Incomplete Collection (page 2)

English Camel Corps, Sudan, 1884 / 5 (pencil & w / c on paper)
622709 English Camel Corps, Sudan, 1884/5 (pencil & w/c on paper) by British School, (19th century); 30.5x39 cm; Private Collection; © Michael Graham-Stewart

Ms 196. Dominicus de Dominicis Venetus, De potestate Papae, De creatione cardinalium, f. 1r
5979485 Ms 196. Dominicus de Dominicis Venetus, De potestate Papae, De creatione cardinalium, f. 1r. Humanistic bookhand with some Gothic features

Portrait of a man, full-length, handing a letter to a boy, in an interior (oil on panel)
3533508 Portrait of a man, full-length, handing a letter to a boy, in an interior (oil on panel) by Coques, Gonzales (1614-84) (attr.to)

Diane (marble)
781491 Diane (marble) by Boucher, Alfred (1850-1934); height: 48.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Etude pour passe, c. 1908 (pastel)
3700901 Etude pour passe, c.1908 (pastel) by Khnopff, Fernand (1858-1921); 27.5x20.5 cm; Wolseley Fine Arts, London, UK; Belgian, out of copyright

Snowdon, c. 1820 (watercolour on paper)
3740330 Snowdon, c.1820 (watercolour on paper) by Varley, John (1778-1842); Victoria & Albert Museum, London, UK; (add.info.: Snowdon, the highest mountain in Wales.); English, out of copyright

J Craig Annan, 1916 (etching)
6200171 J Craig Annan, 1916 (etching) by Strang, William (1859-1921); 35x25 cm; The McManus, Dundee, UK; (add.info.: Pioneering Scottish photographer James Craig Annan (1864-1946)

Page 77. No inscription, unfinished drawing (w / c)
5671116 Page 77. No inscription, unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Page 178a. Zamia, c. 1803-06 (pen, ink and pencil)
5670540 Page 178a. Zamia, c.1803-06 (pen, ink and pencil) by Lewin, John William (1770-1819); Mitchell Library, State Library of New South Wales; (add.info)

Page 213. Diuris aurea. Exot. Bot. t. 9. aGolden Donkey Orchid (w / c)
5671253 Page 213. Diuris aurea. Exot. Bot. t. 9.AGolden Donkey Orchid (w/c) by Unknown artist, (18th century); Mitchell Library

ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash)
5670246 ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash) by Cook, James (1728-79); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches)

Sword, late second or very early third century (iron)
5865168 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Brown Study (oil on canvas)
5889041 Brown Study (oil on canvas) by Miles, George Frank (1852-91); 50.8x61 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

View of the Church of San Marcuolo (b / w photo)
MES408674 View of the Church of San Marcuolo (b/w photo) by Italian Photographer; Venice, Italy; (add.info.: built 1728-36 by Giorgio Massari; facade was never completed;)

Pianos under construction at the Hardman, Peck & Co. factory, New York
MNY381246 Pianos under construction at the Hardman, Peck & Co. factory, New York, 1907 (silver gelatin print) by Byron Company (fl.1890-1942); 19.2x25.4 cm; Museum of the City of New York

Liverpool Cathedral - Liverpool, Merseyside. The cathedral is based on a design by Giles Gilbert Scott and was constructed between 1904 and 1978

A Scotch Fair, c. 1847 (pencil)
6200837 A Scotch Fair, c.1847 (pencil) by Phillip, John (1817-67); 95.5x177 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Portrait Sketch (oil on canvas)
5889073 Portrait Sketch (oil on canvas) by Watson, George Spencer (1869-1934); 83.8x63.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Page 192. From Major Ross unfinished drawing (w / c)
5671232 Page 192. From Major Ross unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Sword, late second or very early third century (iron)
2967364 Sword, late second or very early third century (iron) by Roman; length: 46 cm; Arbeia Roman Fort & Museum, Tyne & Wear Archives & Museums; (add.info)

Equestrian portrait of a lady, said to be Lady Elizabeth Foster (oil on panel)
621495 Equestrian portrait of a lady, said to be Lady Elizabeth Foster (oil on panel) by Cosway, Richard (1742-1821); 68.6x53.3 cm; eThe Devonshire Collections

