Jingoistic Collection

Illustration, A Song of the English, Thames Embankment
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, Lighthouse
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, Calcutta
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). Calcutta -- Me the Sea-captain loved, the River built

Jingoistic British propaganda card
Soldiers representing the Dominion countries stand together over the words We don't want to fight..etc WW1 Date: circa 1914

Illustration, A Song of the English, Melbourne
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). Melbourne -- Greeting! Nor fear nor favour won us place

Illustration, A Song of the English, Bombay
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). Bombay -- Royal and Dower-Royal, I the Queen

Illustration, A Song of the English, Barren Landscape
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

The Monitor: Automatic but not fool-proof by H. M. Bateman
" The Monitor. Automatic, but not fool-proof: a war-drama in nine fits." This Bateman cartoon from World War One sends up the jingoistic, often misguided

Illustration, A Song of the English, British Empire
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). My arm is nothing weak, My strength is not gone by

Illustration, A Song of the English, Auckland
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). Auckland -- Last, loneliest, loveliest, exquisite, apart

Illustration, A Song of the English, Capetown
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, Halifax
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine). Halifax -- Into the mist my guardian prows put forth

Illustration, A Song of the English, Deep Sea Cables
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, The Sea
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, Lions
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

Illustration, A Song of the English, Campfire
Illustration to A Song of the English, a patriotic set of poems by Rudyard Kipling (first published in the English Illustrated Magazine)

George Robey & Horatio Bottomley recruiting in London
Popular music hall star, George Robey, known as the Prime Minister of Mirth, pictured speaking at a recruitment rally in Trafalgar Square, London in 1915 alongside Horatio Bottomley

First World War 1914-1918. France 1914. Facing the Barbarians. Gaston Charpentier-Bosio, French painter. Officer leading Infantry and Light Artillery into battle. Nationalism Jingoistic

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"Jingoistic: A Melody of Imperial Pride" In the enchanting illustrations of Rudyard Kipling's "A Song of the English, " a symphony fervor unfolds. From the majestic Thames Embankment to distant shores, this captivating journey celebrates British might and dominance. As we delve into Kipling's world, our senses are awakened by vivid imagery. The first illustration transports us to the bustling cityscape of Calcutta, where echoes of colonial power resonate through its streets. Next, Melbourne beckons with its vibrant energy and promises of prosperity under the Union Jack. The allure continues as Bombay emerges from the pages, showcasing a fusion of cultures that thrived under British rule. Each stroke on these canvases captures not only architectural marvels but also an unyielding sense of national pride. Amidst this visual symphony lies a jingoistic British propaganda card—a testament to an era when patriotism knew no bounds. It reminds us how art can be wielded as a tool for shaping public opinion and fostering unity in times both turbulent and triumphant. Yet amidst all this grandeur, H. M Bateman's satirical piece titled "The Monitor: Automatic but not fool-proof" serves as a gentle reminder that blind nationalism should never cloud our judgment or hinder progress. It cautions against excessive zeal while urging discernment in navigating complex global dynamics. Kipling's opus reaches its crescendo with illustrations depicting Auckland, Capetown, Halifax—each representing far-flung corners touched by Britannia’s reach. These images evoke admiration for Britain's vast empire while igniting introspection about its impact on indigenous populations across continents. Finally, we encounter an illustration portraying a barren landscape—an invitation to reflect upon what lies beyond imperial ambitions; it urges us to consider empathy towards those left behind in pursuit of glory.