King Henry Viii Collection (page 9)

The Henry VIII Room at Bretton Park, Yorkshire, 1927. Artists: Edward F Strange, Unknown
The Henry VIII Room at Bretton Park, Yorkshire, 1927. From Old Furniture, Volume II. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1927]

Outside St. Jamess Palace, Pall Mall, 1740-1760, (1920). Artist: Thomas Bowles
Outside St. Jamess Palace, Pall Mall, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Anne of Cleves monument, Westminster Abbey, London, 1829

Old house, formerly the occasional residence of Henry VIII at Newington Green, London, 1811

Will Summerss armour, as preserved in the Tower of London, 1794. Suit of armour which may have been that of William Sommers, court jester to King Henry VIII

East window in St Margaret, Westminster, depicting the crucifixion, London, 1795. To the sides of the main scene are representations of four figures

Henry VIII granting the charter to the Barber Surgeons, 16th century, (1817)

Ego et Rex Meus, 1888; King Henry VIII and Cardinal Wolsey. Artist: Sir John Gilbert
Ego et Rex Meus, 1888; King Henry VIII talking with Cardinal Thomas Wolsey. Wolsey dominated King Henry VIIIs government from 1515 to 1529

King Henry VIII surrounded by kneeling figures, 1736. Artist: Bernard Baron
View of King Henry VIII surrounded by kneeling figures, 1736. The lower margin contains a key

Anne of Cleves, 1539, (1796). Artist: Francesco Bartolozzi
Anne of Cleves, 1539, (1796). Portrait of Queen Anne of Cleves (1515-1557) who did not appeal to Henry VIII physically and became known unflatteringly as The Flanders Mare

Henry VIII, King of England, 1525 (1824). Henry (1491-1547) succeeded his father, Henry VII, in 1509. Obsessed with passing the throne on to a male heir, he had six wives in the course of his reign

Katherine Parr, sixth wife and Queen of Henry VIII, (1825). Portrait of Katherine (1512-1548) as a widow. The last of Henrys six wives, she outlived the king by a year and a half

Anne of Cleves, fourth wife and Queen of Henry VIII, (1825). Henry VIII married Anne (1515-1557), a German Protestant princess, in 1540 for political reasons at the urging of his Chancellor

St Jamess Palace, London, 1730. Artist: Johannes Kip
St Jamess Palace, London, 1730. Situated on the Mall just to the north of St Jamess Park, St Jamess Palace was commissioned by Henry VIII

The Royal Palace of Hampton Court, London, 1730. Artist: Johannes Kip
The Royal Palace of Hampton Court, London, 1730. Hampton Court Palace is a former royal palace in the London Borough of Richmond upon Thames, London

St Jamess Palace, London, 1819. Artist: Richard Reeve
St Jamess Palace, London, 1819. Situated on the Mall just to the north of St Jamess Park, St Jamess Palace was commissioned by Henry VIII

A view of the Royal Palace of Hampton Court, London, 1760. Hampton Court Palace is a former royal palace in the London Borough of Richmond upon Thames, London

Catherine of Aragon, 1935. Catherine, (in Spanish, Catalina de Aragon, 1485-1536) was queen consort of England as Henry VIII of Englands first wife

Henry VIII, 1935. Henry (1491-1547) was King of England and Lord of Ireland (later King of Ireland) from 22 April 1509 until his death

Anne Boleyn, 1935. Anne, Marchioness of Pembroke (c1507-1536), also called Ann Bolin and Anne Bullen, (the original medieval English pronunciation)

Inside the Great Court, Trinity College, Cambridge, Cambridgeshire. The largest of Cambridge Universitys colleges, Trinity was founded by Henry VIII in 1546

Portrait of King Henry VIII of England, ca 1526. Found in the collection of Musee du Louvre, Paris

First meeting of Henry VIII and Anne Boleyn in the House of Cardinal Wolsey. Private Collection

The Vision of Catherine of Aragon. Found in the Collection of Lytham St Annes Art Collection

Anne Boleyn. Jane Seymour. Katharine Howard, 1882. Artist: Anonymous
Anne Boleyn. Jane Seymour. Katharine Howard, 1882. Private Collection

Portrait of King Henry VIII of England, c. 1540. Artist: Holbein, Hans, the Younger (1497-1543)
Portrait of King Henry VIII of England, c.1540. Found in the collection of Staatliche Graphische Sammlung, Munich

The Meeting of Kings Henry VIII and King Francis I (Tapestry), c. 1520. Artist: West European Applied Art
The Meeting of Kings Henry VIII and King Francis I (Tapestry), c. 1520. Private Collection

First meeting of Henry VIII and Anne Boleyn, 1835. Artist: Maclise, Daniel (1806-1870)
First meeting of Henry VIII and Anne Boleyn, 1835. Private Collection

The Banquet of Henry VIII in York Place. Artist: Stephanoff, James (1789-1874)
The Banquet of Henry VIII in York Place. Found in the collection of Royal Collection, London

Portrait of King Henry VIII of England, c. 1513. Artist: English master
Portrait of King Henry VIII of England, c. 1513. Found in the collection of the Denver Art Museum

