In Ink Collection (page 4)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink)
1766604 A manuscript page depicting Moses and Aaron with an imaginary townscape of Jerusalem, 1738 (pen, red and black ink, watercolour)

A selection of designs from the House of Carl Faberge including an oval hand mirror
1765139 A selection of designs from the House of Carl Faberge including an oval hand mirror, a smaller mirror and two mounted bottles (pencil, pen)

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

Tiger, 1934 (hanging scroll, ink and colour on paper)
1764904 Tiger, 1934 (hanging scroll, ink and colour on paper) by Zhang Shanzi (1882-1940); 135.5x67.5 cm; Private Collection; (add.info.: Tiger. Zhang Shanzi (1882-1940)

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

The Lobster, with a hairbrush in its Claw Standing Before a Dressing Table
985964 The Lobster, with a hairbrush in its Claw Standing Before a Dressing Table, with 4 Lines of Verse, c.1865 (pen and brown ink) by Tenniel

The Mock Turtle - The Mock Turtle Sobbing on a Rock, c. 1865 (pen and brown ink)
985963 The Mock Turtle - The Mock Turtle Sobbing on a Rock, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 10.1x8.4 cm; Private Collection; (add.info.: The Mock Turtle)

Chapter heading depicting two peacocks in a garden with a fountain, c
985763 Chapter heading depicting two peacocks in a garden with a fountain, c.1893/4 (black ink, graphite) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

The Bridge at St Ives 1903 (pencil, pen and black ink, and w / c on paper)
1199522 The Bridge at St Ives 1903 (pencil, pen and black ink, and w/c on paper) by Garden, William Fraser (1856-1921); 28x39.4 cm; Private Collection; (add.info)

The Iron Mill in The Hague, 1882 (gouache, w / c, wash, pen and India ink, pencil on paper)
1195957 The Iron Mill in The Hague, 1882 (gouache, w/c, wash, pen and India ink, pencil on paper) by Gogh, Vincent van (1853-90); 35.8x60.4 cm; Private Collection; Photo eChristies Images; Dutch

An original design for a ceiling mural for the State Bank in Nizhny-Novgorod
1195735 An original design for a ceiling mural for the State Bank in Nizhny-Novgorod, 1913 (pencil, ink, w/c, gouache, heightened with gold) by Bilibin

Self-portrait as a Young Man with Skull, (pencil, ink and w / c on paper)
1195714 Self-portrait as a Young Man with Skull, (pencil, ink and w/c on paper) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

The Gateway at Futtypore, Sicri, c. 1815 (pencil, pen & ink, w / c)
1196931 The Gateway at Futtypore, Sicri, c. 1815 (pencil, pen & ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Part of the Taj, c. 1815 (pencil, pen, black ink, w / c)
1196923 Part of the Taj, c. 1815 (pencil, pen, black ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Taj, c. 1815 (pencil, pen, grey ink, w / c)
1196922 The Taj, c. 1815 (pencil, pen, grey ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Homage to Pugin, a stained glass window design, c. 1850 (ink and wash)
1194890 Homage to Pugin, a stained glass window design, c.1850 (ink and wash) by Powell, John Hardman (1827-95); 120x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper)
652737 Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper) by Signac, Paul (1863-1935); 72.7x91.7 cm; Private Collection; (add.info.: Le Pont de Lezardrieux)

A Panoramic View of Naples (pen and brown ink)
827600 A Panoramic View of Naples (pen and brown ink) by Senape, Antonio (fl.1820-49); 27.1x14.5 cm; Private Collection; (add.info.: A Panoramic View of Naples. Antonio Senape (1788-1850)

Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c
825457 Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c.1894 (black chalk, pen and black ink on paper) by Klimt

A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink
989647 A Leisure Park Outside Paris, 1846 (black chalk, pen and brown and black ink, watercolour on paper) by Debret, Francois (1777-1850); 13x20 cm; Private Collection; (add.info)

Reclining Woman, c. 1925 (coloured wax crayons over brush and black ink on paper)
989005 Reclining Woman, c.1925 (coloured wax crayons over brush and black ink on paper) by Muller or Mueller, Otto (1874-1930); 35.6x50.2 cm; Private Collection; (add.info)

War Party on the Move, (ink on board)
984823 War Party on the Move, (ink on board) by Borein, Edward (1872-1945); 55.9x71.1 cm; Private Collection; (add.info.: War Party on the Move. Edward Borein (1872-1945). Ink on board

The Interior of the Church of St. Sulpice, Paris, (pencil
824145 The Interior of the Church of St. Sulpice, Paris, (pencil, pen and brown ink and watercolour) by Davis, John Scarlett (1804-45); 21.5x28.5 cm; Private Collection; (add.info)

Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour)
824136 Peterborough, Northamptonshire, (pencil and pen and grey ink and watercolour) by Barrow, Joseph Charles (fl.1775-1805); 40.6x56.5 cm; Private Collection; (add.info.: Peterborough)

Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil
824130 Art and Commerce; Justice; Prudence; Temperance; and Fortitude, (pencil, pen and brown ink on mount) by Thornhill, James (1675-1734); 20.3x17.8 cm; Private Collection; (add.info)

