Identity Collection (page 4)

Roman Statue
A drawing from cast of a Roman statue, in a seated position, the identity of the figure is unknown. A drawing by a student of the National Gallery Schools, Melbourne

Study of a Head
A chalk drawing study of a man's head, identity is unknown. Date: circa 1931

Portrait Drawing of a Man
Portrait drawing of a man's head, looking to the left, his identity is unknown, but seems to be a professional of some kind. Date: circa 1931

Drawing of a Woman
Drawing of a front faced woman standing, her identity is unknown. Date: circa 1930

Portrait of an unknown woman
Oil portrait of a seated woman, whose identity is unknown. The artist, Ethel Walker would be having an Exhibition at the Leicester Galleries at this time. Date: circa 1929

Spanish Civil War (1936-1939). War correspondent card of the Popular Army (1938) and identity card issued by the Generalitat of Catalonia (1937). SPAIN. Monistrol de Montserrat

Lady Lyonesse and Dwarf
The Lady Lyonesse questions Sir Beaumains's dwarf & finds out that the knight is the son of a king & that his true identity is Sir Gareth of Orkney

Going to Work, c. 1850-51 (oil on canvas)
GLS224004 Going to Work, c.1850-51 (oil on canvas) by Millet, Jean-Francois (1814-75); 55.5x46 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Douglas EA-3B Skywarrior 5
Douglas KA-3B Skywarrior 5, unusual in having no identity markings other than the call-sign, at Sigonella NAS, Sicily. Date: circa 1980

Supper at Emmaus, c. 1645-50 (oil on canvas)
7352771 Supper at Emmaus, c.1645-50 (oil on canvas) by Assereto, Giovacchino (1600-49); 90x113 cm; Private Collection; (add.info.: Artist: Gioacchino Assereto (1600-1649)); Luisa Ricciarini

Two faced herm depicting Dionysus, 2nd century (sculpture)
7129802 Two faced herm depicting Dionysus, 2nd century (sculpture) by Roman, (2nd century); Museo Nazionale Romano, Rome, Italy; (add.info.: Two faced herm depicting Dionysus, 2nd century AD)

The rotation of the Giri mountain (balinese colour on canvas)
2564185 The rotation of the Giri mountain (balinese colour on canvas) by Indonesian; Puri Lukisan Museum, Ubud, Bali, Indonesia ; (add.info.: The rotation of the Giri mountain, anonymous artist)

Ramayana (balinese colour on canvas)
2564178 Ramayana (balinese colour on canvas) by Indonesian; Puri Lukisan Museum, Ubud, Bali, Indonesia ; (add.info.: Ramayana, by anonymous artist); Photo © Stefano Baldini

"Dans le hamac" Peinture de Jakov Kalinichenko (1869-1938) 1903 State Regional I
FIA5343288 "Dans le hamac" Peinture de Jakov Kalinichenko (1869-1938) 1903 State Regional I. Pozhalostin Art Museum, Ryasan by Kalinitchenko

Alice Paul, 1920 (b/w photo)
2601426 Alice Paul, 1920 (b/w photo) by Unknown photographer, (20th century); (add.info.: American feminist); Universal History Archive/UIG

Silver Venetian mask feathers, Venice, Italy. Used since 1200's for Carnival. Also used for Mardi Gras Date: 27-01-2021

White golden Venetian mask feathers, Venice, Italy. Used since 1200's for Carnival. Also used for Mardi Gras Date: 26-01-2021

Portrait of a Perfect Wife (oil on canvas)
3078703 Portrait of a Perfect Wife (oil on canvas) by English School; (add.info.: Portrait of Perfect Wife by an anonymous Tudor artist. Dated 17th Century); Universal History Archive/UIG

Two Springs, 1910 (oil on canvas)
471203 Two Springs, 1910 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 73x63 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Au soleil (To the sun). Paysage colore avec un des personnages tenant le soleil dans ses mains
FIA5361186 Au soleil (To the sun). Paysage colore avec un des personnages tenant le soleil dans ses mains. Peinture de Leonid Terentlevich Chupyatov (1890-1941)

Story of Cyrus II The Great, c. 1590 (tapestry)
CUL4906289 Story of Cyrus II The Great, c.1590 (tapestry) by Belgian School, (16th century); (add.info.: Story of Cyrus: Astyages recognizes Cyrus. ca. 1590. (343 x 316 cm)

Story of Cyrus II The Great, c. 1590 (tapestry)
CUL4906245 Story of Cyrus II The Great, c.1590 (tapestry) by Belgian School, (16th century); (add.info.: Story of Cyrus: Astyages recognizes Cyrus. ca. 1590. (343 x 316 cm)

