Immorality Collection

A Rakes Progress, 1763; plate VIII of VIII. Artist: William Hogarth
A Rakes Progress, 1763; plate VIII of VIII. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Allegory of Abuses by the Authorities of Church and State, 1570-1580. Creator: Gillis Mostaert
Allegory of Abuses by the Authorities of Church and State, 1570-1580. Alternative title: The Haywain: An Allegory of Worldly and Spiritual Abuses

Victorian satire, Principle and Interest
Vintage engraving of Victorian satire, Principle and Interest. Clergyman tempted by the devil with power and money

The Holiness of the Sabbath, from a catechism published by La Bonne Presse
CHT169699 The Holiness of the Sabbath, from a catechism published by La Bonne Presse (colour litho) by French School, (19th century); Private Collection; (add.info)

Machiavel, (1469-1527), 1830. Creator: Unknown
Machiavel, (1469-1527), 1830. Niccolo Machiavelli (1469-1527) Italian diplomat, politician, historian, philosopher, writer, playwright and poet of the Renaissance

A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth
A Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Swallow it, dog, plate 58 of Los caprichos, 1799 (etching)
IND81677 Swallow it, dog, plate 58 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; (add.info)

Mercenary love, c. 1511 (woodcut)
2653554 Mercenary love, c.1511 (woodcut) by Graf, Urs (The Elder) (1485-1528); Private Collection; (add.info.: Satirical attack against women receiving payment for sexual favours; an old man gropes a)

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
IL322130 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
STC373514 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

The Destruction of Sodom and Gomorrah, from Illustrations of the Bible, 1832

Musical Company, 1626 (oil on panel)
3545932 Musical Company, 1626 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 63.5x48 cm; Rijksmuseum, Amsterdam

Harold Francis Davidson, Rector of Stiffkey, Norfolk (b / w photo)
5998071 Harold Francis Davidson, Rector of Stiffkey, Norfolk (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Harold Francis Davidson, Rector of Stiffkey)

A Rakes Progress, Plate 4, ca. 1800. Creator: Dent
A Rakes Progress, Plate 4, ca. 1800

A Rakes Progress, Plate 8, ca. 1800. Creator: Dent
A Rakes Progress, Plate 8, ca. 1800

Cartoon, Dilettanti Theatricals
Contemporary society. Cartoon, Dilettanti Theatricals, or, a Peep at the Green Room, Vide Pic-Nic Orgies, by James Gillray

Hogarth, The Cockpit - a satirical illustration showing the blindness of a man drawn into betting on the match, and other forms of debauchery. Date: 1759

Plate IV of A Rakes Progress, 1735. Artist: William Hogarth
Plate IV of A Rakes Progress, 1735. The rake, Tom Rakewell, being arrested as he alights from his sedan chair. Forked lightning can be seen in the sky. On the left is a Bow Street officer

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

A Rakes Progress, 1735; plate VI of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VI of VIII. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune

A Rakes Progress, 1735; plate IV of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate IV of VIII. Tom Rakewell, heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

A Rakes Progress, 1735; plate V of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate V of VIII. Tom Rakewell marries an old but rich woman, in order to retrieve his fortune. Meanwhile, in the background

A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth
A Rakes Progress - 6: The Gaming House, 1733. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune, he falls to his knees

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

A Rakes Progress - 4: The Arrest, 1733. Artist: William Hogarth
A Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt

Revelry at Merrymount in colonial Massachusetts, 1600s
Antinomians immoral behavior in Puritan Massachusetts Bay Colony. Hand-colored woodcut of a 19th-century illustration

A Rakes Progress, Plate 4, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 4, June 25, 1735

Showing Ankles
LADIES ANKLES There are circumstances under which a lady may reveal her ankles without incurring the slur of immorality... Date: 1902

Samuel Smith, Purist
SAMUEL SMITH - pure-minded member of Parliament who attacked stage immorality, describing The belle of New York as a glorification of the vulgarest debauchery. Date: 1836 - 1906?

Of auoutry, and specially of them yt ar bawdes to their wyues, knowynge and wyll nat knowe
XJF486425 Of auoutry, and specially of them yt ar bawdes to their wyues, knowynge and wyll nat knowe, but kepe counseyll, for couetyse, and gaynes or auauntage

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"Exploring the Depths of Immorality: A Journey through Art and Satire" From William Hogarth's iconic "A Rake's Progress" to the Victorian satire of "Principle and Interest, " immorality has been a subject that artists have tackled throughout history. These works serve as cautionary tales, shedding light on the consequences of indulging in vice. In Hogarth's "A Rake's Progress, " plate VIII takes us to the depths of depravity as we witness the protagonist confined in "The Mad House. " This chilling scene serves as a stark reminder of how unchecked they are lead to ruin. Moving forward, we encounter La Bonne Presse's publication depicting "The Holiness of the Sabbath. " Here, morality is emphasized through religious teachings, reminding individuals to uphold virtuous behavior even during their leisure time. Machiavel’s mysterious portrait from 1830 further delves into questions surrounding immorality. The unknown artist captures Machiavelli’s controversial ideas about power and manipulation, raising ethical concerns that still resonate today. Francisco Goya’s etching titled “Swallow it, dog” presents a biting critique on societal hypocrisy. It challenges us to reflect upon our own actions and question whether we are truly living by moral principles or merely pretending for appearances' sake. Albrecht Dürer’s woodcut masterpiece “Mercenary Love” explores themes of lust and betrayal. Through intricate details, Dürer exposes the destructive nature of immoral relationships while urging viewers towards virtue instead. William Hogarth returns with his engraving “Cruelty in Perfection, ” highlighting mankind’s capacity for sadistic pleasure. This haunting image serves as a reminder that true humanity lies in compassion rather than cruelty. Hutchinsons History brings us another glimpse into human folly with its illustration depicting Chares' profligate behavior. This lithograph reminds us that excessive indulgence often leads to downfall, urging us to embrace moderation and self-control.