Jacobean Collection (page 6)

Lady Mary Ashley Cooper in Jacobean costume Lady Mary Ashley-Cooper (1902-1936)
Lady Mary Ashley-Cooper (1902-1936), later Lady Alington, eldest daughter of the Earl and Countess of Shaftesbury. Pictured in the costume she wore at the Hatfield Pageant

Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble)
1217862 Bust portrait of Thomas Howard, Earl of Arundel (Carrara marble) by Dieussart, Francois (1600-61); Ashmolean Museum, University of Oxford

Comic Christmas card, scene from The Tempest
Comic Christmas card designed by Robert Dudley -- a scene from The Tempest, with Ferdinand lured by Ariel played by a turkey (holding a pudding), and Prospero supervising in the background

Cover design, Christmas cards with Shakespeare subjects
Cover design by Robert Dudley, Christmas cards with Shakespeare subjects. (1 of 5) Date: circa 1890s

James I, King of England, Scotland, France and Ireland (engraving)
964946 James I, King of England, Scotland, France and Ireland (engraving) by English School, (18th century); Private Collection; (add.info.: James I, King of England, Scotland)

Home of T H Ismay, founder of the White Star Line, at Dawpool (Dalpool), Cheshire, on the banks of the River Dee

Edward Coke, 1666 (etching)
1071467 Edward Coke, 1666 (etching) by Loggan, David (1633/35-92); 30.2x19.7 cm; Dallas Museum of Art, Texas, USA; (add.info.: Sir Edward Coke (1 February 1552 - 3 September 1634), English barrister

Courtyard of Arundel House, from the South, 1646 (etching)
1067482 Courtyard of Arundel House, from the South, 1646 (etching) by Hollar, Wenceslaus (1607-77); 7.9x19.1 cm; Dallas Museum of Art, Texas, USA; (add.info.: Engraved by Adam A)

Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c
2967736 Portrait of a gentleman, traditionally identified as Henry, Prince of Wales, c.1620 (oil on canvas) by Anglo-Flemish School

Page from the Album Amicorum of Julius Pflug, 1600-13 (pen & ink and w / c on paper)
474361 Page from the Album Amicorum of Julius Pflug, 1600-13 (pen & ink and w/c on paper) by European School, (17th century); 18.3x11.8 cm; Private Collection; (add.info.: Completed in Holland)

At the Tax Collector s, 1889 (oil on panel)
487561 At the Tax Collector s, 1889 (oil on panel) by Fichel, Benjamin Eugene (1826-95); 44.2x55.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Frontispiece for The Duchess Of Malfi and The White Devil by John Webster (litho)
5988813 Frontispiece for The Duchess Of Malfi and The White Devil by John Webster (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: That in so Little Paper)

Richard Bancroft (oil on panel)
3508314 Richard Bancroft (oil on panel) by English School; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Richard Bancroft (1544-1610) Archbishop of Canterbury

Robert Cecil, 1st Earl of Salisbury (oil on panel)
3508313 Robert Cecil, 1st Earl of Salisbury (oil on panel) by Critz, John de (1555-1641) (after); Courtesy of the Warden and Scholars of New College

James II (oil on canvas)
1781582 James II (oil on canvas) by Lely, Peter (1618-80); 232x137 cm; Royal Hospital Chelsea, London, UK; (add.info.: Portrait of James Duke of York (later King James II), standing

Portrait in the Council House of George Harrington, Mayor of Bristol 1617 (w / c on paper)
2831793 Portrait in the Council House of George Harrington, Mayor of Bristol 1617 (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery

Sir Robert Poyntz, 1828 (pencil & w / c on paper)
2832547 Sir Robert Poyntz, 1828 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

King Charles I (oil on canvas)
3744302 King Charles I (oil on canvas) by Dyck, Anthony van (1599-1641) (after); 128.2x101.6 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Portrait of Archbishop Williams, Lord Keeper of the Seal
745944 Portrait of Archbishop Williams, Lord Keeper of the Seal, illustration from Heads of Illustrious Persons of Great Britain, pub

James I of England (1566-1625) (oil on canvas)
PWI261837 James I of England (1566-1625) (oil on canvas) by French School, (16th century); Chateau de Beauregard, France; (add.info.: King of Scotland)

Inkwell with pen-holder, 17th century (pewter)
AMQ201454 Inkwell with pen-holder, 17th century (pewter) by English School, (17th century); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Christian Bruce, Countess of Devonshire, and her children, c. 1629 (oil on canvas)
CTS379092 Christian Bruce, Countess of Devonshire, and her children, c. 1629 (oil on canvas) by Mytens, Daniel (1590-c.1648); 243.8x287 cm; eThe Devonshire Collections

