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I Collection (page 5)

In this captivating collage of historical moments and artistic masterpieces, "i" emerges as a symbol of resilience, longing, and progress

Background imageI Collection: View of the exterior of Westminster Abbey during the coronation of James I, 1603-1604

View of the exterior of Westminster Abbey during the coronation of James I, 1603-1604. Private Collection

Background imageI Collection: Plan for the fireworks display in honor of Emperor Leopold, Nuremberg, November 15

Plan for the fireworks display in honor of Emperor Leopold, Nuremberg, November 15, 1686, after 1686

Background imageI Collection: Detail from the Sabretache of Joseph-Napoleon Bonaparte, King of Spain

Detail from the Sabretache of Joseph-Napoleon Bonaparte, King of Spain
3899044 Detail from the Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts) by Spanish School

Background imageI Collection: English huntsman making a dangerous jump over a stone

English huntsman making a dangerous jump over a stone wall beneath a low branch, 19th century. Facey Romford hitting his head on a branch during a fox-hunt. Rot the beggar, exclaims Romford

Background imageI Collection: Melencolia I by Albrecht Durer (1471-1528) on of his 3 master engravings completed

Melencolia I by Albrecht Durer (1471-1528) on of his 3 master engravings completed
5615762 Melencolia I by Albrecht DAorer (1471-1528) on of his 3 master engravings completed in 1514. by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Background imageI Collection: A Spanish Joke, pub. 1808 (hand coloured engraving)

A Spanish Joke, pub. 1808 (hand coloured engraving)
2966789 A Spanish Joke, pub. 1808 (hand coloured engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Joseph-Napoleon Bonaparte (1768 A- 1844)

Background imageI Collection: Letters, plate 24 from Fantaisies decoratives, engraved by Gillot

Letters, plate 24 from Fantaisies decoratives, engraved by Gillot
REV279410 Letters, plate 24 from Fantaisies decoratives, engraved by Gillot, published by Jules Rouam, Librairie de l Art, Paris, 1887 (colour engraving) by Habert-Dys

Background imageI Collection: Filling an electro-contact mine with gun-cotton in the Navy. Date: August 1914

Filling an electro-contact mine with gun-cotton in the Navy. Date: August 1914

Background imageI Collection: COLOUR SUPPLEMENT

COLOUR SUPPLEMENT
A politically incorrect postcard - Day all looks fo me cause I se de Cullud Supplement. Date: early 20th century

Background imageI Collection: SHAH JAHAN I / GARDEN

SHAH JAHAN I / GARDEN
SHAH JAHAN I Mughal Emperor of India (1628-58), sitting in his garden at Nazim, Kashmir Date: 1592 - 1666

Background imageI Collection: King Joe disposing of his Spanish Crown!!! Pub. 1808 (hand coloured engraving)

King Joe disposing of his Spanish Crown!!! Pub. 1808 (hand coloured engraving)
2966788 King Joe disposing of his Spanish Crown!!! Pub. 1808 (hand coloured engraving) by English School, (19th century); Private Collection; (add.info.: Joseph-Napoleon Bonaparte (1768 A- 1844)

Background imageI Collection: A young Albert I in conversation with his uncle, Leopold II, 1904. (litho)

A young Albert I in conversation with his uncle, Leopold II, 1904. (litho)
3943191 A young Albert I in conversation with his uncle, Leopold II, 1904. (litho) by Ostoya, Georges d (Dochinsky or Sochinsky) (1878-1937); Private Collection; (add.info)

Background imageI Collection: The Sabretache of Joseph-Napoleon Bonaparte, King of Spain

The Sabretache of Joseph-Napoleon Bonaparte, King of Spain
3899045 The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts) by Spanish School

Background imageI Collection: The Sabretache of Joseph-Napoleon Bonaparte, King of Spain

The Sabretache of Joseph-Napoleon Bonaparte, King of Spain
3899046 The Sabretache of Joseph-Napoleon Bonaparte, King of Spain, before 1813 (red morocco leather with embroidered goldwork & gilt-brass mounts) by Spanish School

Background imageI Collection: Laurie Cunningham at Heathrow Airport London, prior to flying out to Bucharest via Munich

Laurie Cunningham at Heathrow Airport London, prior to flying out to Bucharest via Munich after missing yesterdays flight with the England squad. 14th October 1980

