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Ink And Colour On Paper Collection (page 26)

"Ink and Colour on Paper: A Journey Through Artistic Expressions" Immerse yourself in the captivating world of ink and colour on paper

Background imageInk And Colour On Paper Collection: Black Ship, (Kurofune), illustration from Bugei Kurabu (Literary Club)

Black Ship, (Kurofune), illustration from Bugei Kurabu (Literary Club)

Background imageInk And Colour On Paper Collection: Trio, Part Three, 1786-1868. Creator: Gakutei

Trio, Part Three, 1786-1868. Creator: Gakutei
Trio, Part Three, 1786-1868

Background imageInk And Colour On Paper Collection: Four Friends of Calligraphy: Lady Komachi, 19th century. Creator: Gakutei

Four Friends of Calligraphy: Lady Komachi, 19th century. Creator: Gakutei
Four Friends of Calligraphy: Lady Komachi, 19th century

Background imageInk And Colour On Paper Collection: Court Lady Praising the Plum Blossom, 1830. Creator: Yanagawa Shigenobu

Court Lady Praising the Plum Blossom, 1830. Creator: Yanagawa Shigenobu
Court Lady Praising the Plum Blossom, 1830

Background imageInk And Colour On Paper Collection: Landscape after Xia Gui (active ca. 1195-1230), from the Mustard Seed Garde

Landscape after Xia Gui (active ca. 1195-1230), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Leaf from the Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan)

Leaf from the Mustard Seed Garden Manual of Painting (Jieziyuan huazhuan), probably 1878 edition

Background imageInk And Colour On Paper Collection: Old Tree, Bamboo, and Rock by Su Shi (1037-1101), as interpreted by Xu Wei

Old Tree, Bamboo, and Rock by Su Shi (1037-1101), as interpreted by Xu Wei (1521-1593), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Wang Wei (699-759), from the Mustard Seed Garden Manual of

Landscape after Wang Wei (699-759), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape by Ke Jiusi (1290-1343), from the Mustard Seed Garden Manual of P

Landscape by Ke Jiusi (1290-1343), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Wen Tong (1018-1079), from the Mustard Seed Garden Manual o

Landscape after Wen Tong (1018-1079), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Huang Gongwangs (1269-1354) Emerald Streams and Verdant Cliffs, as interpr

Huang Gongwangs (1269-1354) Emerald Streams and Verdant Cliffs, as interpreted by Sheng Dan (active 17th century), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Cloudy Mountains by Gao Kegong (1248-1310) in the manner of Mi Fu (1051-110

Cloudy Mountains by Gao Kegong (1248-1310) in the manner of Mi Fu (1051-1107), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Fan Kuan (active ca. 990-1030), from the Mustard Seed Garde

Landscape after Fan Kuan (active ca. 990-1030), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Gao Kegong (1248-1310), studying the method of Mi Fu (1051

Landscape after Gao Kegong (1248-1310), studying the method of Mi Fu (1051-1107), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Old Trees by Li Cheng (919-967), as interpreted by Kuncan (1612-1673)

Old Trees by Li Cheng (919-967), as interpreted by Kuncan (1612-1673), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Snowy Peaks Touching the Heavens, in the manner of Snow-covered Inn by Jing

Snowy Peaks Touching the Heavens, in the manner of Snow-covered Inn by Jing Hao (active ca. 870-ca. 930), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Ma Yuan (active ca. 1190-1225), from the Mustard Seed Garde

Landscape after Ma Yuan (active ca. 1190-1225), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Landscape after Wu Zhen (1280-1354), from the Mustard Seed Garden Manual of

Landscape after Wu Zhen (1280-1354), from the Mustard Seed Garden Manual of Painting, First edition, 1679

Background imageInk And Colour On Paper Collection: Insurance girl (hoken musume), illustration from Bugei Kurabu (Literary Club)

Insurance girl (hoken musume), illustration from Bugei Kurabu (Literary Club)

Background imageInk And Colour On Paper Collection: Two Court Ladies Admire the Cherry Trees, ca. 1820. Creator: Gakutei

Two Court Ladies Admire the Cherry Trees, ca. 1820. Creator: Gakutei
Two Court Ladies Admire the Cherry Trees, ca. 1820

Background imageInk And Colour On Paper Collection: The Actor Segawa Tomisaburo II as the Otomos Maid Wakakusa, Actually Prince Korehito

