eighteenth Century Collection: Life-cycle of a Moth, Plate 23, from The Aurelian, or Natural History of English

Life-cycle of a Moth, Plate 23, from The Aurelian, or Natural History of English
986225 Life-cycle of a Moth, Plate 23, from The Aurelian, or Natural History of English Insects, 1778 (hand-coloured engraving) by Harris

Late Eighteenth Century Collection: A Map of England, 1760 (hand coloured engraving)

A Map of England, 1760 (hand coloured engraving)
986182 A Map of England, 1760 (hand coloured engraving) by Seutter, Georg MatthAaus (1678-1757); Private Collection; (add.info.: A Map of England)

Late Eighteenth Century Collection: One of the Celebrated Victory of the Nile Mugs, by Duesbury & Kean, 1798 (porcelain

One of the Celebrated Victory of the Nile Mugs, by Duesbury & Kean, 1798 (porcelain
986129 One of the Celebrated Victory of the Nile Mugs, by Duesbury & Kean, 1798 (porcelain, paint, gilt) by English School

Late Eighteenth Century Collection: Nicobar Pigeon, 1799-1808 (colour engraving)

Nicobar Pigeon, 1799-1808 (colour engraving)
986110 Nicobar Pigeon, 1799-1808 (colour engraving) by Reinold, Jean Lebrecht (fl. 1790-1808); 54x35 cm; Private Collection; (add.info.: Nicobar Pigeon; Le Colombi-galline a camail)

Late Eighteenth Century Collection: Veduta del Porto di Ripa Grande, c. 1760 (engraving)

Veduta del Porto di Ripa Grande, c. 1760 (engraving)
986090 Veduta del Porto di Ripa Grande, c.1760 (engraving) by Piranesi, Giovanni Battista (1720-78) (after); 37.9x61 cm; Private Collection; (add.info.: Veduta del Porto di Ripa Grande)

Late Eighteenth Century Collection: Chaetodon Aureus (Pomacanthus arcuatus) (Fig. 1) and Lookdown Fish (Selen vomer), c

Chaetodon Aureus (Pomacanthus arcuatus) (Fig. 1) and Lookdown Fish (Selen vomer), c
986079 Chaetodon Aureus (Pomacanthus arcuatus) (Fig. 1) and Lookdown Fish (Selen vomer), c.1785-88 (hand coloured engraving) by Schmidt

Late Eighteenth Century Collection: Garden Poppy with black Seeds, 1769 (hand-coloured engraving)

Garden Poppy with black Seeds, 1769 (hand-coloured engraving)
986057 Garden Poppy with black Seeds, 1769 (hand-coloured engraving) by Edwards, John (fl.1763-1812); Private Collection; (add.info.: Garden Poppy with black Seeds)

Late Eighteenth Century Collection: Spring, 1789 (hand-coloured relief-etching, watercolour)

Spring, 1789 (hand-coloured relief-etching, watercolour)
985826 Spring, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8. cm; Private Collection; (add.info.: Spring. Plate 24 from Songs of Innocence)

Late Eighteenth Century Collection: Night, 1789 (hand-coloured relief-etching, watercolour)

Night, 1789 (hand-coloured relief-etching, watercolour)
985825 Night, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Night. Plate 21 from Songs of Innocence)

Late Eighteenth Century Collection: The Divine Image, 1789 (hand-coloured relief-etching, watercolour)

The Divine Image, 1789 (hand-coloured relief-etching, watercolour)
985822 The Divine Image, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: The Divine Image)

Late Eighteenth Century Collection: Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
985821 Infant Joy, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Infant Joy. Plate 26 from Songs of Innocence)

Late Eighteenth Century Collection: Lily, c. 1790 (w / c & pencil on paper)

Lily, c. 1790 (w / c & pencil on paper)
985721 Lily, c.1790 (w/c & pencil on paper) by Tuthill, Martha (19th century); 30.5x25 cm; Private Collection; (add.info.: Lily. A set of twenty-two studies of various flowers, England circa 1790)

Late Eighteenth Century Collection: Group Portrait of the van den Bosch Family, dining by a House, a Topiary Garden Beyond

Group Portrait of the van den Bosch Family, dining by a House, a Topiary Garden Beyond
991424 Group Portrait of the van den Bosch Family, dining by a House, a Topiary Garden Beyond, 1777 (oil on canvas) by Horemans

Late Eighteenth Century Collection: Lake Geneva from the slopes of Cologny looking towards Eaux-Vives (oil on canvas)

Lake Geneva from the slopes of Cologny looking towards Eaux-Vives (oil on canvas)
991269 Lake Geneva from the slopes of Cologny looking towards Eaux-Vives (oil on canvas) by Malgo, Simon (1745-after 1793); 58.4x81.3 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Pulmonaria Maritima, 1785-1788 (hand-coloured engraving)

