Indian Miniature Collection

Jahangir and his Father, Akbar, Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca.1540-50

King Dasaratha and His Retinue Proceed to Ramas Wedding: Folio from the Shangri Ramayana Series (Style II), ca. 1690-1710

Maharao Umed Singh hunting tigers, 1787. Creator: Hans Raj Joshi
Maharao Umed Singh hunting tigers, 1787

A mounted man hunting birds with a falcon, early 18th century. Creator: Unknown
A mounted man hunting birds with a falcon, early 18th century

Mughal prince sitting on an elephant, 1675-1700. Creator: Anon
Mughal prince sitting on an elephant, 1675-1700

On the banks of the Yamuna in Brindaban, Krishna dances with the Gopis, 1800-1825. Creator: Anon
On the banks of the Yamuna in Brindaban, Krishna dances with the Gopis, 1800-1825. On the right pilgrims take a ritual bath

Abu l-Fazl ibn Mubarak presenting the Akbarnama to Akbar. Abu l-Fazl ibn Mubarak (1551-1602) was the vizier of Akbar (1542-1605), the third Mughal emperor

Tayang Khan Presented with the Head of the Mongol Leader Ong Khan (Miniature from Jami al-tawarikh (Universal History), c. 1596. Found in the collection of the The David Collection

The Goddess Bhairavi Devi with Shiva, ca. 1630-35. Creator: Attributed to Payag
The Goddess Bhairavi Devi with Shiva, ca. 1630-35

Battle Between Iranians and Turanians, Folio from a Shahnama (Book of Kings), 1562-83

Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Portrait of Qilich Khan Turani, Folio from the Shah Jahan Album, recto: ca. 1640; verso: ca. 1530-50

Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait, Folio... 1627-28
Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait, Folio from the Shah Jahan Album, recto: 1627-28; verso: ca. 1530-50

Hamid Bhakari Punished by Akbar, Folio from an Akbarnama, ca. 1604. Creator: Manohar
Hamid Bhakari Punished by Akbar, Folio from an Akbarnama, ca. 1604

Dancing Dervishes, Folio from the Shah Jahan Album, recto: ca. 1610; verso: ca. 1530-50

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A
Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Battle between Alexander and Darius, Folio from a Khamsa (Quintet)... A.H. 931 / A.D
Battle between Alexander and Darius, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Jahangir and Prince Khurram with Nur Jahan, c1624-1625. Indian miniature painting. Nur Jahan (1577-1645) was the twentieth and favourite wife of the Mughal emperor Jahangir (1569-1628)

Indian manuscript; Mughal, 17th century. Creator: Unknown
Indian manuscript; Mughal, 17th century

Portrait of a Prince, Mughal dynasty, 18th century. Creator: Unknown
Portrait of a Prince, Mughal dynasty, 18th century

Layla and Majnun, Mughal dynasty, 17th century. Creator: Unknown
Layla and Majnun, Mughal dynasty, 17th century

Vasanta Vilasa (a poem on Spring) (detail), 1451. Creator: Unknown
Vasanta Vilasa (a poem on Spring) (detail), 1451

Portrait of an emperor, Mughal dynasty, 18th century. Creator: Unknown
Portrait of an emperor, Mughal dynasty, 18th century

Sri Krsna with the flute, ca. 1790-1800. Creator: Unknown
Sri Krsna with the flute, ca. 1790-1800

Lovers on a garden terrace; musicians and attendants, 18th century. Creator: Unknown
Lovers on a garden terrace; musicians and attendants, 18th century

Malashri Ragini from a Ragmala series, 1640. Creator: Unknown
Malashri Ragini from a Ragmala series, 1640

Jahangir and Prince Khurram Entertained by Nur Jahan, Mughal dynasty, ca. 1640-50

The Ramayana (Tales of Rama; The Freer Ramayana), Volume 2, Mughal dynasty, 1597-1605

The Ramayana (Tales of Rama; The Freer Ramayana), Volume 1, Mughal dynasty, 1597-1605

Prince in a garden, c. 1775-99 (brush on paper)
1765796 Prince in a garden, c.1775-99 (brush on paper) by Indian School, (18th century); 44.6x31.2 cm; Rijksmuseum, Amsterdam, The Netherlands; Indian, out of copyright