Background imageI Collection: Three Partisans Carried by the Bodyguard of Louis XIV, French, Paris, ca. 1658-1715

Three Partisans Carried by the Bodyguard of Louis XIV, French, Paris, ca. 1658-1715
Three Partisans Carried by the Bodyguard of Louis XIV (1638-1715, reigned from 1643), French, Paris, ca. 1658-1715

Background imageI Collection: Allegory on the Death of the Earl of Arundel, ca. 1646. Creator: Wenceslaus Hollar

Allegory on the Death of the Earl of Arundel, ca. 1646. Creator: Wenceslaus Hollar
Allegory on the Death of the Earl of Arundel, ca. 1646

Background imageI Collection: Ruins Next to a Pool in a Wooded Landscape, 1783-84. Creator: Thomas Rowlandson

Ruins Next to a Pool in a Wooded Landscape, 1783-84. Creator: Thomas Rowlandson
Ruins Next to a Pool in a Wooded Landscape, 1783-84

Background imageI Collection: Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left

Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left, 1783-84

Background imageI Collection: Etienne Jehannot de Bartillat, ca. 1666. Creator: Robert Nanteuil

Etienne Jehannot de Bartillat, ca. 1666. Creator: Robert Nanteuil
Etienne Jehannot de Bartillat, ca. 1666

Background imageI Collection: Two Torcheres, 1692. Creator: Juan Dolivar

Two Torcheres, 1692. Creator: Juan Dolivar
Two Torcheres, 1692

Background imageI Collection: The Apotheosis of Emperor Maximilian II, 16th century. Creator: Jost Ammon

The Apotheosis of Emperor Maximilian II, 16th century. Creator: Jost Ammon
The Apotheosis of Emperor Maximilian II, 16th century

Background imageI Collection: Pasha grasping a sword at his hip with both hands, from the series Caravan of the Sultan

Pasha grasping a sword at his hip with both hands, from the series Caravan of the Sultan to Mecca (Caravane du Sultan a la Mecque), 1748

Background imageI Collection: The Arrival of the Wine Vat, ca. 1755. Creator: Joseph-Marie Vien the Elder

The Arrival of the Wine Vat, ca. 1755. Creator: Joseph-Marie Vien the Elder
The Arrival of the Wine Vat, ca.1755

Background imageI Collection: Vignette with Hephaestus and Putti, 1779. Creator: Jean Baptiste Marie Huet

Vignette with Hephaestus and Putti, 1779. Creator: Jean Baptiste Marie Huet
Vignette with Hephaestus and Putti, 1779

Background imageI Collection: Vignette with Sphinxes and Putti, 1779. Creator: Jean Baptiste Marie Huet

Vignette with Sphinxes and Putti, 1779. Creator: Jean Baptiste Marie Huet
Vignette with Sphinxes and Putti, 1779

Background imageI Collection: Allegory of the Government of a Childish King, 1588. Creator: Jacques de Gheyn II

Allegory of the Government of a Childish King, 1588. Creator: Jacques de Gheyn II
Allegory of the Government of a Childish King, 1588

Background imageI Collection: Allegory of the Government of a Wise King, 1588. Creator: Jacques de Gheyn II

Allegory of the Government of a Wise King, 1588. Creator: Jacques de Gheyn II
Allegory of the Government of a Wise King, 1588. After Karel van Mander I

Background imageI Collection: The Wisdom of Fools, from Six Proverbs. Creator: Jacques de Gheyn II

The Wisdom of Fools, from Six Proverbs. Creator: Jacques de Gheyn II
The Wisdom of Fools, from Six Proverbs

Background imageI Collection: Two Fools Dancing from Two and Three Fools of the Carnival, 1642

Two Fools Dancing from Two and Three Fools of the Carnival, 1642. After Pieter Bruegel the Elder

Background imageI Collection: L Habit de Cour, from The Songs of Beranger, 1829. Creators: Melchior Peronard

L Habit de Cour, from The Songs of Beranger, 1829. Creators: Melchior Peronard
L Habit de Cour, from The Songs of Beranger, 1829. [Courting]

Background imageI Collection: Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autre

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d Orfeurerie, Plate 2, 1660-1713

