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James Jacques Joseph Collection

James Jacques Joseph Tissot was a renowned French painter who lived from 1836 to 1902

Background imageJames Jacques Joseph Collection: Hush!, (The Concert), c1875. Artist: James Tissot

Hush!, (The Concert), c1875. Artist: James Tissot
Hush!, (The Concert), c1875. From the Manchester Art Gallery collection

Background imageJames Jacques Joseph Collection: Too Early, 1873. Artist: James Tissot

Too Early, 1873. Artist: James Tissot
Too Early, 1873. Figures at a society dance. The guests are standing in the middle of a near empty dance floor. A man and a woman lean against a door frame

Background imageJames Jacques Joseph Collection: Woman with issue of blood touching the border of Jesus garment and being healed, c1890

Woman with issue of blood touching the border of Jesus garment and being healed, c1890. Artist: James Tissot
Woman with issue of blood touching the border of Jesus garment and being healed of her affliction. Jesus said to her Daughter, they faith hath made thee whole

Background imageJames Jacques Joseph Collection: The Departure, 19th / early 20th century. Artist: James Tissot

The Departure, 19th / early 20th century. Artist: James Tissot
The Departure, 19th/early 20th century. From a private collection

Background imageJames Jacques Joseph Collection: The Annunciation, 1897. Artist: James Tissot

The Annunciation, 1897. Artist: James Tissot
The Annunciation, 1897. The Archangel Gabriel appearing to the Virgin Mary to tell her she will bear Jesus. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ

Background imageJames Jacques Joseph Collection: The Magnificat, c1890

The Magnificat, c1890. The Virgin Mary accepting the role that God has chosen for her, and saying My soul doth magnify the Lord. Illustration from The Life of our Lord Jesus Christ by JJ Tissot

Background imageJames Jacques Joseph Collection: Portrait of Miss L... or A Door Must Be Either Open or Closed, 1876

Portrait of Miss L... or A Door Must Be Either Open or Closed, 1876

Background imageJames Jacques Joseph Collection: The Rubens Hat, 1875. Creator: James Tissot

The Rubens Hat, 1875. Creator: James Tissot
The Rubens Hat, 1875

Background imageJames Jacques Joseph Collection: James Tissot, 1861-1870. Creator: Robert Jefferson Bingham

James Tissot, 1861-1870. Creator: Robert Jefferson Bingham
James Tissot, 1861-1870

Background imageJames Jacques Joseph Collection: In Full Sunlight (En plein soleil), ca. 1881. Creator: James Tissot

In Full Sunlight (En plein soleil), ca. 1881. Creator: James Tissot
In Full Sunlight (En plein soleil), ca. 1881

Background imageJames Jacques Joseph Collection: James-Jacques-Joseph Tissot (1836-1902), ca. 1867-68. Creator: Edgar Degas

James-Jacques-Joseph Tissot (1836-1902), ca. 1867-68. Creator: Edgar Degas
James-Jacques-Joseph Tissot (1836-1902), ca. 1867-68

Background imageJames Jacques Joseph Collection: Tea, 1872. Creator: James Tissot

Tea, 1872. Creator: James Tissot
Tea, 1872

Background imageJames Jacques Joseph Collection: Spring Morning, ca. 1875. Creator: James Tissot

Spring Morning, ca. 1875. Creator: James Tissot
Spring Morning, ca. 1875

Background imageJames Jacques Joseph Collection: Lady Alma-Tademas Studio, late 19th century. Creator: Unknown

Lady Alma-Tademas Studio, late 19th century. Creator: Unknown
Lady Alma-Tademas Studio, late 19th century. The studio of British painter Laura Theresa Alma-Tadema (1852-1909) in the house she shared with her husband and fellow painter Sir Lawrence Alma-Tadema

Background imageJames Jacques Joseph Collection: The Studio, late 19th century. Creator: Unknown

The Studio, late 19th century. Creator: Unknown
The Studio, late 19th century. The exotic studio of Dutch-born British painter Sir Lawrence Alma-Tadema (1836-1912) which was used as settings for his paintings

Background imageJames Jacques Joseph Collection: The Studio from the Balcony, late 19th century. Creator: Unknown

The Studio from the Balcony, late 19th century. Creator: Unknown
The Studio from the Balcony, late 19th century. The exotic studio of Dutch-born British painter Sir Lawrence Alma-Tadema (1836-1912) which was used as settings for his paintings

Background imageJames Jacques Joseph Collection: View into Sir L. Alma-Tademas Studio through the Entrance Door, late 19th century

