J M W Turner Collection

The Fighting Temeraire, 1839. Artist: JMW Turner
The Fighting Temeraire, 1839. The 98-gun ship Temeraire became known as the Fighting Temeraire after its role in Nelsons victory at the Battle of Trafalgar in 1805

Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner
Edinburgh: From St. Margarets Loch, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Whitby, 1824. Artist: JMW Turner
Whitby, 1824. From the Tate Gallery, London

Self-portrait of JMW Turner, 1799. Artist: JMW Turner
Self-portrait of JMW Turner, 1799. Turner (1775-1851), the Romantic artist who became known as the painter of light. This is his last known self portrait, painted when he was 24

Scarborough, 1909. Artist: JMW Turner
Scarborough, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

A First Rate Taking in Stores, 1818. Artist: JMW Turner
A First Rate Taking in Stores, 1818. Painting held at the Tate, London. From The Studio Volume 120 [The Studio Ltd. London & New York, 1940]

Brinkburn Priory, Northumberland, c1830. Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830. Painting held at The Tate, London. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809 Artist: JMW Turner
Shoeburyness Fisherman Hailing a Whitstable Hoy, aka The Pilot Boat, and The Red Cap, c1809. Painting on display at the National Gallery of Canada, Ottawa

Launceston, 1909. Artist: JMW Turner
Launceston, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Hastings, 19th century (1910). Artist: JMW Turner
Hastings, 19th century (1910). From The Connoisseur magazine (September 1910)

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Crossing the Brook, c1815. Artist: JMW Turner
Crossing the Brook, c1815. From the Tate collection, London

The Angel Standing in the Sun, 1846. Artist: JMW Turner
The Angel Standing in the Sun, 1846. The Archangel Michael with flaming sword on Judgement Day. From Tate Britain, London

Boston, Lincolnshire, 1838, (1943). Creator: Unknown
Boston, Lincolnshire, 1838, (1943). View of St Botolphs Church and ships on the River Witham in the town of Boston. After an engaving by JMW Turner

Portsmouth, c1824-5, (1905). Artist: JMW Turner
Portsmouth, c1824-5. Painting held in the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Portrait of JMW Turner, c1841 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1841 (1904). Joseph Mallord William Turner (1775-1851), English landscape painter. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. Artist: JMW Turner
Study of Fish: Two Tench, a Trout and a Perch, c1822-1824. From the Tate collection, London

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

Barnard Castle, 1909. Artist: JMW Turner
Barnard Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Venice: The Salute from S. Giorgio Maggiore, 1909. Artist: JMW Turner
Venice: The Salute from S. Giorgio Maggiore, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne, 1909. Artist: JMW Turner
Lausanne, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Pembroke Castle, Wales, c1829. Artist: JMW Turner
Pembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown
High Wycombe from the Marlow Road, c1802, (c1900). Rural scene with cows in the foreground, and the town of High Wycombe in Buckinghamshire in the distance

The Crook of the Lune, 1909. Artist: JMW Turner
The Crook of the Lune. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Grenoble Bridge, 1824. Artist: JMW Turner
Grenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner
The Victory Returning from Trafalgar, in Three Positions; The " Victory" returning from Trafalgar; The Victory returning from Trafalgar, ca. 1806

On the Lake at Petworth - Evening, 1909. Artist: JMW Turner
On the Lake at Petworth - Evening, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Tells Chapel, Fluelen, 1909. Artist: JMW Turner
Tells Chapel, Fluelen, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner
Bellinzona: From the Road to Locarno, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Bellinzona: From the South, 1909. Artist: JMW Turner
Bellinzona: From the South, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner
Ulysses deriding Polyphemus - Homers Odyssey, 1829. Painting held in The National Gallery London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner
Keelmen Heaving in Coals by Moonlight, 1835. The painting is part of the Widener Collection, National Gallery of Art, Washington DC

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner
Tummel Bridge, Perthshire; Dummel Bridge; Dummel Bridge, Fifeshire, Painted in 1812; Highland Bridge, between 1802 and 1803

Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke
Ilfracomb, North Devon, c1818. Engraving after Ilfracombe, North Devon: Storm and Shipwreck, painting by JMW Turner, c1813-1816

Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1827 (1904). A portrait of English landscape painter Joseph Mallord William Turner (1775-1851) at the age of 25

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Forum Romanum, 1818. Artist: JMW Turner
Forum Romanum, 1818. Painting held at the National Gallery of Canada, Ottawa. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Norham Castle, 1909. Artist: JMW Turner
Norham Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lulworth Cove, 1909. Artist: JMW Turner
Lulworth Cove, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Stonehenge: Sunset, 1909. Artist: JMW Turner
Stonehenge: Sunset, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lucerne, 1909. Artist: JMW Turner
Lucerne, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Rain, Steam and Speed - the Great Western Railway, c1844, (1912). Artist: JMW Turner
Rain, Steam and Speed - the Great Western Railway, c1844, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto)

Venice, 1840, (1912). Artist: JMW Turner
Venice, 1840, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Aesacus and Hesperie, published 1819. Creator: JMW Turner
Aesacus and Hesperie, published 1819

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JMW Turner, a renowned British artist of the 19th century, left an indelible mark on the art world with his breathtaking masterpieces. His works captured the essence of nature and human emotions in a way that was both captivating and thought-provoking. One such masterpiece is "The Fighting Temeraire" painted in 1839. This iconic painting depicts the once majestic warship being towed away to be broken up for scrap. Turner's use of vibrant colors and dramatic lighting evokes a sense of nostalgia and melancholy. In "Whitby" from 1824, Turner showcases his ability to capture the beauty of coastal landscapes. The play between light and shadow creates a mesmerizing atmosphere that transports viewers to this picturesque seaside town. Turner's self-portrait from 1799 reveals not only his artistic talent but also hints at his introspective nature. Through loose brushstrokes and subtle expressions, he offers us a glimpse into his inner world as an artist. "Launceston, " painted in 1909, demonstrates Turner's versatility as an artist by depicting architectural elements with precision and detail. The composition exudes tranquility while showcasing the historical significance of this ancient castle. "A First Rate Taking in Stores" from 1818 showcases Turner's fascination with naval scenes. The dynamic composition captures the energy and movement associated with ships at sea, leaving viewers captivated by its sheer power. "The Angel Standing in the Sun, " created in 1846, explores spiritual themes through vivid imagery. With heavenly light illuminating divine figures against darkened skies, Turner invites contemplation on matters beyond our earthly existence. In "Ulysses Deriding Polyphemus, " painted initially in 1829 but later reworked in 1904, Turner draws inspiration from Greek mythology to create a scene filled with drama and intensity. The contrasting elements highlight Ulysses' defiance against adversity.