The Actor Segawa Tomisaburo II as the Otomos Maid Wakakusa, Actually Prince Korehito, 1794-75

Background imageInk And Colour On Paper Collection: Ichimura Kakitsu IV as Ushiwaka no Genji in the Kabuki play A Parody of the Rom

Ichimura Kakitsu IV as Ushiwaka no Genji in the Kabuki play A Parody of the Romance of the Three Kingdoms (Mitate Sangokushi-Ushiwaka no Genji), 4th month, 1868

Background imageInk And Colour On Paper Collection: Uranosuke Plays Blind Mans Buff with the Women of the Ichiriki Joroya, ca. 1790

Uranosuke Plays Blind Mans Buff with the Women of the Ichiriki Joroya, ca. 1790

Background imageInk And Colour On Paper Collection: A Page from the Jie Zi Yuan. Creator: Unknown

A Page from the Jie Zi Yuan. Creator: Unknown
A Page from the Jie Zi Yuan

Background imageInk And Colour On Paper Collection: Modern Genji - Firefly Viewing (Imayo genji shiken hotaru asobi), 1861

Modern Genji - Firefly Viewing (Imayo genji shiken hotaru asobi), 1861

Background imageInk And Colour On Paper Collection: Wakamurasaki of the Kadotamaya, ca. 1800. Creator: Chokosai Eisho

Wakamurasaki of the Kadotamaya, ca. 1800. Creator: Chokosai Eisho
Wakamurasaki of the Kadotamaya, ca. 1800

Background imageInk And Colour On Paper Collection: Group of women. Creator: Hosoda Eishi

Group of women. Creator: Hosoda Eishi
Group of women

Background imageInk And Colour On Paper Collection: Group at a Tea-house on the Bank of the Sumida River, ca. 1790. Creator: Hosoda Eishi

Group at a Tea-house on the Bank of the Sumida River, ca. 1790. Creator: Hosoda Eishi
Group at a Tea-house on the Bank of the Sumida River, ca. 1790

Background imageInk And Colour On Paper Collection: Lady in a Court Carriage Viewing Cherry Blossoms, ca. 1796 (Kansei 8)

Lady in a Court Carriage Viewing Cherry Blossoms, ca. 1796 (Kansei 8)

Background imageInk And Colour On Paper Collection: The Oiran Segawa of Matsubaya (the House of Pine), ca. 1788. Creator: Hosoda Eishi

The Oiran Segawa of Matsubaya (the House of Pine), ca. 1788. Creator: Hosoda Eishi
The Oiran Segawa of Matsubaya (the House of Pine), ca. 1788

Background imageInk And Colour On Paper Collection: The Emperors Attendance at the Horse Race: Episode from the Tale of Eiga (Eiga Monogatari), c

The Emperors Attendance at the Horse Race: Episode from the Tale of Eiga (Eiga Monogatari), c. 1200



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"Ink and Colour on Paper: A Journey Through Artistic Expressions" Immerse yourself in the captivating world of ink and colour on paper, where masterpieces come to life through the skilled hands of talented artists. From teasing cats to threatening deities, this collection showcases a diverse range of subjects that will leave you mesmerized. Step back in time to 1888 with Tsukioka Yoshitoshi's "Teasing the Cat, " a whimsical portrayal of feline mischief. The delicate strokes and vibrant hues bring this mischievous scene to life, capturing the playful spirit of these furry creatures. In contrast, Yoshitoshi's "Fudo Myoo Threatening a Novice" from 1885 takes us into a realm filled with intensity and power. The intricate details and bold use of ink create an atmosphere charged with tension as Fudo Myoo asserts his dominance over a trembling novice. Utagawa Hiroshige II transports us to the coast of Tsushima in 1859 with "Dutch Ship at Anchor off the Coast. " This breathtaking landscape painting captures the serenity of nature juxtaposed against the imposing presence of a majestic ship, showcasing Hiroshige II's mastery in depicting both man-made structures and natural beauty. "The Mustard Seed Garden Manual" offers us insight into traditional Chinese painting techniques through its exquisite pages. One such page features seeds and Aleurites Cordata, beautifully rendered by unknown artists who skillfully combine ink washes with delicate brushwork. Hokusai's iconic masterpiece "Wild Geese and Water" from 1839 invites us into his world where nature reigns supreme. With meticulous attention to detail, Hokusai captures every feathered stroke as geese take flight above tranquil waters—a testament to his unparalleled talent for capturing movement within stillness.