View into Sir L. Alma-Tademas Studio through the Entrance Door, late 19th century. Doorway to the studio of Dutch-born British painter Sir Lawrence Alma-Tadema (1836-1912)

Background imageJames Jacques Joseph Collection: The Bridesmaid, 1883-1885. Artist: James Tissot

The Bridesmaid, 1883-1885. Artist: James Tissot
The Bridesmaid, 1883-1885. Tissot, James (1836-1902). Found in the collection of the Leeds Museums & Galleries

Background imageJames Jacques Joseph Collection: Portrait of Mlle L L, (Young Lady in a Red Jacket), 1864. Artist: James Tissot

Portrait of Mlle L L, (Young Lady in a Red Jacket), 1864. Artist: James Tissot
Portrait of Mlle L L, (Young Lady in a Red Jacket), 1864. From the collection of the Musee d Orsay, Paris, France

Background imageJames Jacques Joseph Collection: The Ball, c1878. Artist: James Tissot

The Ball, c1878. Artist: James Tissot
The Ball, c1878. From the collection of the Musee d Orsay, Paris, France

Background imageJames Jacques Joseph Collection: Jesus healing the multitudes, c1880

Jesus healing the multitudes, c1880. From the Bible

Background imageJames Jacques Joseph Collection: The Resurrection, c1890. Artist: James Tissot

The Resurrection, c1890. Artist: James Tissot
The Resurrection, c1890. Christ rising from the tomb after the Angel of the Lord has rolled away the stone. His countenance was like lightning and his raiment white as snow

Background imageJames Jacques Joseph Collection: Our Lord Jesus Christ, c1897. Artist: James Tissot

Our Lord Jesus Christ, c1897. Artist: James Tissot
Our Lord Jesus Christ, c1897. From Life of Our Saviour Jesus Christ by JJ Tissot. (London, c1897)

Background imageJames Jacques Joseph Collection: Soul of the penitent thief carried into Paradise by angels with burning censers, 1897

Soul of the penitent thief carried into Paradise by angels with burning censers, 1897. Artist: James Tissot
Soul of the penitent thief carried into Paradise by angels with burning censers, 1897. (Luke 23). Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ. (1897)

Background imageJames Jacques Joseph Collection: Jesus raising Lazarus from the tomb, 1897. Artist: James Tissot

Jesus raising Lazarus from the tomb, 1897. Artist: James Tissot
Jesus raising Lazarus from the tomb, 1897. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ

Background imageJames Jacques Joseph Collection: Angels ministering to Jesus after the Devil has left him, 1897. Artist: James Tissot

Angels ministering to Jesus after the Devil has left him, 1897. Artist: James Tissot
Angels ministering to Jesus after the Devil has left him, 1897. (Matthew 4). Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ. (1897)

Background imageJames Jacques Joseph Collection: The Angel of the Lord on the stone of the sepulchre, 1897. Artist: James Tissot

The Angel of the Lord on the stone of the sepulchre, 1897. Artist: James Tissot
The Angel of the Lord on the stone of the sepulchre, 1897. His countenance was like lightning and his raiment white as snow. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ

Background imageJames Jacques Joseph Collection: Jesus teaching in the Synagogue, c1897. Artist: James Tissot

Jesus teaching in the Synagogue, c1897. Artist: James Tissot
Jesus teaching in the Synagogue, c1897. (Bible: Matthew 4). From Life of Our Saviour Jesus Christ by JJ Tissot. (London, c1897)

Background imageJames Jacques Joseph Collection: The second miraculous draught of fishes, c1890

The second miraculous draught of fishes, c1890. Scene from the Bible. From The Life of Our Saviour Jesus Christ by JJ Tissot c1890

Background imageJames Jacques Joseph Collection: Jesus casting devils out of a kneeling man, c1890

Jesus casting devils out of a kneeling man, c1890. After the devils have been cast out, Christ puts them into Gaderine Swine who plunge over the cliff as if possessed

Background imageJames Jacques Joseph Collection: Christ healing the lepers at Capernaum, c1890

Christ healing the lepers at Capernaum, c1890. Scene from the Bible (Mark I). From The Life of Our Saviour Jesus Christ by JJ Tissot, c1890

Background imageJames Jacques Joseph Collection: Baptism of Jesus by John the Baptist, c1890. Artist: James Tissot

Baptism of Jesus by John the Baptist, c1890. Artist: James Tissot
Baptism of Jesus by John the Baptist, c1890. Bible, New Testament. From The Life of our Saviour Jesus Christ by JJ Tissot, c1890

