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Hieronymous Collection

"Hieronymous: A Journey through Art and Time" Step into the world of Hieronymous, a name that echoes throughout history in various forms

Background imageHieronymous Collection: ARCTIC INHABITANTS, 1618. Woodcut from Hieronymous Megisers Septentrio novantiquus

ARCTIC INHABITANTS, 1618. Woodcut from Hieronymous Megisers Septentrio novantiquus, published at Leipzig, 1618

Background imageHieronymous Collection: St. Jerome, right hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)

St. Jerome, right hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)
3471329 St. Jerome, right hand panel from the Triptych of St. Erasmus, c.1460 (oil on panel) by Bouts, Dirck (c.1415-75); 82x169 cm; Museums of Louvain, Belgium; © Art in Flanders

Background imageHieronymous Collection: The Penitent St. Jerome (oil on panel)

The Penitent St. Jerome (oil on panel)
XOU231291 The Penitent St. Jerome (oil on panel) by Giampietrino, Giovanni Pietro Rizzoli (fl.c.1495-1521); 49x37.7 cm; Musee des Beaux-Arts, Rouen, France

Background imageHieronymous Collection: St. Jerome, from a Mariegola of the lay guild of St. Jeroma, c. 1400 (ink & gold leaf on vellum)

St. Jerome, from a Mariegola of the lay guild of St. Jeroma, c. 1400 (ink & gold leaf on vellum)
XOT330905 St. Jerome, from a Mariegola of the lay guild of St. Jeroma, c.1400 (ink & gold leaf on vellum) by Italian School, (15th century); Museo Correr, Venice

Background imageHieronymous Collection: St. Jerome and St. Ambrose, c. 1510 (tempera and gold on panel)

St. Jerome and St. Ambrose, c. 1510 (tempera and gold on panel)
BWM150045 St. Jerome and St. Ambrose, c.1510 (tempera and gold on panel) by Borgona, Juan de (fl.1495-1533); 87.6x120.7 cm; The Bowes Museum, Barnard Castle, County Durham

Background imageHieronymous Collection: Saint Gerolamo (oil on canvas)

Saint Gerolamo (oil on canvas)
CH397565 Saint Gerolamo (oil on canvas) by Sirani, Giovanni Andrea (1610-70); 76.2x101.6 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageHieronymous Collection: St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)

St. Jerome in his Study, 1480 (fresco) (see 44344 for detail)
BAT99655 St. Jerome in his Study, 1480 (fresco) (see 44344 for detail) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Church of Ognissanti, Florence

Background imageHieronymous Collection: The Meditation of St. Jerome (oil on panel)

The Meditation of St. Jerome (oil on panel)
PWI96953 The Meditation of St. Jerome (oil on panel) by Massys or Metsys, Quentin (c.1466-1530); 82x105 cm; Private Collection; ePeter Willi; Netherlandish, out of copyright

Background imageHieronymous Collection: Fol. 310v St. Jerome, from the Book of Hours of Don Duarte (vellum)

Fol. 310v St. Jerome, from the Book of Hours of Don Duarte (vellum)
XIR243798 Fol.310v St. Jerome, from the Book of Hours of Don Duarte (vellum) by Flemish School, (15th century); Arquivo Nacional da Torre do Tombo, Lisbon, Portugal; Flemish, out of copyright

Background imageHieronymous Collection: Ms 154 fol. 137v Historiated initial N, from the letters of St. Jerome (vellum)

Ms 154 fol. 137v Historiated initial N, from the letters of St. Jerome (vellum)
XIR243426 Ms 154 fol.137v Historiated initial N, from the letters of St. Jerome (vellum) by French School, (12th century); Bibliotheque Municipale, Angers

Background imageHieronymous Collection: St. Jerome in his Study, 1514 (engraving)

St. Jerome in his Study, 1514 (engraving)
ALM289704 St. Jerome in his Study, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 24.4x18.8 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageHieronymous Collection: St. Jerome seated on a rock, writing (pen & ink with wash on paper)

