Inebriated Collection (page 3)

The Bonzolines have a couple by George Studdy
The Bonzolines get a little squiffy on whisky, and spill some of the decanters contents. George Ernest Studdy (1878-1948), was the creator of Bonzo

Silenus, c. 1653 (etching) (b / w photo)
XJF275586 Silenus, c.1653 (etching) (b/w photo) by Perrier, Francois (Bourguignon) (1590-1650) (after); Private Collection; (add.info)

Under the Red Light, c. 1910 (oil on canvas)
BAL244825 Under the Red Light, c.1910 (oil on canvas) by Popov, Lukjan Vasilievich (1873-1914); 102x129 cm; Regional Art Museum, Orenburg; Russian, out of copyright

The Drunkard Pushed into the Pigsty (oil on panel)
BAL251376 The Drunkard Pushed into the Pigsty (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); diameter: 23.8 cm; Private Collection; Johnny Van Haeften Ltd

The Gin Palace (engraving) (b / w photo)
XJF208321 The Gin Palace (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

The Good Bottle, wine merchants sign (oil on canvas)
XIR174120 The Good Bottle, wine merchants sign (oil on canvas) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Tennis Illustrated - Comic Postcard - A Weak Return A Policeman aids a totally sozzled young gentleman to return to his abode into the rather shocked care of the housemaid. Date: circa 1903

young men binge drinking and having a good night out in Lancasrter UK
Ashley Cooper / SpecialistStock

Students from Lancaster university binge drinking and having a good night out
Ashley Cooper / SpecialistStock

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"Intoxicated Tales: From Mischievous Men to Holy Wars" Step into the world of inebriation through a vibrant collection of art and scenes that depict the effects of alcohol. In "A Man Loaded with Mischief, or Matrimony, " a colorful etching from 1766, we witness the consequences of excessive drinking on relationships. As we delve deeper, we encounter an intriguing Latin phrase, "Ibant qui poterant, qui non potuere cadebant, " meaning "Those who could go were going; those who couldn't fell. " This proverbial statement highlights how some succumb to their vices while others manage to maintain control. "The Fruits of Temperance" contrasts with "The Progress of Intemperance and Woman's Holy War, " showcasing two opposing paths. These artworks illustrate the consequences and struggles faced by individuals as they navigate between sobriety and indulgence. In another scene titled "Returning from Brooks's" (1784), depicted in a vivid color etching, we witness revelers stumbling down Wapping High Street in London. Metropolitan Police officers stand watchfully nearby, reminding us that even law enforcement must contend with the aftermaths of intoxication. Moving away from historical depictions, Lewis Baumer's illustration takes us inside a Café Chantant where two women find themselves immersed in an atmosphere fueled by alcohol. The lively setting captures both the allure and dangers associated with such establishments. Our journey continues back in time to c. 1660-65 when artist David Teniers the Younger painted "The Embracing Cavalier. " This oil-on-panel masterpiece portrays a man whose affectionate embrace may be influenced by more than just love alone. Nature also reveals its own tales of intoxication as dominant silverback Akarevuro completely engrosses himself in his mountain gorilla community. These majestic creatures remind us that even animals can experience the effects of intoxication.