Knocking Collection (page 2)

The Gave a Loud Knock, illustration from The Frog would a Wooing Go
616468 The Gave a Loud Knock, illustration from The Frog would a Wooing Go, by Charles H. Bennett, 1916 (colour litho) by Adams, Frank (1871-1944); Private Collection; American, out of copyright

The Friend of the People & his Petty New Tax Gatherer, paying John Bull a visit
NCO190417 The Friend of the People & his Petty New Tax Gatherer, paying John Bull a visit, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

Tales from the East (colour litho)
2814655 Tales from the East (colour litho) by English School, (20th century); Private Collection; (add.info.: Tales from the East)

Rat-Tat-Tat! (colour litho)
2814127 Rat-Tat-Tat! (colour litho) by English School, (20th century); Private Collection; (add.info.: Rat-Tat-Tat! Illustration for Rat Tat Tat, My Friend The Postman (Ward Lock)

Watchcats (colour litho)
2783564 Watchcats (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Watchdog cats. Two marauders)

Valentine Cupid Knocking on a Door, 1906 (chromolithograph)
2622369 Valentine Cupid Knocking on a Door, 1906 (chromolithograph) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of Cupid with a bow and arrow)

A Runaway Knock, (oil on paper on canvas)
827244 A Runaway Knock, (oil on paper on canvas) by Cruikshank, George (1792-1878); 58.7x48.3 cm; Private Collection; (add.info.: A Runaway Knock. George Cruikshank (1792-1878)

The Telegraph Boy (engraving)
3626126 The Telegraph Boy (engraving) by English School, (19th century); Private Collection; (add.info.: The Telegraph Boy. Illustration for Chatterbox (1869)

On the Parma-Mantua road, at night, two motorcyclists noticed too late that... (colour litho)
2783746 On the Parma-Mantua road, at night, two motorcyclists noticed too late that... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: On the Parma-Mantua road)

Postman (coloured engraving)
610506 Postman (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Postman. Illustration for Picturesque Representations of the Dress and Manners of the English)

Christmas Cheer (oil on canvas)
CH401764 Christmas Cheer (oil on canvas) by Knowles, George Sheridan (1863-1931); Private Collection; Photo eChristies Images; English, out of copyright

The Sale of a Menagerie (engraving)
1057824 The Sale of a Menagerie (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Sale of a Menagerie)

The Visitor (w / c on paper)
CH140991 The Visitor (w/c on paper) by Hopkins, Arthur (1848-1930); 26.7x17.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Unbidden Guest, 1935 (oil on canvas)
1767641 The Unbidden Guest, 1935 (oil on canvas) by Johnson, Frank Tenney (1874-1939); 50.8x61 cm; Private Collection; (add.info.: The Unbidden Guest. Frank Tenney Johnson (1874-1939). Oil on canvas

Plate 641. Jumping a Hurdle; Saddle; Knocking Over Hurdle and, 1885 (collotype on paper)
3950617 Plate 641. Jumping a Hurdle; Saddle; Knocking Over Hurdle and, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 14.1x45.1 cm; Addison Gallery of American Art, Phillips Academy

Installation of the New Master of Trinity College, Cambridge (engraving)
1099108 Installation of the New Master of Trinity College, Cambridge (engraving) by English School, (19th century); Private Collection; (add.info.: Installation of the New Master of Trinity College)

Life on the Crozet Islands (engraving)
1106011 Life on the Crozet Islands (engraving) by English School, (19th century); Private Collection; (add.info.: Life on the Crozet Islands)

The Royal Mail (colour litho)
3094406 The Royal Mail (colour litho) by English School, (20th century); Private Collection; (add.info.: The Royal Mail. Postcard, early 20th century.); © Look and Learn; English

Father works late at the office (colour litho)
2815984 Father works late at the office (colour litho) by English School, (20th century); Private Collection; (add.info.: Father works late at the office. Mothers trials)

Dissolution of Parliament, the "Black Rod"knocking at the Door of the House of Commons (engraving)
2771964 Dissolution of Parliament, the " Black Rod" knocking at the Door of the House of Commons (engraving) by English School

Justice Prevails, 1887 (oil on canvas)
659116 Justice Prevails, 1887 (oil on canvas) by Aranda, Jose-Jimenes (1837-1903); 97.3x160.7 cm; Private Collection; (add.info.: Justice Prevails. Jose Jimenez Aranda (1837-1903). Oil on canvas

The Postman from Costume of Great Britain, 1805 (print)
GHL13857 The Postman from Costume of Great Britain, 1805 (print) by Pyne, William Henry (1769-1843); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English

Christian at the Gate, from The Pilgrims Progress by John Bunyan published
2607911 Christian at the Gate, from The Pilgrims Progress by John Bunyan published, c.1880 (colour litho) by Lydon, Alexander Francis (1836-1917); Private Collection; Photo eHilary Morgan; English