St. Jerome seated on a rock, writing (pen & ink with wash on paper)
CTS413029 St. Jerome seated on a rock, writing (pen & ink with wash on paper) by Palma Il Giovane (Jacopo Negretti) (1548-1628); 13.2x10.3 cm; eThe Devonshire Collections

Background imageHieronymous Collection: St. Jerome Reading in a Landscape (oil on panel)

St. Jerome Reading in a Landscape (oil on panel)
AMO96912 St. Jerome Reading in a Landscape (oil on panel) by Bellini, Giovanni (c.1430-1516); 27x22 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Background imageHieronymous Collection: St. Jerome Reading, 1634 (etching)

St. Jerome Reading, 1634 (etching)
5981340 St. Jerome Reading, 1634 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 10.6x8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Background imageHieronymous Collection: Christ Sitting on the Cold Stone, before ca. 1586. Creator: Hieronymous Wierix

Christ Sitting on the Cold Stone, before ca. 1586. Creator: Hieronymous Wierix
Christ Sitting on the Cold Stone, before ca. 1586

Background imageHieronymous Collection: Bearing the Body of Christ, 1586. Creator: Hieronymous Wierix

Bearing the Body of Christ, 1586. Creator: Hieronymous Wierix
Bearing the Body of Christ, 1586

Background imageHieronymous Collection: Christ Crucified, before 1619. Creator: Hieronymous Wierix

Christ Crucified, before 1619. Creator: Hieronymous Wierix
Christ Crucified, before 1619

Background imageHieronymous Collection: The Preparation of the Cross, before 1619. Creator: Hieronymous Wierix

The Preparation of the Cross, before 1619. Creator: Hieronymous Wierix
The Preparation of the Cross, before 1619

Background imageHieronymous Collection: Descent from the Cross, before 1619. Creator: Hieronymous Wierix

Descent from the Cross, before 1619. Creator: Hieronymous Wierix
Descent from the Cross, before 1619

Background imageHieronymous Collection: The Blood of the Redeemer Venerated by Two Angels, before 1619

The Blood of the Redeemer Venerated by Two Angels, before 1619

Background imageHieronymous Collection: The Lamentation, before 1619. Creator: Hieronymous Wierix

The Lamentation, before 1619. Creator: Hieronymous Wierix
The Lamentation, before 1619

Background imageHieronymous Collection: Judah with the Head of Adonibezek, from Willem van Haecht, Tyrannorum proemia, 1578, 1578

Judah with the Head of Adonibezek, from Willem van Haecht, Tyrannorum proemia, 1578, 1578. After Maerten de Vos

Background imageHieronymous Collection: Judith, from Willem van Haecht, Tyrannorum proemia, 1578, 1578

Judith, from Willem van Haecht, Tyrannorum proemia, 1578, 1578

Background imageHieronymous Collection: Saint Anthony, 1564. Creators: Hieronymous Wierix, Jan Wierix

Saint Anthony, 1564. Creators: Hieronymous Wierix, Jan Wierix
Saint Anthony, 1564. After Martin Schongauer

Background imageHieronymous Collection: The Crucifixion (Round) (reverse copy). n. d. Creator: Hieronymous Wierix

The Crucifixion (Round) (reverse copy). n. d. Creator: Hieronymous Wierix
The Crucifixion (Round) (reverse copy).n.d. After Albrecht Durer

Background imageHieronymous Collection: Jonah Cast on Shore by the Fish, ca. 1585. Creators: Antonius Wierix, Hieronymous Wierix

Jonah Cast on Shore by the Fish, ca. 1585. Creators: Antonius Wierix, Hieronymous Wierix
Jonah Cast on Shore by the Fish, ca. 1585

Background imageHieronymous Collection: St. Jerome in his Studiolo, title page of a Bible, printed by J. Marion, Lyon, 1521

St. Jerome in his Studiolo, title page of a Bible, printed by J. Marion, Lyon, 1521
XIR316611 St. Jerome in his Studiolo, title page of a Bible, printed by J. Marion, Lyon, 1521 (engraving) by French School, (16th century); Bibliotheque Nationale, Paris