Portrait of King Henry VIII of England. Artist: Holbein, Hans, (Circle of)
Portrait of King Henry VIII of England. Private Collection

Henry VIII, 1856. Artist: Alfred Crowquill
Henry VIII, 1856. From Alfred Crowquills Comic History of the Kings and Queens of England - From William the Conqueror to the Present Time. [Read & Co. London, 1856]

Henry VIII, 1788. Henry VIII (1491-1547), King of England from 21 April 1509 until his death. From The History of England, by David Hume. [T. Cadell, Edinburgh, 1788]

The Harry Grace a Dieu, 1937. From The Story of Navigation. [The Imperial Tobacco Co. (Of Great Britain & Ireland), Ltd. 1937]

The trial of Queen Catherine, 1529 (1905). Catherine of Aragon pleading her case against divorce from King Henry VIII. From Cassells History of England, Vol

Interview between Francis I and Henry VIII, on the Field of the Cloth of Gold, 1520, (1870). A wood engraving after bas-reliefs in the Hotel of the Bourg Herold, Rouen

A Man of the Time of Henry VIII, 1907. Artist: Dion Clayton Calthrop
A Man of the Time of Henry VIII, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

A Woman of the Time of Henry VIII, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of Henry VIII, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

Jane Seymour, third Queen of King Henry VIII, 19th century (1894). Artist: Charles George Lewis
Jane Seymour, third Queen of King Henry VIII, 19th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

The Arrest of Cardinal Wolsey, 1902. Artist: Patten Wilson
The Arrest of Cardinal Wolsey, 1902. Wolsey (c1475-1530), was an English statesman and a cardinal of the Roman Catholic Church

Jane Seymour (1509-1537), the third wife of King Henry VIII, 1851. Artist: B Eyles
Jane Seymour (1509-1537), the third wife of King Henry VIII, 1851. From Biographical Sketches of the Queens of Great Britain, from the Norman Conquest to the Reign of Victoria

Title-Page of the Great Bible, 1540, (1903). Artist: Master of Francois de Rohan
Title-Page of the Great Bible, 1540, (1903). Cromwell, Cranmer, and the King distributing Bibles. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Portrait of Henry VIII (Hampton Court Palace), c1530, (1903). Artist: Joos van Cleve
Portrait of Henry VIII (Hampton Court Palace), c1530, (1903). From the Royal Collection, Windsor Castle. From Social England, Volume III, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Relics Associated with Henry VIII, 1882, (1886). Artists: Robert Anderson, Charles Lawrie
Relics Associated with Henry VIII, 1882, (1886). After J. L. Williams. From Illustration of English and Scottish History, Volume I by Thomas Archer

Wolseys Hall, Hampton Court, 1845. Royal palace in Richmond upon Thames, Greater London, England. From Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal

The Fight for the Standard at Pinkie, 10 September 1547, (c1880). The Battle of Pinkie Cleugh, took place on 10 September 1547 on the banks of the River Esk near Musselburgh, Scotland

The Battle of Ancrum Moor, 27 February 1545, (c1880)
The Battle of Ancrum Moor, 27 february 1545, (c1880). The Battle of Ancrum Moor was fought during the War of the Rough Wooing in 1545

Edward, Prince of Wales, c1540-1543 (1945). Artist: Hans Holbein the Younger
Edward, Prince of Wales, c1540-1543 (1945). Edward VI (1537-1553) was King of England and Ireland from 28 January 1547 until his death

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"King Henry VIII: A Royal Legacy Captured in Portraits" Step into the world of King Henry VIII, one of England's most iconic monarchs. In the stunning portraits by Hans Holbein the Younger, we witness his transformation from a youthful ruler to a powerful king. The 1540 portrait showcases his regal presence, with every detail meticulously captured by the artist's skilled hand. Another masterpiece, painted between 1537 and 1541, reveals a more mature Henry VIII. His commanding gaze and majestic attire reflect his authority as he navigates through turbulent times. Jane Seymour, his third wife, is immortalized in her own portrait by Holbein - an exquisite depiction that captures her grace and beauty. Catherine Howard also makes an appearance in this captivating collection. Her portrait from 1935 offers a glimpse into the life of this ill-fated queen who captured Henry's heart but met a tragic end. The signatures of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon provide us with tangible evidence of their reigns and relationships within the Tudor dynasty. These historical artifacts connect us directly to their fascinating stories. Catherine of Aragon herself is portrayed in another artwork dating back to c1515. This portrayal encapsulates her strength and resilience during challenging times as she fought for her position as queen consort. Jane Lister's portrait further immerses us in the Tudor era; it serves as a reminder that not only royalty but also noblewomen played significant roles during this period. "The Embarkation of Henry VIII at Dover, " painted around 1540, transports us to pivotal moments in history when kings set sail on grand expeditions or diplomatic missions - showcasing both power and ambition. In "The New Learning, " we see how Renaissance ideals influenced King Henry VIII's court - embracing intellectual pursuits alongside political power. This painting reflects England's transition into an age of enlightenment.