Church of the Pantanassa, Monastiraki Square, Athens, Attica, Greece, Europe

Cards of national workshops, 1848 (print)
904710 Cards of national workshops, 1848 (print) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

DDE-90025811
Turkmenistan, Ashgabat, view of a green Turkmenistan flag with cars on brown barren landscape and residential buildings in the background below sky Date: 16/06/2006

DDE-90025807
Azerbaijan, Xinaliq. View of Azeri flag along with mountain range against cloudy sky Date: 27/02/2007

Wheat Screeners, Oil Painting On Canvas by Gustave Courbet (1819-1877). Photography, KIM Youngtae, Nantes
YOU4419381 Wheat Screeners, Oil Painting On Canvas by Gustave Courbet (1819-1877). Photography, KIM Youngtae, Nantes, Musee des Beaux Art de Nantes

Coats of arms, helms, coronets of nobility. 1763 (engraving)
7236023 Coats of arms, helms, coronets of nobility. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of religious ranks, helms, coronets of nobility)

Coats of arms of kings, queens and emperors. 1763 (engraving)
7236025 Coats of arms of kings, queens and emperors. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms with crests and supporters of kings)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236012 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Nu de dos - Artwork by Felix Vallotton (1865-1925), mine de plomb sur papier (28x18 cm)
JEB4856717 Nu de dos - Artwork by Felix Vallotton (1865-1925), mine de plomb sur papier (28x18 cm), debut 20th century - Musee de l hospice Saint Roch, Issoudun - Mandatory mention by Vallotton

Sash badges of orders of chivalry. 1763 (engraving)
7236036 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Coats of arms of the French dignitaries, 18th century. 1763 (engraving)
7236033 Coats of arms of the French dignitaries, 18th century. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries, 18th century)

Pennant with 32 quarters. 1763 (engraving)
7236032 Pennant with 32 quarters. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Pennant with 32 quarters. Pennon de 32 quartiers)

Coats of arms of French dignitaries. 1763 (engraving)
7236030 Coats of arms of French dignitaries. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries)

Coats of arms of republics, dukes, admirals, etc. 1763 (engraving)
7236029 Coats of arms of republics, dukes, admirals, etc. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of republics, dukes, admirals, etc)

Sash badges of orders of chivalry. 1763 (engraving)
7236026 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Coats of arms of kings, emperors and sultans. 1763 (engraving)
7236024 Coats of arms of kings, emperors and sultans. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of kings, emperors and sultans)

Coats of arms of religious ranks. 1763 (engraving)
7236022 Coats of arms of religious ranks. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of religious ranks)

Coats of arms with crests and supporters. 1763 (engraving)
7236035 Coats of arms with crests and supporters. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms with crests and supporters)

Knights in armour with helmet, crest and mantling. 1763 (engraving)
7236019 Knights in armour with helmet, crest and mantling. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Knights in armour for a tournament with helmet)

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"Embracing Diversity: Celebrating the Tapestry of Identity" In a world where diversity thrives, our a mosaic of cultures, traditions, and heritage. From the vibrant Mexican flag fluttering proudly in the wind to the iconic Plaza of the Constitution (Zocalo) with its majestic Metropolitan Cathedral as backdrop, we find ourselves immersed in a rich tapestry. Two ladies adorned in blue and gold masks transport us to Venice Carnival, an enchanting UNESCO World Heritage Site. Here, centuries-old customs intertwine with modern revelry, reminding us that our identity evolves through time. Deep within our core lies the intricate DNA molecule - an undeniable testament to our unique genetic makeup. It reminds us that while we are part of something greater than ourselves, we each possess an individuality that shapes who we are. A bagpiper playing amidst Glencoe's breathtaking landscapes evokes Scotland's proud heritage and resonates with those who cherish their ancestral roots. The Railway Sleeper takes us on a journey through time and space; it symbolizes how experiences shape our sense of self. At Te Puia Maori Cultural Center in Rotorua, New Zealand's North Island, traditional wood-carved masks embody indigenous culture and remind us of the importance of preserving ancient wisdom for future generations. Beach huts dotting sandy shores become symbols not only of leisure but also reflect coastal communities' distinct identities worldwide – colorful havens where memories are made under sunny skies. Illustrations depicting Israel's flag with its blue Star of David between two horizontal stripes represent resilience amid adversity – an emblematic reminder that they are withstand challenges faced by nations throughout history. The signature of Elizabeth I serves as a reminder that even powerful figures leave their mark on history; it highlights how individuals shape collective memory and influence cultural narratives for generations to come. The Non-Stop Scotsman steam locomotive captures Scotland's spirit – relentless perseverance blended with innovation.