Lapel Collection (#5)

SAMUEL TAYLOR COLERIDGE (1772-1834). English poet. Pencil and wash drawing, 1796, by Robert Hancock (1730-1817)

SALVATORE QUASIMODO (1901-1968). Italian poet and critic

J. P. BRISSOT DE WARVILLE (1754-1793). Jacques-Pierre Brissot de Warville
J.P. BRISSOT DE WARVILLE (1754-1793). Jacques-Pierre Brissot de Warville. French journalist and revolutionary politician. Contemporary oil

JUAN VALERA Y ALCALA (1824-1905). Juan Valera y Alcala Galiano. Spanish writer and diplomat. Wood engraving, 1884

MANUEL MACHADO y RUIZ (1874-1947). Spanish poet

JOHN TRUMBULL (1756-1843). American painter. Steel engraving, 1833, by Asher B. Durand after a painting by Samuel Lovett Waldo and William Jewett

KARL BAEDEKER (1801-1859). German publisher. Wood engraving, German, 19th century

FASHION: YACHTSWOMAN, 1893. A gown for a patriotic yachtswoman of red, white and blue serge that may serve for a Fourth of July dinner dress at sea. Wood engraving, 1893

KARL von VOIT (1831-1908). German physiologist. Wood engraving, late 19th century, after a photograph

THOMAS WILSON DORR (1805-1854). American lawyer and politician. Line and stipple engraving, 1842

NEAL DOW (1804-1897). American temperance advocate. Wood engraving, American, 19th century

THE BROOKLYN FERRY. The Brooklyn Ferry, connecting New York with Brooklyn, in the mid-18th century. Line engraving, 19th century

THOMAS MACDONOUGH (1783-1825). American naval commander. Stipple engraving, 1833, after a painting, 1812, by John Wesley Jarvis

CHARLES (1771-1847). Archduke of Austria and Duke of Teschen. Wood engraving after a painting, c1810

JOHN BARRY (1745-1803). American (Irish-born) naval officer. Steel engraving, 19th century, after Gilbert Stuart

Charabanc outing, Walton-on-the-Naze, Essex
Twenty-eight men, most of them with a carnation on their lapel, and two women, posing for their photo before setting off in a charabanc for a days outing to the races, organised by the Marine Hotel

Derby County FC lapel or tie pin
A Derby County Football Club lapel or tie pin in black and gold. Date: early 20th century

Young lady in plain brown dress by Jean Patou
Young lady wearing a plain brown v-necked crepe dress with flared sleeves, by Jean Patou. 1924

WILLIAM F. CODY (1846-1917). Buffalo Bill. American scout and showman. Photograph, c1880

EMMETT DALTON (1871-1937). American desperado, real estate agent and motion picture script writer

Middle-aged Victorian man with whiskers
A middle-aged Victorian man with whiskers and a long face. He is wearing a wide-lapelled jacket and a large tie with a tiepin

SIMPSONs SUIT 1937
An elegant man in a double- breasted suit with easy drape and long lapel rolled to the bottom button worn with a carnation buttonhole, striped tie & trilby hat

Wilhelm Ii / Schwarz
Wilhelm II German Royalty German Emperor

Edward Braddock
EDWARD BRADDOCK British Major General and commander in chief of forces in America. Led expedition against Fort Duquesne (1755)

Fashionable Couple 1837
Man: frock coat with roll collar & pointed lapel. Woman: pink & white open-robe, bodice with lace tucker & quilling, tunic fastened at intervals with a shell shaped trim

English Style Dress 1834
English style: brown cut-away D-B coat with triangular notch between lapel & collar, pale grey trousers; plaid waistcoat with shawl collar, green frock coat & white pantaloons

Poppy in Button Hole
A remembrance poppy on the lapel of a tweed jacket

Study of a Tramp
A study of an old man, a tramp, with matted hair, a gypsy sprig pinned to his lapel and a couple of war medals pinned to his coat with a safety pin

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"Lapel: A Window into History and Hierarchy" From the elegant brushstrokes capturing John Clare's poetic soul to the meticulous detailing of naval insignia, lapels have long served as a canvas for self-expression and social distinction. In William Hilton's 1820 oil painting, we catch a glimpse of Clare's refined lapel adorned with a delicate flower, symbolizing his artistic sensibilities. But beyond personal adornment, lapels also hold clues to rank and status. In the Royal Navy, recognizing one's position was as simple as glancing at the intricately designed badges adorning their lapels. These emblems spoke volumes about experience and authority on the high seas. Moving across continents and disciplines, Frederic Chopin graces our attention in an intriguing photograph from 1849. His modest yet tasteful attire is complemented by a subtle but distinguished lapel pin—a testament to his musical genius that resonates even today. In contrast to Chopin's serene image stands Lenin Making Speech—an iconic moment captured in history. Amidst fervent political discourse, Lenin dons a suit embellished with an eye-catching lapel pin representing solidarity with his cause—a powerful emblem uniting comrades under one banner. Stepping into the realm of illusion and enchantment, Alexander Herrmann mesmerizes audiences with his magical prowess. But hidden beneath his flamboyant cape lies another secret—the enigmatic charm of an ornate lapel pin that adds an air of mystery to this master magician. Turning our gaze towards military valor, Thomas Mifflin exemplifies bravery through both sword and style. His uniform boasts meticulously crafted epaulettes while proudly displaying regimental symbols on his commanding lapel—testimony to his dedication in serving America during its formative years. Across the Atlantic Ocean stands Baron Lynedoch—Thomas Graham—who fought valiantly for Britain during tumultuous times.