Lakshmi massaging the foot of Vishnu, ca. 1765-1770. Creators: Nainsukh, Manju
Lakshmi massaging the foot of Vishnu, ca. 1765-1770. Composition attributed to Nainsukh, painting attributed to Manju

M. Balwant Singh with Colonel Borthwick, dated 1825. Creator: Baijnath
M. Balwant Singh with Colonel Borthwick, dated 1825

The Imam of Baghdad brought before the Caliph on a charge of heresy from the Tarikh-i-Alfi, ca. 1592 - 1594

A lady on a terrace with hookah and falcon, 20th century. Creator: Unknown
A lady on a terrace with hookah and falcon, 20th century. Attributed to a follower of Har Jaimal

Court Ladies Playing with Fireworks, ca. 1740. Creator: Muhammad Afzal
Court Ladies Playing with Fireworks, ca. 1740. Attributed to Muhammad Afzal

Saraswati, folio from a Goddess series, ca. 1680-1700. Creator: Wajid
Saraswati, folio from a Goddess series, ca. 1680-1700. Attributed to Wajid

Kamod Ragini, ca. 1670-1690. Creator: Sirohi Master
Kamod Ragini, ca. 1670-1690. Attributed to the Sirohi Master

Sultan Murad and a Consort, ca. 1597. Creator: Manohar
Sultan Murad and a Consort, ca. 1597. Attributed to Manohar

Krishna fluting, folio from a Dasavatar series, ca. 1730. Attributed to the Master of the Court of Mankot

Rama and Lakshman with the sage Vishvamitra, from a Ramayana, ca. 1680-1690. Attributed to the Master of Style II of the Shangri Ramayana

Rao Ram Chandra of Bedla on a swing, ca. 1740s. Creator: Shahji
Rao Ram Chandra of Bedla on a swing, ca. 1740s. Attributed to Shahji

Jarasandhas army advances toward Krishna and Balarama, folio from a Mahabharata, ca. 1800-1815. Attributed to Purkhu

The sage-physician Dhanvantari, folio from the "Sixth"Bhagavata Purana series
The sage-physician Dhanvantari, folio from the " Sixth" Bhagavata Purana series, also known as the " small" Guler-Basohli series, ca. 1735-1740. Attributed to Manaku

The poet Sundar Das before Emperor Shah Jahan, folio from a Sundar Shringar, ca. 1750-1760. Attributed to Nainsukh

Portrait of a young prince, mid to late 17th century. Creator: Unknown
Portrait of a young prince, mid to late 17th century

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"Exploring the Rich Heritage of Indian Miniatures: A Glimpse into the Mughal Era" Step back in time and immerse yourself in the captivating world of Indian miniatures. These intricately detailed artworks offer a window into the opulent reigns of Jahangir, Akbar, Shah Jahan, and more. Each painting tells a story, capturing moments from historical events or legendary tales. In one mesmerizing piece, we witness King Dasaratha leading his retinue to Ramas wedding. The vibrant colors and delicate brushstrokes transport us to an era filled with grandeur and celebration. Another miniature showcases Abu l-Fazl ibn Mubarak presenting the Akbarnama to Emperor Akbar himself. This significant moment captures not only their intellectual pursuits but also highlights their deep appreciation for art and culture. The skillful depiction of a mounted man hunting birds with a falcon takes us on an exhilarating adventure through early 18th-century India. The artist's attention to detail allows us to feel the thrill of the chase as we marvel at this unique form of sport. Tayang Khan Presented with the Head of Mongol Leader Ong Khan reveals both triumph and tragedy within its intricate composition. This powerful image immortalizes a pivotal moment in history while showcasing the artistic prowess that defined this period. Moving forward, we encounter Khusrau Seated on his Throne—a testament to Nizami's literary genius brought to life through stunning visuals. The richness of color and meticulous detailing transports us directly into this mythical realm where legends come alive. Bahram Gur graces another masterpiece—this time in his White Palace on Friday—exuding regality as he commands our attention amidst ornate surroundings fit for royalty. Similarly, Bahram Gur is depicted again in his Yellow Palace on Sunday—an exploration into different facets of his character that captivate our imagination.