Crimson topaz, Topaza pella, juvenile male
Crimson topaz, Topaza pella (Trochilus pella). Juvenile male with incomplete plumage. Handcolored steel engraving by Coutant after an illustration by Jean-Gabriel Pretre from Rene Primevere Lessons

Wine Store, High Constantia (b / w photo)
3092311 Wine Store, High Constantia (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Wine Store, High Constantia)

League of Nations satire
The League of Nations Incomplete : The Gap in the Bridge Date: December 1919

Window depicting incomplete Scene with Saint Mary Magdalene and a Joseph of Arimathea
1278479 Window depicting incomplete Scene with Saint Mary Magdalene and a Joseph of Arimathea (stained glass) by French School, (15th century); Eglise St Pierre, Les-Riceys

Rail Track laying machine, Blackwell, Oklahoma, 1909 (b / w photo)
PNP246916 Rail Track laying machine, Blackwell, Oklahoma, 1909 (b/w photo) by American Photographer, (20th century); Private Collection; Peter Newark American Pictures; American, out of copyright

The Sacrifice of Isaac, c. 1527 (oil on wood)
491193 The Sacrifice of Isaac, c.1527 (oil on wood) by Sarto, Andrea del (1486-1530); 178x138 cm; Cleveland Museum of Art, OH

General view of the west facade, built 13th-14th century (photo)
XIR162654 General view of the west facade, built 13th-14th century (photo) by French School; Cathedral of St. Etienne, Auxerre, Burgundy, France; French, out of copyright

Portrait of Georgiana, Duchess of Devonshire and Lady Elizabeth Foster
621502 Portrait of Georgiana, Duchess of Devonshire and Lady Elizabeth Foster (w/c & pencil on paper) by Downman, John (c.1750-1824); 31.3x27.4 cm; eThe Devonshire Collections

Head of an Old Man, 1911 (etching)
6200301 Head of an Old Man, 1911 (etching) by Zorn, Anders Leonard (1860-1920); 17.8x11.9 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Swedish, out of copyright

Page 131. Germen hairy / Ericifolia unfinished drawing (w / c)
5671171 Page 131. Germen hairy / Ericifolia unfinished drawing (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Page 190. Melaleuca thymifoliaa / Thyme Honey, myrtle (w / c)
5671230 Page 190. Melaleuca thymifoliaA/ Thyme Honey, myrtle (w/c) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Volume 05)

Page 120. No inscription, unfinished drawing, unidentified plant (w / c)
5671160 Page 120. No inscription, unfinished drawing, unidentified plant (w/c) by Unknown artist, (18th century); Mitchell Library

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"Incomplete: A Tapestry of Time and Vision" Step into a world where time stands still, where the past and present intertwine in an incomplete symphony. The magnificent La Sagrada Familia church, designed by the visionary Antoni Gaudi, illuminates the night sky with its ethereal glow. This UNESCO World Heritage Site is not just a basilica; it is a testament to human creativity that transcends generations. As we delve deeper into history, we uncover ancient maps that tell tales of exploration and discovery. A 17th-century world map reveals the vastness of our planet, while a 16th-century map showcases the intricate details of the British Isles. These fragments from centuries ago remind us of how much there is left to explore and understand. Inside La Sagrada Familia's sacred space, stained glass windows create kaleidoscopic patterns that dance with light. Gaudi's genius lies in his ability to merge architecture and art seamlessly – an unfinished masterpiece that continues to captivate hearts today. Traveling further through time, we encounter another 17th-century map depicting Europe's ever-changing borders. It serves as a reminder that history is never static; it evolves like the very landscapes it represents. Venturing beyond familiar shores, a 17th-century map unveils the mysteries of the New World – uncharted territories waiting to be discovered by intrepid explorers seeking fame and fortune. In Barcelona's vibrant streets, La Sagrada Familia Cathedral proudly stands as an emblematic symbol of Catalonia's rich heritage within Spain and Europe at large. Its towering spires reach for heights unknown – just like humanity itself – forever striving towards completion amidst perpetual change. Returning once more to Britain's shores on a 16th-century map, we witness its evolving identity throughout history - shaped by conquests, alliances, and cultural exchanges - yet always remaining enigmatic in its essence.