Highmore Collection

Mary Rossam, c1734, (1930). Creator: Joseph Highmore
Mary Rossam, c1734, (1930). Portrait of a woman, 1st Wife of Rev. S. F. Swinden. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham
824214 Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, three-quarter-length, 1743 (oil on canvas) by Highmore

An Eighteenth-Century Rendezvous, c1744, (1942). Creator: Joseph Highmore
An Eighteenth-Century Rendezvous, c1744, (1942). Illustration to " Pamela" by Samuel Richardson. Published in " Life Among the English", by Rose Macaulay. [Collins, London, 1942]

Anthony Highmore, 1720, (1930). Creator: Joseph Highmore
Anthony Highmore, 1720, (1930). Portrait of the British artist Anthony Highmore (1719-1799) as a child, painted by his father Joseph Highmore

General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Creator: Unknown
General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Portrait of British Army officer James Wolfe who died during the successful battle to take Quebec from the French in 1759 during

A Country Scene, c1750, (1934). Creator: Susanna Duncombe
A Country Scene, c1750, (1934). A Country Fair with Numerous Figures, painting in the Tate Gallery, London. From " The Connoisseur", Vol 93, No 389, January 1934. [The Connoisseur Ltd

Thomas Emlyn, V. D. M. 1742. Creator: G van der Gucht
Thomas Emlyn, V.D.M. 1742. Portrait of English Presbyterian minister and writer Thomas Emlyn (1663-1741), first Unitarian minister in England

Sir John Barnard, Lord Mayor 1737, 1738. Artist: Joseph Highmore
Sir John Barnard, Lord Mayor 1737, 1738. Sir John was a merchant and politician. As well as Lord Mayor of London, he was MP for the City, Sheriff (1735) and Alderman (1728-1756)

Coronation of William III in Westminster Abbey, London, 1689, (c1689). Artist: John Pine
Coronation of William III in Westminster Abbey, London, 1689, (c1689). William is shown offering his sword to the dean at the altar

Portrait of Lady Mary Wortley Montagu (1689-1762). Artist: Highmore, Joseph (1692-1780)
Portrait of Lady Mary Wortley Montagu (1689-1762). Private Collection

Samuel Richardson, English writer and printer, c1750 (1911). Artist: Joseph Highmore
Samuel Richardson (1689-1761), English writer and printer, c1750 (1911).From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Artist: Joseph Highmore
The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Painting held in the Yale Center for British Art. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Mrs. Melancthon Strong (Nee Sanders of Sanderstead), 18th century. Artist: Joseph Highmore
Mrs. Melancthon Strong (Nee Sanders of Sanderstead), 18th century. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

James Harris (Highmore)
JAMES HARRIS writer, grammarian, statesman Date: 1709 - 1780

Richardson / Cook / Highmore
SAMUEL RICHARDSON English novelist and printer Date: 1689 - 1761

Joseph Highmore
JOSEPH HIGHMORE artist, depicted with palette and brushes. Date: 1692 - 1780

A Club of Gentlemen, Joseph Highmore, 1692-1780, British

Study for a Group Portrait, Joseph Highmore, 1692-1780, British

Sketch of a Young Girl, Joseph Highmore, 1692-1780, British

The Angel of Mercy, Joseph Highmore, 1692-1780, British

The Head of a Young Boy, Joseph Highmore, 1692-1780, British

An Unknown Man, Joseph Highmore, 1692-1780, British

Charles Penruddocke Inscribed in black paint, upper left: Carolus Penruddocke [
Charles Penruddocke Inscribed in black paint, upper left: " Carolus Penruddocke [....]:" Signed and dated in black paint, lower right: " J of Highmore | pinx: 1743"

Mrs. Sharpe and Her Child Mrs. Sharpe and Child Inscribed lower left, in red (probably later): " Mrs. Sharpe. and child. | postea Mrs. Douglas

The Harlowe Family, from Samuel Richardsons Clarissa, Joseph Highmore
The Harlowe Family, from Samuel Richardsons " Clarissa", Joseph Highmore, 1692-1780, British

Figures in a Tavern or Coffee House The Coffee House Politicians, Attributed to Joseph Highmore, 1692-1780, British

A Family Conversation Piece, Joseph Highmore, 1692-1780, British

An Unknown Man in Black, Joseph Highmore, 1692-1780, British

Richardson / Highmore
SAMUEL RICHARDSON English novelist and printer, seen with a book in his hand

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"Joseph Highmore: Capturing the Essence of Eighteenth-Century Life" Step into the world of Joseph Highmore, a renowned artist whose works have left an indelible mark on art history. Born in Mary Rossam in 1734, Highmore's talent and passion for painting were evident from an early age. His ability to capture the essence of his subjects is beautifully showcased in his diverse body of work. One such masterpiece is "Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, " painted with meticulous attention to detail that brings these two brothers to life before our eyes. The warmth and intimacy between them are palpable, reflecting Highmore's skill at capturing human connections. In "An Eighteenth-Century Rendezvous, " created around 1744, we are transported back in time to witness a scene filled with elegance and charm. The delicate brushstrokes depict men and women engaged in lively conversation amidst opulent surroundings, showcasing Highmore's ability to recreate the atmosphere of this era. Highmore's versatility shines through in "Anthony Highmore. " Painted in 1720, this portrait exudes strength and character as it immortalizes a man who undoubtedly held significance within society during that time period. Another notable piece by Highmore is "General James Wolfe (1727-1759) as a Young Man. " This portrait captures the youthful determination and ambition that would later propel General Wolfe into becoming one of Britain's most celebrated military leaders. It also dabbled in landscape painting, as seen in "A Country Scene" from around 1750. Here he showcases his mastery over light and shadow while portraying nature at its finest – serene rolling hills bathed under golden sunlight evoke a sense of tranquility rarely captured on canvas. Not limited to portraiture alone, it also ventured into historical scenes such as "Coronation of William III in Westminster Abbey, London, 1689.