Joseph Mallord William Collection (page 6)

Fishing upon the Blythe Sand, Tide Setting in, 1809. Artist: JMW Turner
Fishing upon the Blythe Sand, Tide Setting in, 1809. From the Tate Gallery, London

Artist working at an easel, 1828. Artist: JMW Turner
Artist working at an easel, 1828. From the Tate Gallery, London

The Sun of Venice Going to Sea, 1843. Artist: JMW Turner
The Sun of Venice Going to Sea, 1843. From the Tate Gallery, London

Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves, 1846. Artist: JMW Turner
Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves, 1846. From the Tate Gallery, London

The Dogana, San Giorgio, Citella, from the steps of the Europa, Venice, 1842. Artist: JMW Turner
The Dogana, San Giorgio, Citella, from the steps of the Europa, Venice, 1842. From the Tate Gallery, London

Morning amongst the Coniston Fells, Cumberland, 1798. Artist: JMW Turner
Morning amongst the Coniston Fells, Cumberland, 1798. From the Tate Gallery, London

The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides, 1806. Artist: JMW Turner
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides, 1806. From the Tate Gallery, London

Queen Mabs Cave, 1846. Artist: JMW Turner
Queen Mabs Cave, 1846. A mythical character referred to in Shakespeares Romeo and Juliet and A Midsummer Nights Dream, Queen Mab was supposed to bring dreams to people by driving her chariot over

Music Party, East Cowes Castle, Isle of Wight, 1835. Artist: JMW Turner
Music Party, East Cowes Castle, Isle of Wight, 1835. This unfinished study shows a group of figures playing or languidly listening to music in an unidentified setting. From the Tate Gallery, London

J. M. W. Turner (1775-1851) and Walter Ramsden Fawkes (1769-1825) at Farnley Hall, c
XYC195105 J. M. W. Turner (1775-1851) and Walter Ramsden Fawkes (1769-1825) at Farnley Hall, c.1820-24 (oil on canvas) by Wildman, John Robert (fl.1823-39); 68.5x89 cm; Yale Center for British Art

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Joseph Mallord William Turner, known as JMW Turner, was a renowned British artist who left an indelible mark on the art world. His works are characterized by their stunning use of light and color, capturing the essence of nature and human emotions. One of his most famous paintings is "The Fighting Temeraire, " created in 1839. This masterpiece depicts the majestic ship being towed to its final berth to be broken up. The contrast between the fading glory of the warship and the vibrant sunset symbolizes both progress and nostalgia. In "Whitby" from 1824, Turner portrays a picturesque coastal town with its iconic abbey ruins perched on cliffs overlooking the sea. The play of light on water creates a sense of tranquility that permeates this breathtaking scene. Turner's self-portrait from 1799 reveals his introspective side as he gazes directly at us with piercing eyes. It captures not only his physical appearance but also hints at his artistic genius and passion for capturing fleeting moments in time. "Launceston" from 1909 showcases Turner's ability to capture architectural beauty through delicate brushstrokes. The ancient castle stands tall against a dramatic sky, evoking a sense of history and grandeur. "A First Rate Taking in Stores, " painted in 1818, depicts a massive warship being resupplied while docked at port. Through skillful use of light and shadow, Turner brings life to this bustling maritime scene filled with sailors going about their duties. "The Angel Standing in the Sun, " completed in 1846, demonstrates Turner's fascination with biblical themes. This ethereal painting portrays an angelic figure bathed in celestial light amidst swirling clouds—a testament to his mastery over atmospheric effects. In "Ulysses Deriding Polyphemus" from 1829 (1904), we witness another mythological subject brought to life by Turner's imagination.