Joost Collection

SUSTERMANS, Joost (1597-1681). Portrait of Galileo Galilei. ca. mid. 17th c. Detail. Renaissance art. Cinquecento. Oil on canvas. ITALY. Florence. Galleria degli Uffizi (Uffizi Gallery)

Crocodiles of a Squadron, 141st Regt, R. A. C. (The Buffs)
Photograph: Crocodiles of a Squadron, 141st Regt, R. A. C. (The Buffs) Supporting the 1st Rifle Brigade in the Attack on St Joost, 21st January 1945

Winter landscape with skaters by Droochsloot
Winter landscape with skaters (1629) by Joost Cornelisz Droochsloot (1586-1666). Dutch painter. Prado Museum. Madrid. Spain

Relief by Joost Schmidt 1923. Main building, Bauhaus-University Weimar (1904-1911), 2018
Relief by Joost Schmidt 1923 (reconstructed 1976). Main building, Bauhaus-University Weimar (1904-1911), 2018. Architect: Henry van de Velde. UNESCO World Heritage Site in 1996)

Joe Roff & Joost Vd Westhuizen South Africa V Australia 31 October 1999 Date: 31 October 1999

Joost Van Der Westhuizen South Africa Rugby Union 16 November 1998 Date: 16 November 1998

Joost Luiten Holland The Open Championship, Royal St.Georges 2011 Royal St.George S, Sandwich, Kent, England 15 July 2011 Date: 15 July 2011

Street crime, 1554 (woodcut)
XJF277664 Street crime, 1554 (woodcut) by Jode, Gerard de (1509-91); Private Collection; (add.info.: Illustration from ENCHIRIDION RERUM CRIMINALIUM or PRAXIS RERUM CRIMINALIUM by the lawyer Joost de)

17th century copies of the white dodo by Salomon Savery, male: Gerrit van Goedesberg, 1662 (13), Joost Hartgers, 1650 (14), Abraham and Jan de Wees, 1651 (15) and Gijsbert Sijbes, 1651 (16)

Relief by Joost Schmidt, main building, Bauhaus-University, Weimar, Germany, (1904-1911), 2018. Architect: Henry van de Velde. UNESCO World Heritage Site in 1996)

Joost Hendrickx, Watermill Jazz Club, Dorking, Surrey, 4th October 2016. Artist: Brian O Connor
Joost Hendrickx, Watermill Jazz Club, Dorking, Surrey

NEW AMSTERDAM. The Hartgers View, the earliest known view of New Amsterdam as it appeared c. 1626-1628. Line engraving, Dutch, 1651

Joost van den Vondel (1587 - 1679) Dutch poet and dramatist

NETHERLANDS: DYKES, 1564. Damaging the dykes, a criminal activity which was heavily punished as the dykes were vital to the agriculture and defense of the Netherlands

Emptying the Chamber Pots, illustration from Praxis rerum criminalium by
XJF347997 Emptying the Chamber Pots, illustration from Praxis rerum criminalium by Joose de Damhouder, 1554 (woodcut) (b/w photo) by Dutch School

April: Young man with flower basket, Anonymous, Jonas Suyderhoef, Joachim von Sandrart, 1670 - 1726

June: A shepherd shears a sheep, print maker: Anonymous, Jonas Suyderhoef, Joachim von Sandrart, 1670 - 1726

July: a woman harvesting, Anonymous, Reinier van Persijn, Joachim von Sandrart, 1670 - 1726

October, Bacchus who drinks wine, Anonymous, Reinier van Persijn, Joachim von Sandrart, 1670-1726

November: a hunter with his booty, Anonymous, Reinier van Persijn, Joachim von Sandrart, 1670 - 1726

Portrait of Joost van Laren, Theodor Matham, Joannes Schildius, 1653 - 1676

Portrait of Joost van den Vondel, Cornelis Visscher II, Prudenter, Constantijn Huygens I, 1657

Portrait Bust of Joost van den Vondel, John Lutma (II), 1634-1689

NETHERLANDS: DYKES, 1564. Damaging the dykes, a criminal activity which was heavily punished as the dykes were vital to the agriculture and defense of the Netherlands

