Iban Collection

Iban tribeswoman mending bamboo longhouse verandah floor, Lemanak River, Sarawak, Malaysian Borneo, Malaysia, Southeast Asia, Asia

Sea Dayak girls, Sarawak, Borneo, SE Asia
A group of Sea Dayak (Dyak, Dayuh) or Iban girls in traditional costume made of brass rings and filigree headdresses, Borneo, SE Asia (then part of the British Empire)

Four people of Borneo, SE Asia (then part of the British Empire) -- a Sea Dayak (Dyak, Dayuh) or Iban man with necklace of shells and tattoos (top left), an Orang Bukit (Klemantan)

Iban, long house, Lemanak River, Sarawak, Borneo, Malaysia

Ceremonial Cloth (Pua sungkit), Indonesia, 19th century. Creator: Unknown
Ceremonial Cloth (Pua sungkit), Indonesia, 19th century

Ceremonial Cloth (Pua kombu), Malaysia, . Creator: Unknown
Ceremonial Cloth (Pua kombu), Malaysia

Three Sea Dayak warriors, Borneo, SE Asia
Three Sea Dayak (Dyak, Dayuh) or Iban warriors in traditional costume, Borneo, SE Asia (then part of the British Empire). Date: 1922

Sea Dayak woman weaving, Borneo, SE Asia
A Sea Dayak (Dyak, Dayuh) or Iban woman in traditional costume weaving on a frame, Borneo, SE Asia (then part of the British Empire). (2 of 2) Date: 1922

Sea Dayak woman making thread, Borneo, SE Asia
A Sea Dayak (Dyak, Dayuh) or Iban woman in traditional costume making thread, Borneo, SE Asia (then part of the British Empire)

Sea Dayak family, Borneo, SE Asia
Sea Dayak (Dyak, Dayuh) or Iban family in traditional costume, Borneo, SE Asia (then part of the British Empire). 1922

Two young Dayak men, Borneo, SE Asia
Two young Dayak men of Borneo, SE Asia (then part of the British Empire) -- they are about to start of cock fight with two cockerels. Date: 1922

Young Sea Dayak or Iban woman, Borneo, SE Asia
Young Sea Dayak (Dyak, Dayuh) or Iban woman in traditional costume made of brass and silver, Borneo, SE Asia (then part of the British Empire). Date: 1922

Headhunters jacket (baju kirai), c. 1825-75 (homespun cotton)
1068986 Headhunters jacket (baju kirai), c.1825-75 (homespun cotton) by Iban culture (19th century); 62.2x48.9 cm; Dallas Museum of Art, Texas, USA; (add.info.: The Ibans)

Iban woman making thread with a mangle, Borneo, 1922. Artist: Dr Charles Hose
Iban woman making thread with a mangle, Borneo, 1922. Illustration from Peoples of All Nations, Their Life Today and the Story of Their Past, volume II, British Empire to Dahomey

Iban weaver, Borneo, 1922. Artist: Dr Charles Hose
Iban weaver, Borneo, 1922. Illustration from Peoples of All Nations, Their Life Today and the Story of Their Past, volume II, British Empire to Dahomey, edited by J A Hammerton, (Educational Book Co)

Young Iban or Sea Dayaks people in gala attire, Borneo, 1922. Artist: Dr Charles Hose
Young Iban or Sea Dayaks people in gala attire, Borneo, 1922. Illustration from Peoples of All Nations, Their Life Today and the Story of Their Past, volume II, British Empire to Dahomey

Racial Types / Borneo
Iban women are as much at home as their menfolk, in a canoe on one of the mighty rivers of Borneo, Indonesia. Date: 1930s

Carved spirits of men and a woman standing at the entrance to Iban tribal longhouse at Ngemah beach on the Lemanak River, Sarawak, Malaysian Borneo, Malaysia, Southeast Asia, Asia

Iban tribeswoman raking through drying rice crop on sacking laid on bamboo longhouse verandah, Lemanak River, Sarawak, Malaysian Borneo, Malaysia, Southeast Asia, Asia

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The vibrant culture of the Iban people, nestled along the Lemanak River in Sarawak, Borneo, Malaysia, is a tapestry woven with rich traditions and skilled craftsmanship. In their bamboo longhouses, an Iban tribeswoman diligently mends the verandah floor, ensuring its durability for generations to come. As we venture deeper into this enchanting region of Southeast Asia, we encounter Sea Dayak girls adorned in colorful attire that reflects their cultural heritage. Their radiant smiles mirror the warmth and hospitality that permeate these lands. Borneo's diverse population comes alive as we meet four individuals who embody the spirit of this captivating place. Each face tells a unique story rooted in history and shared experiences within this lush landscape. Ceremonial cloths known as Pua sungkit from 19th-century Indonesia captivate our attention with intricate designs crafted by unknown hands. These textiles serve as a testament to the artistic prowess passed down through generations. Similarly, Pua kombu from Malaysia showcases another facet of indigenous creativity; its origins shrouded in mystery yet exuding undeniable beauty. The threads interwoven on these fabrics speak volumes about cultural identity and ancestral pride. Intriguingly fierce Sea Dayak warriors stand tall against adversity while protecting their land and loved ones. Their unwavering determination echoes throughout Borneo's dense jungles and serves as a reminder of resilience ingrained within these communities. Witnessing a Sea Dayak woman skillfully weaving brings us closer to understanding the meticulous artistry behind each masterpiece created by hand. With every thread carefully intertwined, she breathes life into her creations - tangible expressions of her heritage. Beside her stands another remarkable woman engaged in making thread – an essential element connecting past traditions with future aspirations. Her dedication ensures that ancient techniques are preserved amidst modernity's relentless march forward.