Pulmonaria Maritima, 1785-1788 (hand-coloured engraving)
991241 Pulmonaria Maritima, 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Pulmonaria Maritima)

Late Eighteenth Century Collection: Chaetodon Glaucus, 1785-1788 (hand-coloured engraving)

Chaetodon Glaucus, 1785-1788 (hand-coloured engraving)
991237 Chaetodon Glaucus, 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Chaetodon Glaucus)

Late Eighteenth Century Collection: Wallflower (Keiri, Cheiri), c. 1750-65 (hand-coloured engraving)

Wallflower (Keiri, Cheiri), c. 1750-65 (hand-coloured engraving)
985942 Wallflower (Keiri, Cheiri), c.1750-65 (hand-coloured engraving) by Eisenberger, Nikolaus Friedrich (1701-71); 36x23 cm; Private Collection; (add.info.: Wallflower (Keiri, Cheiri)

Late Eighteenth Century Collection: Marriage a la Mode (Plate II), 1768 (engraving)

Marriage a la Mode (Plate II), 1768 (engraving)
985920 Marriage a la Mode (Plate II), 1768 (engraving) by Hogarth, William (1697-1764); 45.6x28.6 cm; Private Collection; (add.info.: Marriage a la Mode (Plate II). From Les Satyres (French title)

Late Eighteenth Century Collection: A Plan of the Town and Harbour of Boston and the Country adjacent

A Plan of the Town and Harbour of Boston and the Country adjacent
985758 A Plan of the Town and Harbour of Boston and the Country adjacent (with locations of the battles of Concord and Lexington, 19th April, 1775)

Late Eighteenth Century Collection: Amaryllis, c. 1790 (w / c & pencil on paper)

Amaryllis, c. 1790 (w / c & pencil on paper)
985722 Amaryllis, c.1790 (w/c & pencil on paper) by Tuthill, Martha (19th century); 30.5x25 (approx) cm; Private Collection; (add.info.: Amaryllis)

Late Eighteenth Century Collection: Various pear species, 1760-1766 (hand-coloured engraving)

Various pear species, 1760-1766 (hand-coloured engraving)
985706 Various pear species, 1760-1766 (hand-coloured engraving) by Knoop, Johann Hermann (c.1700-69); 35.7x24.5 cm; Private Collection; (add.info.: Various pear species. From Pomologia)

Late Eighteenth Century Collection: The Proposal, 1771 (oil on panel)

The Proposal, 1771 (oil on panel)
827675 The Proposal, 1771 (oil on panel) by Buys, Jacobus (1724-1801); 57.5x44.4 cm; Private Collection; (add.info.: The Proposal. Jacobus Buys (1724-1801). Oil on panel. Painted in 1771

Late Eighteenth Century Collection: Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox

Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox
827937 Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox, four Domestic Ducks, two Great Bustards, three Barn Owls a Turtle Dove, a Lapwing, a Nutcracker

Late Eighteenth Century Collection: Portrait of a Lady, seated half-length, wearing a Brown Dress and a White Shawl

Portrait of a Lady, seated half-length, wearing a Brown Dress and a White Shawl
827908 Portrait of a Lady, seated half-length, wearing a Brown Dress and a White Shawl, 1778 (oil on canvas) by Juel, Jens (1745-1802); 72.4x57.2 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Saint Mary Magdalen, (oil on canvas)

Saint Mary Magdalen, (oil on canvas)
827877 Saint Mary Magdalen, (oil on canvas) by Graff, Anton (1736-1813); 119x187.5 cm; Private Collection; (add.info.: Saint Mary Magdalen. Anton Graff (1736-1813). Oil on canvas

Late Eighteenth Century Collection: A View of the Coast near Naples with a British Royal Navy Three-Decker flying the Flag of

A View of the Coast near Naples with a British Royal Navy Three-Decker flying the Flag of
827695 A View of the Coast near Naples with a British Royal Navy Three-Decker flying the Flag of a Vice Admiral of the Red, 1777 (oil on canvas) by Hackert

Late Eighteenth Century Collection: A View of the Acropolis, Athens, from the Temple of Zeus at Olympia, c

A View of the Acropolis, Athens, from the Temple of Zeus at Olympia, c
827573 A View of the Acropolis, Athens, from the Temple of Zeus at Olympia, c.1786-87 (black lead, pen, black ink and watercolour) by Cassas, Louis Francois (1756-1827); 19.7x28.7

Late Eighteenth Century Collection: Pink and Red Peonies Blown to the Left in a Breeze and a Butterfly (woodblock print)

Pink and Red Peonies Blown to the Left in a Breeze and a Butterfly (woodblock print)
1766523 Pink and Red Peonies Blown to the Left in a Breeze and a Butterfly (woodblock print) by Hokusai, Katsushika (1760-1849); 25x37.4 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Peonies and Rock, 1893 (ink and colour on silk)

