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Israhel Collection

"Israhel: A Master of Engraving and Capturing Life's Moments" Step into the world van Meckenem, a German artist from the late 15th century

Background imageIsrahel Collection: Cannon of Cortes Time, from The Narrative and Critical History of America

Cannon of Cortes Time, from The Narrative and Critical History of America
BAL111023 Cannon of Cortes Time, from The Narrative and Critical History of America, edited by Justin Winsor, London, 1886 (engraving) by Mecken

Background imageIsrahel Collection: Falconer Lady series Scenes Daily Life ca 1495

Falconer Lady series Scenes Daily Life ca 1495
Artokoloro

Background imageIsrahel Collection: Portrait of Israhel van Meckenem and his wife Ida, c. 1490 (engraving)

Portrait of Israhel van Meckenem and his wife Ida, c. 1490 (engraving)
XJF486391 Portrait of Israhel van Meckenem and his wife Ida, c.1490 (engraving) by Meckenem, Israhel van, the younger (fl.1445-1503); 12.4 x 17.3 cm; (add.info)

Background imageIsrahel Collection: Israhel van Meckenem after Martin Schongauer (German, c

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Virgin and Child in a Courtyard, engraving

Background imageIsrahel Collection: Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Saint Lawrence, c

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Saint Lawrence, c. 1480-1490, engraving

Background imageIsrahel Collection: Israhel van Meckenem after Master of the Housebook (German, c. 1445 - 1503), Saint Christopher

Israhel van Meckenem after Master of the Housebook (German, c. 1445 - 1503), Saint Christopher, c. 1480-1490, engraving

Background imageIsrahel Collection: Master with the Banderoles after Israhel van Meckenem (Netherlandish, active c

Master with the Banderoles after Israhel van Meckenem (Netherlandish, active c. 1450 - active 1475), The Stoning of Saint Stephen, c. 1470-1475, engraving on laid paper

Background imageIsrahel Collection: William Young Ottley after Israhel van Meckenem (British, 1771 - 1836), The Churchgoers

William Young Ottley after Israhel van Meckenem (British, 1771 - 1836), The Churchgoers, engraving on thin wove paper

Background imageIsrahel Collection: Israhel van Meckenem after Hans Holbein the Elder (German, c

Israhel van Meckenem after Hans Holbein the Elder (German, c. 1445-1503), The Presentation of the Virgin, c. 1490-1500, engraving

Background imageIsrahel Collection: Israhel van Meckenem after Master E. S. (German, c. 1445-1503), Saint Philip, c. 1470-1480

Israhel van Meckenem after Master E. S. (German, c. 1445-1503), Saint Philip, c. 1470-1480
Israhel van Meckenem after Master E.S. (German, c. 1445-1503), Saint Philip, c. 1470-1480, engraving

Background imageIsrahel Collection: after Israhel van Meckenem, Christ as the Man of Sorrows, c. 1470-1480, engraving

after Israhel van Meckenem, Christ as the Man of Sorrows, c. 1470-1480, engraving

Background imageIsrahel Collection: Israhel van Meckenem (German, c. 1445-1503), Saint Elizabeth of Thuringia, c. 1475-1480

Israhel van Meckenem (German, c. 1445-1503), Saint Elizabeth of Thuringia, c. 1475-1480, engraving



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"Israhel: A Master of Engraving and Capturing Life's Moments" Step into the world van Meckenem, a German artist from the late 15th century. Known for his intricate engravings, Israhel's work offers us glimpses into various aspects of life during his time. One such engraving takes us back to the Cannon of Cortes Time, a period marked by exploration and conquest. Through Israhel's artistry, we can visualize the events that unfolded during this significant era in history. In another piece, he immortalizes Herodias, a Jewish princess involved in the decapitation of John the Baptist. This portrayal showcases Israhel's ability to capture both historical figures and their stories with remarkable detail. It also delves into daily life through his Falconer Lady series Scenes Daily Life ca 1495. These engravings provide us with an intimate look at ordinary activities from centuries ago, allowing us to connect with people who lived long before our time. Not limited to capturing reality alone, Israhel explores themes like love and music as well. His Ornament Panel with Two Lovers depicts an enchanting scene of romance while Circular Ornament with Musicians Playing transports us to a world filled with harmonious melodies. Furthermore, he showcases his talent for creating ornate designs in works like Coat of Arms with Lion and Ornament with Morris Dancers. These intricate pieces highlight Israhel's attention to detail and mastery over composition. Religious subjects also find their place within Israhel's portfolio; The Crucifixion portrays Jesus' sacrifice on the cross while The Death of the Virgin captures a poignant moment in Christian iconography. Lastly, we witness lively courtly scenes through The Dance at the Court of Herod where joyous festivities unfold before our eyes.