The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil
824113 The Interior of the Great Hall, St Georges Hall, Liverpool, (pencil, pen and ink and watercolour) by Cockerell, Charles Robert (1788-1863); 27.7x61.6

A View of Stockholm from Soder with the Royal Palace, Storkyrkan
827575 A View of Stockholm from Soder with the Royal Palace, Storkyrkan, Riddarholmskykan and Tskakykan, (pen and grey ink and watercolour) by Martin

King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet
827561 King Henry IV, full-length, a trophy of the Ottoman Arms at his Feet, Raising a Scroll in Front of an Eagle (black chalk)

Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink
827559 Alexander the Great in Appelles Studio, (black chalk, pen and brown and black ink, with grey wash) by Novelli, Pietro Antonio (1729-1804); 35.5x48.5 cm; Private Collection; (add.info)

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil)
827454 A Neapolitan Song, 1882 (watercolour and pen and black ink over traces of pencil) by Gatta, Saviero Xavier della (fl.1777-1820); 19.7x25.8 cm; Private Collection; (add.info)

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board)
650484 Woman in Evening Dress, 1912 (watercolour and pen and black ink on paper laid on board) by Demuth, Charles (1883-1935); 22.2x15.6 cm; Private Collection; (add.info.: Woman in Evening Dress)

The Tomb of the Itmad-ud-daula, c. 1815 (encil, pen and black ink, w / c
1196703 The Tomb of the Itmad-ud-daula, c.1815 (encil, pen and black ink, w/c, heightened with touches o) by Agra School, (19th century)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Marketplace by a Harbour, (w / c, ink, chalk and gouache)
1197580 Marketplace by a Harbour, (w/c, ink, chalk and gouache) by Loir, Luigi (1845-1916); 33x48.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Woman with the harvest basket (verso) and illuminated manuscript with verses from
1195377 Woman with the harvest basket (verso) and illuminated manuscript with verses from To Autumn (recto), and decorative borders, 1912-1914 (paint, ink and gold-leaf on vellum) by English School

Italian Girl, 1900 (w / c & ink maquette)
1195110 Italian Girl, 1900 (w/c & ink maquette) by Mucha, Alphonse Marie (1860-1939); 12.4x20.3 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c
1196919 Part of the Temple of Jambukeshvara, Srirangam, Tamil Nadu, c. 1800 (pencil, pen, black ink, w/c on laid paper) by Indian School

An illustration to the Bhagvata Purana, Book X, Chapter 21, c
1196779 An illustration to the Bhagvata Purana, Book X, Chapter 21, c.1525 (w/c & ink on paper) by Rajput school, (16th century); 18x23.7 cm; Private Collection; Photo eChristies Images; Indian

The Library, Binfield, Berkshire, (pencil, pen and grey ink
659240 The Library, Binfield, Berkshire, (pencil, pen and grey ink and watercolour heightened with white) by Hassell, Edward (fl.1827-52); 34x46.5 cm; Private Collection; (add.info.: The Library)

A Colonnaded Thermal Building, the Roof Partly Open to the Sky
659229 A Colonnaded Thermal Building, the Roof Partly Open to the Sky, with Girls Washing Clothes at a Fountain Below a Statue, (pencil, pen and black ink and watercolour)

Alternative Projects for the Hall, Gallery and Drawing - Room at Charleville Castle
659217 Alternative Projects for the Hall, Gallery and Drawing - Room at Charleville Castle: Sections (pen & ink and w/c on paper) by Bury

The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil
652002 The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil, pen and black ink and watercolour with touches of white) by Mackenzie

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"In Ink: A Diverse Palette of Artistic Expressions" From playful kittens frolicking on a desk in "Kittens Playing on Desk" to the solemn gaze of Abraham Lincoln captured in an 1864 signed carte-de-visite, ink has been utilized as a medium to immortalize various subjects throughout history. Intricate details come alive through the delicate strokes of pen and brown ink in scenes like "The Mad Hatters Tea Party, " transporting us back to the whimsical world of Lewis Carroll's imagination. Meanwhile, the enchanting beauty of Santa Maria della Salute, Venice is brought forth by pencil, pen, brown ink, and watercolor. "The Corner of the Kitchen" invites us into a domestic haven with its precise lines rendered using black ink and watercolor. Similarly, Marstrand Castle stands tall against charcoal and pen strokes that create depth and texture. Delving further into history reveals masterpieces such as "Very large historiated initial S, " showcasing Saint Stephen adorned with colored inks and gold leaf on vellum. Leeds Roofs capture urban landscapes through a blend of watercolor, crayon, pen, black ink, and pencil techniques. World War I finds expression in poignant works like "The Filling Factory Hereford, " where watercolor intertwines with crayon and pen to depict life during wartime. Hydrangea blossoms burst forth from hanging scrolls created using traditional Chinese brushwork techniques involving ink and color on paper. Nature's serenity unfolds before our eyes as we immerse ourselves in "The Serpentine Hyde Park. " Watercolors dance alongside intricate pen strokes capturing every nuance within this picturesque scene. Lastly, we witness dark tales unfold through hauntingly beautiful depictions like "The Massacre of the Innocents. " Pencil meets pen and brown ink washes to convey raw emotions amidst tragedy. Through these diverse artworks spanning centuries - each utilizing different combinations or variations of ink - we are reminded of the versatility and power this medium holds.