Little Red Riding Hood, 1862 (w / c & gouache on paper)
Ma106441 Little Red Riding Hood, 1862 (w/c & gouache on paper) by Naftel, Isabel Oakley (fl.1857-90); 55.2x38.1 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Figure Study, 1895 (pencil & w / c on paper pasted on card)
1214272 Figure Study, 1895 (pencil & w/c on paper pasted on card) by Pughe, Buddig Anwylini (1857-1939); 39.1 x60.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Our Artist in Wales, I, A Sale of Live Stock in Anglesey (engraving)
1044373 Our Artist in Wales, I, A Sale of Live Stock in Anglesey (engraving) by English School, (19th century); Private Collection; (add.info.: Our Artist in Wales, I)

An Arrest; Eine Verhaftung, 1881 (oil on canvas)
827949 An Arrest; Eine Verhaftung, 1881 (oil on canvas) by Bokelman, Christian Ludwig (1844-94); 97x140 cm; Private Collection; (add.info.: An Arrest; Eine Verhaftung)

The "First Foot", a Scotch New-Year Custom (engraving)
1061380 The " First Foot", a Scotch New-Year Custom (engraving) by English School, (19th century); Private Collection; (add.info.: The " First Foot", a Scotch New-Year Custom)

Where are you
Arrianne Rijnaard

A man knocking on a door. September 1955

La Maison Maudite (The House of the Damned), c. 1883 / 1885. Creator: Felix Hilaire Buhot
La Maison Maudite (The House of the Damned), c. 1883/1885

Strike Date: 1941

Rest on the Flight into Egypt by Gerard David (c. 1460-1523)
Rest on the Flight into Egypt by Gerard David (c.1460-1523) - painting on wood after 1509 Date: circa 1510

Cutting through the Vendome Column; Paris Commune 1871
A group of Communards cutting through the base of the column in the Place Vendome, Paris, 1871. The Communards decided to remove the column, a symbol of imperial splendour

Strolling beggars in China knocking their heads together and on a stone in order to extort alms. Date: 1737

The Oxford Credit Question 1848
The Oxford Credit Question; or, six of one and half-a-dozen of the other. Date: 1848

Frightened Woman Knocking on Door
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Man Knocking on Door
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Japanese Mother sleeps as baby causes havoc
A Japanese Mother sleeps as her baby causes havoc, by knocking a flowerpot filled with water all over the floor - print by Utamaro Kitagawa (1753-1805). Date: circa 1790s

Tunis - Tunisia, water carrier knocking on ornate door. Date: circa 1900s

Mehtar. (Sweeper), c1900. [Moorli Dhur & Sons, Ambala, c1900]

The Postmans Knock c1855. A postman in General Post Office uniform knocking on a front door. From the cover of a song with music by Stephen Glover

There is the Postmans knock!, 1867. A postman in Royal Mail uniform knocking at a front door. Illustration from a childrens book. (London, 1867)

A Housemaid waits to catch a peep up a Scotsmans kilt
A Housemaid waits patiently, hoping to catch a peep up a Scotsmans kilt. The caption reads: Poor Jock stood on his front door steps, His bearskin wanted mending, The Housemaid standing down below

Kisby the Call Boy
Promotional postcard for Kisby the Call Boy. Call boy (or call girl) is the job title of a stagehand in the theatre. They are hired by either the director, producer or stage crew chief

Illustration of teenager shaking with fear, knees knocking and fingers in mouth standing at edge of water looking at crocodile with open mouth

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"Knocking: Illuminating the Path to Salvation through Art" In the masterpiece "The Light of the World" by William Holman Hunt, Jesus stands as the ultimate symbol of enlightenment and hope. As he knocks on the door, his divine light radiates, offering solace and guidance to all who seek it. Just like Cinderella's magical transformation in Arthur Rackham's illustration, Jesus serves as the beacon of light that can transform lives. He illuminates our darkest moments with his love and grace. Even in unexpected places, such as a strip tease card game or a theatrical setting like Kisby the Call Boy experienced, Jesus continues to knock on our hearts' doors. His presence reminds us that redemption is available for everyone, regardless of their circumstances. Through George Cruikshank's depiction of "The Parish Engine, " we witness how even postmen like Petherick are not exempt from experiencing spiritual awakenings. The knocking becomes an invitation for all individuals to open themselves up to God's transformative power. Inspired by Gustave Doré's "The Angel and the Orphan, " we understand that Jesus' knocking extends beyond physical doors; it reaches into our souls. In times of loneliness or despair, he offers comfort and companionship through his heavenly messengers. As seen in Sidi Bou Said's Fabulous Arab Doorway in Tunisia, every culture has its own interpretation of this universal theme. Regardless of where we come from or what language we speak, Jesus' message transcends boundaries and speaks directly to our hearts. "The Dream of Gerontius" captures this ethereal moment when Jesus knocks on our earthly existence before leading us into eternal life. It reminds us that death is not an end but a beginning—a gateway towards everlasting joy in His presence. In 1852’s lithograph titled "Jesus Knocks on The Door, " published by unknown artists at that time period emphasizes Christ’s persistence in seeking a personal connection with each and every one of us.