Grays Inn Lane, Holborn, c. 1878 (b / w photo)
JHL394922 Grays Inn Lane, Holborn, c.1878 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info.: Entrance to Verulam Buildings)

A kitchen maid (pen & ink on paper)
CTS407582 A kitchen maid (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Man with viol (pen & ink on paper)
CTS407576 Man with viol (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Torchbearer (pen & ink on paper)
CTS407570 Torchbearer (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Atlas: back shutter or scene of relieve (pen & ink on paper)
CTS407568 Atlas: back shutter or scene of relieve (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: possibly a stage design for Hymenaei)

Masquers costume (pen & ink on paper)
CTS407551 Masquers costume (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

A transformed statue (w / c on paper)
CTS407541 A transformed statue (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Oberons Palace, c. 1611 (pen & ink on paper)
CTS407533 Oberons Palace, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: stage design for Oberon)

Escort to the Duke of York (pen & ink on paper)
CTS407529 Escort to the Duke of York (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Zephyrus (pen & ink on paper)
CTS407528 Zephyrus (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Ancient Greek god of the west wind;)

Knight or squire bearing a shield (pen & ink on paper)
CTS407525 Knight or squire bearing a shield (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Page bearing a helmet (pen & ink on paper)
CTS407524 Page bearing a helmet (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

St Georges Portico, c. 1610 (pen & ink on paper)
CTS407519 St Georges Portico, c.1610 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Queen Atalanta, 1609 (pen & ink on paper)
CTS407514 Queen Atalanta, 1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Queen Berenice of Egypt (pen & ink on paper)
CTS407511 Queen Berenice of Egypt (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

The Masque of Queens, scene 2: the House of Fame, c. 1609 (pen & ink on paper)
CTS407506 The Masque of Queens, scene 2: the House of Fame, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

A throne (pen & ink on paper)
CTS407505 A throne (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

The account of Inigo Jones for work done at the Lord Treasurer s
CTS407504 The account of Inigo Jones for work done at the Lord Treasurer s, 1608 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Sir Thomas Holte (1571-1654), 1st Baronet (oil on panel)
BIR186130 Sir Thomas Holte (1571-1654), 1st Baronet (oil on panel) by English School, (17th century); Birmingham Museums and Art Gallery; English, out of copyright

Bodleian Library, Oxford, from Oxonia Illustrata, published 1675 (engraving)
STC174253 Bodleian Library, Oxford, from Oxonia Illustrata, published 1675 (engraving) by Loggan, David (1633/35-92); Private Collection; (add.info)

Grace before Meat (engraving)
5224470 Grace before Meat (engraving) by English School, (19th century); Private Collection; (add.info.: Grace before Meat. Illustration for The Sunday At Home, 1889/90.); © Look and Learn

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Step back in time and immerse yourself in the captivating world architecture and history. From the haunting ruins of Brambletye House, near East Grinstead, Sussex, to the grandeur of Hatfield House and Wroxton Abbey, these structures stand as testaments to an era long gone. Transport yourself to a pivotal moment in British history with "The Capture Of Guy Fawkes" painting from 1605. This dramatic scene captures the tension and intrigue surrounding the infamous Gunpowder Plot. Theatrical performances were also a significant part culture, as depicted by David Garrick alongside William Burton and John Palmer in Ben Jonson's play "The Alchemist. " Charlton House, a stunning C18 mansion, showcases the opulence that defined this period. Its intricate details and elegant design are truly awe-inspiring. Plas Teg in Wales is another remarkable example architecture owned by Cornelia Bayley—an enchanting house steeped in tales from centuries past. Delve into local history at Hertford Castle and Castle Yard—surveyed meticulously by Symon Basyll—a glimpse into life within its fortified walls during this era. Aston Hall Gateway Birmingham offers a snapshot of wartime Britain with its image captured in 1941—a reminder that even amidst turmoil, beauty endures. Nature lovers will marvel at the vibrant Crimson Jacobean lily (Sprekelia formosissima), showcasing nature's own interpretation of this historical period's rich color palette. And for art enthusiasts, Queen Artemisia's pen & ink portrait transports us directly to her regal presence circa 1609. Finally, we have Joseph Cundall's depiction of The Alms House from 1855—an enduring symbol of compassion during times when societal support was crucial. Jacobean hints scattered across different realms invite exploration into an age marked by architectural splendor, political intrigue, artistic expression, and natural beauty.