Roman soldier forming a tortoise with their shields, thus enabling them to approach the walls of a besieged city. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips)

Reconstruction of a Roman war engine for firing a salvo of arrows, sometimes referred to as a Scorpion. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp)

Roman machine for firing arrows mounted on a carriage drawn by two mailed horses. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp, 1605). Engraving

Mechanical crossbow on stand (euthytonon) attributed to Philo of Byzantium (active 150-100 BC). When arms CC wound back against skeins or sinews, the ends of ropes

Reconstruction of a Roman machine for shooting arrows wound up ready for the missile to be released. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp)

Roman siege towers positioned to give attackers the advantage of height above the city walls. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp, 1605)

Roman soldiers using two forms of battering ram against the walls of a fortress. B is hung on a chain hanging from a frame

Two forms auger used by the Romans in siege warfare to drill into the wall of a fortress. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp, 1605). Engraving

Roman soldiers attacking the walls of a fortress with scaling ladders, slings and spears, while the defenders are holding them off with nets, hot liquid, spears and various missiles

Roman spearmen attacking the walls of a besieged fortress. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp, 1605). Engraving

Roman soldiers scaling the walls of a fortress using ladders mounted on boats. From Poliorceticon sive de machinis tormentis telis by Justus Lipsius (Joost Lips) (Antwerp, 1605). Engraving

SUSTERMANS, Joost (1597-1681). Portrait of a child. 1st half 17th c. Flemish art. Oil on canvas. ITALY. Rome. Galleria Nazionale d Arte Antica (National Gallery of Ancient Art)

Winter landscape with Skaters, 1629. Droochsloot, Joost Cornelisz (1586-1666). Baroque art. Oil on canvas. Date: 1629

JUSTUS LIPSIUS (1547-1606). Flemish humanist. Line engraving, 18th century

NEW AMSTERDAM, c1627. The Hartgers View, the earliest known view of the Dutch colony of New Amsterdam, on Manhattan, as it appeared c1627. Line engraving, 1651, from a Dutch book about North America

NEW AMSTERDAM, 1620s. The Hartgers View, the earliest known view of New Amsterdam as it appeared c1626-28. Line engraving, Dutch, 1651

Vondel Honoured
The Dutch poet Joost van den Vondel is honoured with a literary and musical fete at Ruremonde, Netherlands

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Joost, a name that echoes through history and art. From the skilled brushstrokes of Sustermans' portrait of Galileo to the fierce crocodiles in Crocodiles of a Squadron, Joost's presence is felt across various artistic realms. In Winter Landscape with Skaters by Droochsloot, Joost captures the serene beauty of frozen landscapes and the joyous spirit of skaters gliding on ice. Moving forward in time, we encounter Joost Schmidt's relief at Bauhaus-University Weimar, showcasing his innovative approach to design in 1923. This same institution witnessed another masterpiece by Schmidt in 2018 - a testament to his enduring influence. Sports enthusiasts may recognize the names Joe Roff and Joost vd Westhuizen, both leaving their mark on rugby fields around the world. The tenacity and skill they displayed embody what it means to be a true athlete. Speaking of athletes, let us not forget about golfing sensation Joost Luiten who has conquered fairways with his precision swings and unwavering determination. History takes an intriguing turn as we delve into street crime depicted in a woodcut from 1554. This chilling portrayal reminds us that human nature has its darker side even centuries ago. Shifting gears once more, we encounter Salomon's copies of the white dodo from the 17th century - an extinct bird forever immortalized through artistry. These depictions serve as poignant reminders of our impact on Earth's delicate ecosystems. Returning to Bauhaus-University Weimar yet again, we find ourselves admiring another remarkable relief by Joost Schmidt. His work continues to inspire generations with its fusion of form and function. In music circles, one cannot overlook Joost Hendrickx's performance at Watermill Jazz Club in Dorking. Through Brian O Connor's artistry capturing this momentous occasion on October 4th, 2016, the energy and passion of Hendrickx's music come alive.