Indian Ink Collection

An engraving depicting the making of Indian Ink: made from a lamp-black obtained by burning pine wood, lard and oil
5310960 An engraving depicting the making of Indian Ink: made from a lamp-black obtained by burning pine wood, lard and oil, and perfume

Five children in fancy dress, 1870-1937. Creator: Willem Wenckebach
Five children in fancy dress, 1870-1937. Children dressed in coats and hats, with fake beards and moustaches. They each have a broom in hand

Boy kneels down to dog in a basket, 1870-1937 Creator: Willem Wenckebach
Boy kneels down to dog in a basket, 1870-1937

Boys signal to a ship from a sinking rowing boat, in or before 1894. Creator: Willem Wenckebach
Boys signal to a ship from a sinking rowing boat, in or before 1894. In the semi-darkness three boys are at sea in a rowing boat. One waves with a handkerchief to a sailing ship

Boy walks on a mountain path, 1894 or earlier. Creator: Willem Wenckebach
Boy walks on a mountain path, 1894 or earlier. In the background, mountains and clouds

Rocky bay, 1894 or earlier. Creator: Willem Wenckebach
Rocky bay, 1894 or earlier. View of a rocky bay with houses in the background. Seagulls fly over the water

Nave Nave Fenua, probably 1894. Creator: Paul Gauguin
Nave Nave Fenua, probably 1894

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Seated Clown, 1929 (india ink and gouache on paper)
990924 Seated Clown, 1929 (india ink and gouache on paper) by Kuhn, Walt (1880-1949); 49.5x30.5 cm; Private Collection; (add.info.: Seated Clown. Walt Kuhn (1877-1949)

Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)
1196483 Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), 1912 (pen and India ink on red paper) by Marc, Franz (1880-1916)

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas)
825715 The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 54.6x66 cm; Private Collection; (add.info)

The Iron Mill in The Hague, 1882 (gouache, w / c, wash, pen and India ink, pencil on paper)
1195957 The Iron Mill in The Hague, 1882 (gouache, w/c, wash, pen and India ink, pencil on paper) by Gogh, Vincent van (1853-90); 35.8x60.4 cm; Private Collection; Photo eChristies Images; Dutch

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper)
826113 Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper) by Kirchner, Ernst Ludwig (1880-1938); 44.5x34.3 cm; Private Collection; (add.info.: Reclining Nude; Liegender Akt)

Fathers Off to the Fair, (indian ink and w / c on paper)
1195634 Fathers Off to the Fair, (indian ink and w/c on paper) by Bilibin, Ivan (1876-1942); 37x28.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

American Beach; Plage American, c. 1917 (watercolour, black wax crayon, pencil
825163 American Beach; Plage American, c.1917 (watercolour, black wax crayon, pencil, pen and india ink on buff) by Pascin

Original drawing for a full-page border, 1892-1895 (indian ink over pencil
1195397 Original drawing for a full-page border, 1892-1895 (indian ink over pencil, heightened with chinese white) by Morris

At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour
988890 At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour, brush and India ink over pencil on buff paper) by Toulouse-Lautrec

Study for Feeling I, 1901 (India ink on paper)
1765176 Study for Feeling I, 1901 (India ink on paper) by Hodler, Ferdinand (1853-1918); 53x34 cm; Private Collection; (add.info.: Study for Feeling I ; Studie zu Empfindung I)

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
986334 The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper) by Blake, William (1757-1827); 27.6x35.3 (approx) cm; Private Collection; (add.info)

A Doll, 1923. Artist: Paul Klee
A Doll, 1923. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Masks, 1923. Artist: Paul Klee
Masks, 1923. Klee, Paul (1879-1940). Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Catapulta, 1478-1518. Found in the Collection of Veneranda Biblioteca Ambrosiana

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Drawn in charcoal, pen and Indian ink. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Study in Indian Ink by Forain, c1898. Artist: Jean Louis Forain
Study in Indian Ink by Forain, c1898. After a study in Indian ink by Jean-Louis Forain (1852-1931). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

View of Kostroma, Russia, 1838. Artist: Nikandor Grigorievich Chernetsov
View of Kostroma, Russia, 1838. Found in the collection of the State Russian Museum, St Petersburg

Two Figures in a Landscape, 17th century. Artist: Pier Francesco Mola
Two Figures in a Landscape, 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Studies of Eight Heads, late 18th or early 19th century. Artist: Mauro Gandolfi
Studies of Eight Heads, late 18th or early 19th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Portrait Andre-Antoine Bernard Jacques-Louis David
Portrait of Andre-Antoine Bernard; Jacques-Louis David (French, 1748 - 1825); July 24, 1795; Pen and Indian ink and gray wash, heightened with white gouache, over pencil; 18.1 cm (7 1, 8 in.)

God Save Us Bitter Fate Black Border Album E
Artokoloro

Leaf anatomy, light micrograph
Leaf anatomy. Light micrograph of an epidermal peel taken from the surface of a leaf, showing a pattern of leaf veins. An extensive network of small, thin veins is seen between the larger

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"Captivating Creativity: Exploring the Versatility in Art" Indian ink, a timeless medium cherished by artists throughout history, has left an indelible mark on the world of art. From Leonardo da Vinci's meticulous studies to modern masterpieces, this versatile substance continues to captivate our imaginations. In "Studies of the Drapery of a Figure Seated to Right, " da Vinci's genius shines through as he skillfully employs India ink to bring depth and texture to his intricate drapery study. The delicate strokes reveal his keen eye for detail and mastery of this ancient technique. Moving forward in time, we encounter "The Pair, " a captivating piece from 1907 that showcases the expressive power of pen and brush combined with India ink on paper. The artist effortlessly captures emotion and connection between two figures, leaving us mesmerized by their unspoken story. In "Seated Clown, " created in 1929 using India ink and gouache on paper, we witness the whimsical charm brought forth by this medium. The bold lines and contrasting shades create an atmosphere filled with laughter and mystery, inviting us into the clown's enigmatic world. "The Ducal Palace" transports us back to 1915 when oil painting met pen and India ink on canvas. This unique combination allows for intricate detailing while maintaining vibrant colors that breathe life into architectural wonders. A testament to both innovation and tradition. As we delve deeper into artistic exploration, we stumble upon "Reclining Nude. " Created in 1919 using pen, brush, and Indian ink on paper; it unveils sensuality through fluid lines that gracefully contour every curve. This intimate portrayal celebrates beauty in its purest form. From landscapes like "The Iron Mill in The Hague" where gouache meets watercolor washes alongside India ink; or exotic scenes such as "In Florida, " blending watercolor with pen strokes - each artwork reveals the boundless possibilities of Indian ink.