Hogarth Collection (page 3)

Four Prints of an Election: Chairing the Member, Plate IV, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: Chairing the Member, Plate IV, 1758. Private Collection

Four Prints of an Election: Canvassing for Votes, Plate II, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: Canvassing for Votes, Plate II, 1758. Private Collection

Four Prints of an Election: The Polling, Plate III, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: The Polling, Plate III, 1758. Private Collection

Four Prints of an Election: An Election Entertainment, Plate I, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: An Election Entertainment, Plate I, 1758. Private Collection

Marriage a la Mode. Plate V: The Bagnio, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate V: The Bagnio, 1745. Private Collection

Marriage a la Mode. Plate VI: The Lady's Death, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate VI: The Lady's Death, 1745. Private Collection

Marriage a la Mode. Plate IV: The Toilette, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate IV: The Toilette, 1745. Private Collection

Marriage a la Mode. Plate III: The Inspection, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate III: The Inspection, 1745. Private Collection

Marriage a la Mode. Plate II: The Tête à Tête, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate II: The Tete a Tete, 1745. Private Collection

Marriage a la Mode. Plate I: The Marriage Settlement, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate I: The Marriage Settlement, 1745. Private Collection

Cruelty in Perfection. Series "The four stages of cruelty", 1751. Creator: Hogarth, William (1697-1764)
Cruelty in Perfection. Series "The four stages of cruelty", 1751. Private Collection

The reward of cruelty. Series "The four stages of cruelty", 1751. Creator: Hogarth, William (1697-1764)
The reward of cruelty. Series "The four stages of cruelty", 1751. Private Collection

Second stage of cruelty. Series "The four stages of cruelty", 1751. Creator: Hogarth, William (1697-1764)
Second stage of cruelty. Series "The four stages of cruelty", 1751. Private Collection

First stage of cruelty. Series "The four stages of cruelty", 1751. Creator: Hogarth, William (1697-1764)
First stage of cruelty. Series "The four stages of cruelty", 1751. Private Collection

Noon, From the Series "The Four Times of the Day", 1738. Creator: Hogarth, William (1697-1764)
Noon, From the Series "The Four Times of the Day", 1738. Private Collection

Evening, From the Series "The Four Times of the Day", 1738. Creator: Hogarth, William (1697-1764)
Evening, From the Series "The Four Times of the Day", 1738. Private Collection

Morning, From the Series "The Four Times of the Day", 1738. Creator: Hogarth, William (1697-1764)
Morning, From the Series "The Four Times of the Day", 1738. Private Collection

Night, From the Series "The Four Times of the Day", 1738. Creator: Hogarth, William (1697-1764)
Night, From the Series "The Four Times of the Day", 1738. Private Collection

The Lord Mayors Procession, (1897). Creator: Unknown
The Lord Mayors Procession, (1897). A mayoral procession entering Cheapside in the City of London in the 18th century. A scene inspired by Industry and Idleness by William Hogarth

The sleeping congregation, 1762. Artist: William Hogarth
The sleeping congregation, 1762.The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young woman

Night (The Four Times of Day), March 25, 1738. Creator: William Hogarth
Night (The Four Times of Day), March 25, 1738

The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth
The Analysis of Beauty, Plate 1, March 5, 1753

King Henry the Eighth and Anna Bullen, ca. 1728. Creator: William Hogarth
King Henry the Eighth and Anna Bullen, ca. 1728

The Innkeepers Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote), 1756 or after

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

I am not mad, most noble Festus, 19th century. Creator: H Robinson
I am not mad, most noble Festus, 19th century. Biblical scene, from Acts 26: 25: But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness

School in Leicester Square on the Site of Hogarths House, c1935. Creator: Donald McLeish
School in Leicester Square on the Site of Hogarths House, c1935. Archbishop Tenison School in Leicester Square, Westminster, central London, which opened in 1895

Beer Street, 1751, (1925). Creator: William Hogarth
Beer Street, 1751, (1925). Issued in 1751 by English artist William Hogarth. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

A Country Inn Yard, 1747, (1925). Creator: William Hogarth
A Country Inn Yard, 1747, (1925). Published soon after the 1747 election. The composition renders the Election marginal, suggesting the English are too preoccupied with their own day-to-day

Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe
Gambling at Whites Club, 1734, (1925). Plate VI, the gaming house scene from Hogarths The Rakes Progress, engraved by W.Radclyffe

Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth
Sport in the Eighteenth Century, c1720-1764, (1925). Wagerning bets on a Pocklington cockfight. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd

Treatment of the Insane, 1733, (1925). Creator: William Hogarth
Treatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764)

The Harlots Progress ensnared by a procuress, from The Works of Hogarth published London 1833
3501419 The Harlots Progress ensnared by a procuress, from The Works of Hogarth published London 1833 (b/w engraving) by Hogarth, William (1697-1764) (after); (add.info.: The Harlots Progress)

Moses brought to Pharaohs daughter, 1809. Artist: Thomas Cook
Moses brought to Pharaohs daughter, 1809

Time smoking a picture, 1761. Artist: William Hogarth
Time smoking a picture, 1761.The allegorical figure of Time is a satire concerning Hogarths belief that art connoisseurs only valued paintings for their age

Breakfast scene from The Five Days Peregrination, 1732. Artist: William Hogarth
Breakfast scene from The Five Days Peregrination, 1732. This series is an account of a tour of the Kent Coast made by William Hogarth and four friends in May 1732

The Times, plate I, c1762 (1895). A representative of King George III fights a fire (the Seven Years War), which is burning down houses representing Germany and France

Mrs Richard Hogarth, the artists mother, mid 18th century (1901). Artist: William Hogarth
Mrs Richard Hogarth, the artists mother, mid 18th century (1901). Illustration from The Connoisseur, (November 1901)

A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth
A Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

The Painter and his Pug, 1745. Artist: William Hogarth
The Painter and his Pug, 1745. The portrait deliberately projects a guide to the way Hogarth wanted others to think of him

The Man of Taste, by William Hogarth Date: circa 1731

The Lottery, by William Hogarth Date: 1724

The Laughing Audience by William Hogarth Date: 1733

Undertakers regaling themselves at Death's Door, Battersea Rise, Surrey -- a satirical scene in the style of Hogarth, with lines from a serious long poem, The Grave

Hogarth Tailpiece Art 1764 English Artistic Saplings
hogarth, tailpiece, art, 1764, english, artistic, saplings, thrive, foreign, exoticks, watered, monkey, connoisseur, stunted, trunnks, dead, beyond, revival, a, by, the, 10138885

HOGARTH NOON HUGUENOTS
2. Noon Huguenot refugees attend chapel, opposite an eating house - St Giles in the Field is visible in the background. Date: 1738

HOGARTH NOON
2. Noon Huguenot refugees attend chapel, opposite an eating house - St Giles in the Field is visible in the background. Date: 1738

Leveridges songs frontispiecey by William Hogarth 1727
3788044 Leveridges songs frontispiecey by William Hogarth 1727 by Hogarth, William (1697-1764); (add.info.: Leveridges songs frontispiecey by William Hogarth 1727 WH: English painter, printmaker)

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Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works. His famous pieces, "Gin Lane" and "Beer Street, " depicted contrasting scenes of society's indulgence in alcohol. In these engravings, Hogarth highlighted the devastating consequences of excessive drinking and intemperance. "Gin Lane, " created in 1751, portrays a grim scene where poverty, despair, and moral decay prevail due to gin consumption. The image serves as a cautionary tale against the dangers of addiction and its impact on society. Similarly, "Beer Street" presents a stark contrast to Gin Lane by depicting a thriving community fueled by responsible beer consumption. This work aimed to promote moderation while emphasizing that beer could be enjoyed without leading to ruinous outcomes. In another notable piece titled "Four Times of Day: Noon, " Hogarth captured everyday life during midday hours. Through this series of paintings, he showcased various social classes interacting within bustling city streets. One aspect that set Hogarth apart was his ability to expose false perspectives prevalent in society through satire. In his artwork titled "False Perspective, " he ridiculed those who lacked knowledge about perspective in design creation. By highlighting absurdities resulting from this ignorance, Hogarth emphasized the importance of understanding fundamental artistic principles. Furthermore, Hogarth's masterpiece called "A Rake's Progress" delved into themes such as decadence and immorality. Plate III specifically depicts revelry alongside harlots—a vivid portrayal reflecting societal vices prevalent during that era. Lastly, one cannot overlook Hogarth's captivating depiction of nighttime in his work entitled "Four Times of Day: Night. " This engraving captures London after dark with its vibrant nightlife but also exposes darker elements lurking beneath the surface. William Hogarth remains an influential figure whose art continues to resonate today for its powerful social commentary and skillful execution.