Peonies and Rock, 1893 (ink and colour on silk)
1764934 Peonies and Rock, 1893 (ink and colour on silk) by Chinese School (19th century); Private Collection; (add.info.: Peonies and Rock. Cixi (Empress Dowager) (1835-1908)

Late Eighteenth Century Collection: America Nursing Spanish Noble Boys, c. 1770 (oil on canvas)

America Nursing Spanish Noble Boys, c. 1770 (oil on canvas)
652232 America Nursing Spanish Noble Boys, c.1770 (oil on canvas) by Peruvian School (18th century); 87.5x65 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of Miss Bentley, Seated Full Length, Wearing a White Dress

Portrait of Miss Bentley, Seated Full Length, Wearing a White Dress
652196 Portrait of Miss Bentley, Seated Full Length, Wearing a White Dress, Holding a Rabbit in a Landscape, c.1781 (oil on canvas) by Wright of Derby

Late Eighteenth Century Collection: A Wooded Landscape with a Shepherd Boy Listening to a Magpie, and Three Sheep

A Wooded Landscape with a Shepherd Boy Listening to a Magpie, and Three Sheep
652133 A Wooded Landscape with a Shepherd Boy Listening to a Magpie, and Three Sheep, (oil on canvas) by Dupont, Gainsborough (1754-97); 190.5x137.2 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey

Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey
651989 Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of the South Front, Design B, and Elevation of the North Front

Late Eighteenth Century Collection: A Panoramic View of Naples, the Bay of Naples, Portici, Vesuvius

A Panoramic View of Naples, the Bay of Naples, Portici, Vesuvius
659311 A Panoramic View of Naples, the Bay of Naples, Portici, Vesuvius, the Sorrento Peninsula and Capri from the Conocchia, (oil on canvas) by Fabris

Late Eighteenth Century Collection: The Duke of York on a Quay in a Flag Officers Uniform, 1768 (black lead, red chalk

The Duke of York on a Quay in a Flag Officers Uniform, 1768 (black lead, red chalk
659250 The Duke of York on a Quay in a Flag Officers Uniform, 1768 (black lead, red chalk, watercolour heightened with white) by Carmontelle

Late Eighteenth Century Collection: The Duchess of Chaulmes, as a Gardener in an Allee, 1771 (black lead, red chalk

The Duchess of Chaulmes, as a Gardener in an Allee, 1771 (black lead, red chalk
659244 The Duchess of Chaulmes, as a Gardener in an Allee, 1771 (black lead, red chalk, watercolour) by Carmontelle, (Louis Carrogis) (1717-1806); 31.7x19 cm; Private Collection; (add.info)

Late Eighteenth Century Collection: Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume

Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume
659233 Portrait of the Marquis de Fleury as an Infant in a Padded Hat, with a Plume, Holding a Gold and Coral Teething Rattle, 1762 (pastel) by Vigee

Late Eighteenth Century Collection: Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher

Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher
659436 Venus Resting, After Francois Boucher; Le Repos de Venus, After Francois Boucher, 1774 (chalk-manner etching with engraving printed in colours (black, b) by Bonnet

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The late eighteenth century was a time of great artistic and cultural diversity, as seen in the various works from this period. From the thrilling world of horse racing to the epic tales of ancient mythology, each piece captures a unique aspect of this era. In "Eclipse, " we witness the power and grace of a dark chestnut racehorse held by a groom, with a jockey ready to embark on an exhilarating ride. The energy and excitement surrounding these races were emblematic of the spirit of competition during this time. "The Death of Bhishma" transports us back to ancient times, depicting Arjuna's numerous arrows mortally wounding Bhishma. This dramatic scene showcases both the fascination with mythological narratives and the skillful artistry that brought them to life. Moving away from action-packed scenes, "The Lamb" presents us with a delicate hand-colored relief-etching watercolor. This gentle portrayal reminds us that amidst all turmoil, there is still room for tenderness and innocence in our lives. Taking us beyond mythical realms into historical landscapes, "The greater portion of the longest length wall of an Atrium in Pompei" offers an exquisite hand-colored engraving capturing one section of this ancient city frozen in time. It serves as a testament to both human ingenuity and preservation efforts during this period. Nature lovers will be captivated by "Magnolia, " showcasing its beauty through meticulously hand-colored engraved plates. Similarly enchanting is "Paeonia suffruticosa Andr. Var papaveracea, " which celebrates botanical wonders through intricate engravings bursting with vibrant colors. Venturing into darker themes, "The Massacre of Innocents" portrays tragedy through pencil sketches and brown washes—a haunting reminder that even amidst progress, humanity can succumb to cruelty if left unchecked. Contrasting these somber tones is "The White Lily, " where color aquatint meets mezzotint, resulting in a stunning piece that exudes elegance and purity.