India Ink Collection

Seated Clown, 1929 (india ink and gouache on paper)
990924 Seated Clown, 1929 (india ink and gouache on paper) by Kuhn, Walt (1880-1949); 49.5x30.5 cm; Private Collection; (add.info.: Seated Clown. Walt Kuhn (1877-1949)

Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette)
1196483 Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), 1912 (pen and India ink on red paper) by Marc, Franz (1880-1916)

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas)
825715 The Ducal Palace; Le Palais Ducal, 1915 (oil, pen and india ink on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 54.6x66 cm; Private Collection; (add.info)

The Iron Mill in The Hague, 1882 (gouache, w / c, wash, pen and India ink, pencil on paper)
1195957 The Iron Mill in The Hague, 1882 (gouache, w/c, wash, pen and India ink, pencil on paper) by Gogh, Vincent van (1853-90); 35.8x60.4 cm; Private Collection; Photo eChristies Images; Dutch

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper)
826113 Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper) by Kirchner, Ernst Ludwig (1880-1938); 44.5x34.3 cm; Private Collection; (add.info.: Reclining Nude; Liegender Akt)

Fathers Off to the Fair, (indian ink and w / c on paper)
1195634 Fathers Off to the Fair, (indian ink and w/c on paper) by Bilibin, Ivan (1876-1942); 37x28.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

American Beach; Plage American, c. 1917 (watercolour, black wax crayon, pencil
825163 American Beach; Plage American, c.1917 (watercolour, black wax crayon, pencil, pen and india ink on buff) by Pascin

Original drawing for a full-page border, 1892-1895 (indian ink over pencil
1195397 Original drawing for a full-page border, 1892-1895 (indian ink over pencil, heightened with chinese white) by Morris

At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour
988890 At the Masked Ball-Parisian Festivities-New Revels, 1892 (watercolour, brush and India ink over pencil on buff paper) by Toulouse-Lautrec

Study for Feeling I, 1901 (India ink on paper)
1765176 Study for Feeling I, 1901 (India ink on paper) by Hodler, Ferdinand (1853-1918); 53x34 cm; Private Collection; (add.info.: Study for Feeling I ; Studie zu Empfindung I)

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
986334 The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper) by Blake, William (1757-1827); 27.6x35.3 (approx) cm; Private Collection; (add.info)

No Longer Age 98 Francisco Jose de Goya y Lucientes
He Can No Longer at the Age of 98; Francisco Jose de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828); Spain; about 1819 - 1823; Brush and India ink; 23.3 x 14.4 cm (9 3, 16 x 5 11, 16 in.)

Contemptuous Insults Francisco Jose de Goya
Contemptuous of the Insults; Francisco Jose de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828); about 1816 - 1820; Brush and india ink; 29.5 x 18.3 cm (11 5, 8 x 7 3, 16 in.);

Snow Queen illustrations Hans Christian Andersen
Artokoloro

Stable Yard Horses 1776-1827 Pen India ink
Artokoloro

Sarcophagus table 18th century Pen bistre washed
Artokoloro

Conversation Piece 1761-1845 Pen India ink
Artokoloro

River Scene Towboat 1653 Black chalk washed India ink
Artokoloro

Landscape early 17th-mid 17th century Black chalk
Artokoloro

Sparrow Bamboo 17th century Japan Hanging scroll
Artokoloro

Folding fan, tempera and India ink Dido at the stake painted surrounded by a heavy ornamental border. attributed to Paul Androuet Ducerceau, c. 1690 - c. 1710

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"India Ink: A Timeless Medium of Expression" From the intricate strokes of "The Pair, c. 1907" to the whimsical charm of "Seated Clown, 1929, " India ink has been a beloved tool for artists throughout history. Its deep black hue and versatility have allowed creators to bring their visions to life on paper. In "Two Horses (Almanac Vignette); Zwei Pferdchen (Almanach-Vignette), " the artist captures the grace and power of these majestic creatures using only India ink and a brush. The result is a captivating scene that transports us into another world. With "Aufsteigender, " we witness the sheer mastery of Indian ink as it effortlessly creates depth and dimension in this striking artwork. The contrast between light and dark brings forth an ethereal quality that leaves us mesmerized. "The Ducal Palace; Le Palais Ducal, 1915" showcases how they are seamlessly blend with other mediums like oil paint, pen, and canvas. This harmonious combination results in a piece that exudes grandeur and elegance. In "Still-life with Bottle and Cigars; Nature Morte avec Bouteille et Cigares, 1912, " gouache meets India ink to create a composition that tantalizes our senses. The rich textures are brought to life through meticulous brushwork, showcasing the artist's attention to detail. Through "Male Nude, Study for The Truth; Mannlicher Akt, Studie zur Wahrheit, " we see how India ink becomes an instrument for exploring human form. Every stroke reveals strength and vulnerability simultaneously - an intimate portrayal captured solely with pen and brush. "The Iron Mill in The Hague, 1882" demonstrates how they are be combined with watercolor washes to depict industrial landscapes with remarkable precision. This marriage of techniques immerses us in scenes from bygone eras, evoking a sense of nostalgia. In "In Florida.