Background imageJames Jacques Joseph Collection: Jesus teaching on the sea shore, c1890. Artist: James Tissot

Jesus teaching on the sea shore, c1890. Artist: James Tissot
Jesus teaching on the sea shore, c1890. Bible, New Testament, St Matthew Ch 12. From The Life of our Saviour Jesus Christ by JJ Tissot, c1890

Background imageJames Jacques Joseph Collection: Abd-ul-Aziz, Sultan of Turkey from 1861, 1869. Artist: James Tissot

Abd-ul-Aziz, Sultan of Turkey from 1861, 1869. Artist: James Tissot
Abd-ul-Aziz, Sultan of Turkey from 1861, 1869. At first liberal and westernising, Abd-ul-Aziz (1830-1876) became autocratic

Background imageJames Jacques Joseph Collection: The Youth of Jesus, c1897. Artist: James Tissot

The Youth of Jesus, c1897. Artist: James Tissot
The Youth of Jesus, c1897. Jesus carrying a plank of wood down the street while Mary and Joseph, a carpenter, watch from their doorway. From Life of Our Saviour Jesus Christ by JJ Tissot

Background imageJames Jacques Joseph Collection: Jesus Found, c1897. Artist: James Tissot

Jesus Found, c1897. Artist: James Tissot
Jesus Found, c1897. Mary and Joseph finding the young Jesus in the Temple where he had been sitting with the Doctors (Bible: Luke 2). From Life of Our Saviour Jesus Christ by JJ Tissot

Background imageJames Jacques Joseph Collection: Christ calling Matthew, the tax collector, c1890. Artist: James Tissot

Christ calling Matthew, the tax collector, c1890. Artist: James Tissot
Christ calling Matthew, the tax collector, c1890. When Jesus called Matthew (Levi) to follow him, the Pharisees criticised him for eating with tax collectors and sinners

Background imageJames Jacques Joseph Collection: The tribute money, c1890. Artist: James Tissot

The tribute money, c1890. Artist: James Tissot
The tribute money, c1890. In an attempt to entrap Jesus, the Pharisees sent men to ask if it was right for Jews to pay taxes to the Romans

Background imageJames Jacques Joseph Collection: Christ appearing to St Peter, c1890. Artist: James Tissot

Christ appearing to St Peter, c1890. Artist: James Tissot
Christ appearing to St Peter, c1890. After his Resurrection, Christ appears to Peter and convinces him of his identity by showing the stigmata, the wounds he received during his crucifixion

Background imageJames Jacques Joseph Collection: Christ healing the sick brought to him in the villages, c1890. Artist: James Tissot

Christ healing the sick brought to him in the villages, c1890. Artist: James Tissot
Christ healing the sick brought to him in the villages, c1890. In the New Testament gospels chronicling the life of Jesus Christ, there are a number of accounts of miracles of healing


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James Jacques Joseph Tissot was a renowned French painter who lived from 1836 to 1902. His works encompassed various themes and styles, showcasing his versatility as an artist. In "Hush. " (The Concert), created around 1875, Tissot captures a moment of intimacy between musicians and their audience, emphasizing the power of music to silence the world's chaos. Similarly, in "Too Early" from 1873, he portrays a woman waking up early with disheveled hair and sleepy eyes, evoking a sense of tranquility disrupted by the demands of daily life. "The Departure, " dating back to the late 19th or early 20th century, depicts individuals bidding farewell at a train station. Tissot masterfully conveys emotions through subtle gestures and expressions, leaving viewers pondering about their own goodbyes. In contrast to this somber scene is "The Annunciation" from 1897—a vibrant portrayal of the biblical event where Archangel Gabriel announces Mary's divine pregnancy. Tissot's religious-themed paintings continued with "The Magnificat" circa 1890—an awe-inspiring depiction of Mary singing praises after learning she will bear Jesus Christ. Another biblical narrative comes alive in "Woman with issue of blood touching the border of Jesus garment and being healed, " also created around 1890; it illustrates faith rewarded through healing. In his portrait titled "Miss L. . Or A Door Must Be Either Open or Closed" from 1876, Tissot explores societal expectations surrounding relationships and choices faced by women during that era. He challenges conventional norms by presenting Miss L. . Caught between two doors—symbolizing her limited options. Tissot's artistic prowess extends beyond painting; he captured fellow artists like Edgar Degas in his work titled "James-Jacques-Joseph Tissot (1836-1902)" dated approximately between 1867 and 1868.