Background imageHieronymous Collection: The Duke of Saxony and the Marquis of Brandenburg, c16th century (1849)

The Duke of Saxony and the Marquis of Brandenburg, c16th century (1849). A 19th century version based on an original manuscript illustration in Theatrum Orbis Terrarum

Background imageHieronymous Collection: MARS AND RHEA SILVIA. The Vestal Virgin Rhea Silvia, mother of Romulus and Remus

MARS AND RHEA SILVIA. The Vestal Virgin Rhea Silvia, mother of Romulus and Remus, being seduced by the god, Mars. Line engraving by Hieronymous Rossi, 18th century

Background imageHieronymous Collection: DRINKING PARTY, 1516. Satirical woodcut of a drinking party, referring to a legend

DRINKING PARTY, 1516. Satirical woodcut of a drinking party, referring to a legend in which drunkards metamorphose into animals. From De Generibus Ebriosorum et ebrietate vitanda, by Johann Hartlieb

Background imageHieronymous Collection: The Glory of the Saints, 1645-47 (oil on canvas)

The Glory of the Saints, 1645-47 (oil on canvas)
XIR245121 The Glory of the Saints, 1645-47 (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 364x208 cm; Musee des Augustins, Toulouse

Background imageHieronymous Collection: St. Jerome (tempera on panel)

St. Jerome (tempera on panel)
XIR159318 St. Jerome (tempera on panel) by Theodoricus of Prague (fl.1359-c.1381); 114.5x104.5 cm; Narodni Galerie, Prague

Background imageHieronymous Collection: QUEIROS: VOYAGES, 1613. Woodcut from an edition of Pedro Fernandez de Queiros

QUEIROS: VOYAGES, 1613. Woodcut from an edition of Pedro Fernandez de Queiros travel writing published at Leipzig, 1613

Background imageHieronymous Collection: Christ Carrying the Cross. Artist, Hieronymous Bosch (Jerome van Aken - c1460-1516)

Christ Carrying the Cross. Artist, Hieronymous Bosch (Jerome van Aken - c1460-1516). Dutch. Musee des Beaux Arts, Gand

Background imageHieronymous Collection: St Christopher Crossing the River. St Christopher reaches the bank with the Christ

St Christopher Crossing the River. St Christopher reaches the bank with the Christ Child on his shoulder. Landscape filled with strange creatures reminiscent of Hieronymous Bosch


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"Hieronymous: A Journey through Art and Time" Step into the world of Hieronymous, a name that echoes throughout history in various forms. From Arctic inhabitants to saints and scholars, this enigmatic figure has left an indelible mark on art and culture. In 1618, a woodcut by Hieronymous Megiser transports us to the Arctic, revealing the lives of its resilient inhabitants. Through intricate lines and careful detail, we glimpse their struggle against nature's harsh embrace. Fast forward to c. 1460, where St. Jerome takes center stage in a triptych by an unknown artist. With oil on panel technique, his right hand panel depicts this revered saint with grace and reverence—a testament to his spiritual significance. The Dream of St. Jerome unfolds before our eyes in a mesmerizing 1444 oil painting. Here we witness the apparition of St. Jerome to Sulpicius Severus and St. Augustine—an ethereal encounter that transcends time itself. A penitent St. Jerome gazes at us from another oil-on-panel masterpiece—his remorse palpable as he seeks redemption for past transgressions. Traveling back further in time brings us to c. 1400 when ink & gold leaf on vellum brought forth an illuminating portrayal of St. Jerome within the Mariegola guild's sacred book—a testament to his enduring influence among laypeople. Tempera and gold on panel breathe life into a captivating scene featuring both St. Jerome and St. Ambrose circa 1510—an artistic marriage celebrating two great minds who shaped Christianity's course forevermore. Saint Gerolamo emerges from canvas depths with vibrant colors capturing his essence—the brushstrokes whispering tales untold yet felt deeply within our souls. Enter fresco territory as we step into "St. Jerome in His Study" painted in 1480—a visual feast showcasing meticulous details amidst a serene atmosphere, inviting us to ponder the saint's contemplative life.