Background imageI Collection: The Virgin with Saints Jerome and Francis, 1660-80. Creator: Girolamo Rossi

The Virgin with Saints Jerome and Francis, 1660-80. Creator: Girolamo Rossi
The Virgin with Saints Jerome and Francis, 1660-80

Background imageI Collection: Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553

Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553

Background imageI Collection: Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus s

Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus s
Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Background imageI Collection: Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus s

Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus s
Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Background imageI Collection: Plate 10: The King of Hungary and Ferdinand on horseback

Plate 10: The King of Hungary and Ferdinand on horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Background imageI Collection: It is No Longer Lisette, from The Songs of Beranger, 1829

It is No Longer Lisette, from The Songs of Beranger, 1829

Background imageI Collection: Interior of a Porcelain Cabinet with Paintings and Vases, from Nouveaux

Interior of a Porcelain Cabinet with Paintings and Vases, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Background imageI Collection: Title Plate with a Cartouche Set in a Lavish Interior, from Nouveaux Liu

Title Plate with a Cartouche Set in a Lavish Interior, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Background imageI Collection: Interior of a Library, from Nouveaux Liure da Partements, part of Oeuv

Interior of a Library, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Background imageI Collection: Interior with a Canopy Bed and a Row of Chairs Lining the Walls, from No

Interior with a Canopy Bed and a Row of Chairs Lining the Walls, from Nouveaux Liure da Partements, part of Oeuvres du Sr. D. Marot, published 1703 or 1712

Background imageI Collection: Architecture, 1690. Creator: Benoit Audran I

Architecture, 1690. Creator: Benoit Audran I
Architecture, 1690

Background imageI Collection: Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg

Background imageI Collection: St Justa, three-quarter length, turned to right, holding two pots and a palm, 1840-1860

St Justa, three-quarter length, turned to right, holding two pots and a palm, 1840-1860

Background imageI Collection: Satyrs and Nymphs, ca. 1599. Creator: Joseph Heintz the Elder

Satyrs and Nymphs, ca. 1599. Creator: Joseph Heintz the Elder
Satyrs and Nymphs, ca. 1599

Background imageI Collection: Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs (from Torquato... 1782

Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs (from Torquato... 1782
Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs (from Torquato Tassos " Gerusalemme liberata", 15:57-58), 1782. Jerusalem Delivered

Background imageI Collection: The Maryrdom of Saint Lawrence, early 17th-mid 17th century. Creator: Cornelis Schut I

The Maryrdom of Saint Lawrence, early 17th-mid 17th century. Creator: Cornelis Schut I
The Maryrdom of Saint Lawrence, early 17th-mid 17th century. Attributed to Rombout Eynhoudts



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In this captivating collage of historical moments and artistic masterpieces, "i" emerges as a symbol of resilience, longing, and progress. Mary Sidney, Countess of Pembroke, c1600: A woman ahead of her time, Mary Sidney defied societal expectations to become a renowned poet and patroness of the arts. Her legacy reminds us that "i" can break free from constraints. Stralsund, c1740: Amidst the backdrop of an ancient cityscape lies the story of "i, " standing tall against the test of time. Like Stralsund's resilient architecture, "i" endures through centuries with unwavering strength. Motorcycle motorbike with radio receiver: The roar of engines blends harmoniously with melodies transmitted through airwaves. This fusion represents how "i" embraces innovation while staying connected to its roots - a perfect balance between tradition and modernity. LIGEIA "I would call aloud upon her name": In Edgar Allan Poe's haunting tale, the narrator desperately yearns for his departed love. Through these words resonates the eternal echo within every heartache - when all seems lost, "i" finds solace in memories that never fade away. The martyrdom of Louis XVI: As history unfolds before our eyes in this engraving depicting tragedy and sacrifice, we witness how even in darkest hours, "i" stands firm against oppression. It embodies courage amidst adversity and fuels revolutions for justice. Anne of Austria 1660: Captured by Robert Nanteuil's skilled hand is Anne's regal countenance; she personifies grace under pressure. Just like Anne navigating political turmoil with elegance and poise, " i" demonstrates composure amid chaos. A Blenkinsop Locomotive at a Yorkshire Colliery 1814: Steam billows forth from this pioneering locomotive as it propels forward into uncharted territories. Symbolizing progress and ingenuity, "i" embraces change and propels itself towards new horizons.