John Lavery Collection

Evening At Tangier, 1935. Artist: Sir John Lavery
Evening At Tangier, 1935. After the painting by Sir John Lavery, R.A. From Modern Masterpieces Part 21. [George Newnes Ltd, London, 1935]

Fore-Cabin, H. M. S. Queen Elizabeth, Rosyth, 16 November, 1918, (1935). Artist: Sir John Lavery
Fore-Cabin, H.M.S. Queen Elizabeth, Rosyth, 16 November, 1918, 1918 (1935). After the painting by Sir John Lavery, R.A. From Modern Masterpieces Part 20. [George Newnes Ltd, London, 1935]

The Letter (oil on millboard)
NGW184215 The Letter (oil on millboard) by Lavery, John (1856-1941); National Museum Wales; National Museums & Galleries of Wales

An Aerodrome in 1918, (1944). Creator: Sir John Lavery
An Aerodrome in 1918, (1944). British biplanes in the air over an airfield during the First World War. From " Britain In The Air", by Nigel Tangye. [Collins, London, 1944]

A Quiet Day in the Studio, 1885 (oil on canvas)
3550981 A Quiet Day in the Studio, 1885 (oil on canvas) by Lavery, John (1856-1941); 41.9x52.1 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

RB Cunninghame Graham (oil on canvas)
3550969 RB Cunninghame Graham (oil on canvas) by Lavery, John (1856-1941); Glasgow Museums, UK; (add.info.: Robert Bontine Cunninghame Graham (1852-1936) was a Scottish politician, writer

Portrait of Miss Mary Burrell, 1895 (oil on canvas)
3550953 Portrait of Miss Mary Burrell, 1895 (oil on canvas) by Lavery, John (1856-1941); 183x91.5 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Her portrait, 1882 (chalk on paper)
3551029 Her portrait, 1882 (chalk on paper) by Lavery, John (1856-1941); 25.9x33 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Glasgow Exhibition, 1888 (oil on canvas)
3550989 Glasgow Exhibition, 1888 (oil on canvas) by Lavery, John (1856-1941); 61x45.7 cm; Glasgow Museums, UK; (add.info.: Framed: 858 x 704 x 40 mm;unframed)

Anna Pavlova, 1910 (oil on canvas)
GLS45507 Anna Pavlova, 1910 (oil on canvas) by Lavery, John (1856-1941); 198.1x144.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

A Rally, 1885 (w/c on paper)
GLS219826 A Rally, 1885 (w/c on paper) by Lavery, John (1856-1941); 64x62 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Curling in Wengen (oil on canvas)
AFR97131 Curling in Wengen (oil on canvas) by Lavery, John (1856-1941); South African National Gallery, Cape Town, South Africa; (add.info.: by John Lavery)

Joe Childs, Rothschild's Jockey, 1923 (oil on canvas)
PNH354582 Joe Childs, Rothschild's Jockey, 1923 (oil on canvas) by Lavery, John (1856-1941); 45.5x35.5 cm; Private Collection; (add.info)

Spring. Allegory of spring: portrait of a woman clothed in white with a bouquet of flowers
JLJ4673744 Spring. Allegory of spring: portrait of a woman clothed in white with a bouquet of flowers. Painting by Sir John Lavery (1856-1941), 1904. Oil on canvas. Dim: 1, 91 x 1, 23m

After the Dance, 1883 (oil on canvas)
7262386 After the Dance, 1883 (oil on canvas) by Lavery, John (1856-1941); 112.4x86.8 cm; Private Collection; (add.info.: by John Lavery (1856-1941))

The French Consulate, Grand Canal, Venice (oil on canvas)
259371 The French Consulate, Grand Canal, Venice (oil on canvas) by Lavery, John (1856-1941); Private Collection

Eileen Lavery Holding a Tennis Racket, 1909 (oil on canvas)
417267 Eileen Lavery Holding a Tennis Racket, 1909 (oil on canvas) by Lavery, John (1856-1941); 76x63.5 cm; Private Collection

A Garden in the South of France (oil on canvas)
259383 A Garden in the South of France (oil on canvas) by Lavery, John (1856-1941); Private Collection

Mary in Black, (oil on panel)
1197388 Mary in Black, (oil on panel) by Lavery, John (1856-1941); 35.5x26 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Portrait of Alderman The Rt Hon William Kenrick, 1907. Creator: Sir John Lavery
Portrait of Alderman The Rt Hon William Kenrick, 1907

The Forth Bridge, 1914, (1918). Artist: Sir John Lavery
The Forth Bridge, 1914, (1918). Painting held at the Imperial War Museum, London. From The Studio Volume 74. [London Offices of the Studio, London, 1918]

The Seashore, Moonlight, c1908. Artist: Sir John Lavery
The Seashore, Moonlight, c1908. From The Studio Volume 44. [London Offices of the Studio, London, 1908]

Study for a Portrait of the Earl of Lonsdale, c1932. Artist: Sir John Lavery
Study for a Portrait of the Earl of Lonsdale, c1932. Hugh Cecil Lowther, 5th Earl of Lonsdale (1857-1944), English nobleman and sportsman. From The Studio Volume 104

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Sir John Lavery, a renowned artist of his time, captured the essence of various subjects through his masterful brushstrokes. In "Evening At Tangier, " painted in 1935, he transports us to the vibrant streets of Morocco, where warm hues and bustling activity fill the canvas. Another notable piece is "Fore-Cabin, H. M. S. Queen Elizabeth, Rosyth, " created in 1918 during World War I. Lavery's attention to detail allows us to feel the solemnity and camaraderie among sailors aboard the ship. In contrast to these grand scenes, Lavery also excelled at capturing quiet moments like "A Quiet Day in the Studio" from 1885. This intimate painting reveals an artist lost in thought amidst a serene setting. His talent for portraiture shines through works such as "Portrait of Miss Mary Burrell" and "Her portrait. " These captivating pieces showcase Lavery's ability to capture not only physical likeness but also inner beauty. Lavery's versatility is evident in his depiction of historical figures like RB Cunninghame Graham and David Richard Beatty. Through their portraits, he immortalizes their presence with striking realism and depth. The Glasgow Exhibition painting from 1888 demonstrates Lavery's ability to capture architectural marvels while Anna Pavlova showcases his skill at portraying movement and grace on canvas. Lavery even ventured into different mediums such as watercolor with "A Rally" or chalk on paper with "Her portrait. " These experiments display his willingness to explore new artistic avenues. Lastly, we have "An Aerodrome in 1918, " created by Lavery himself during World War II. This powerful image captures both hope and devastation as planes take off against a backdrop of destruction—a testament to Sir John Lavery's ability to convey complex emotions through art.