Henry Adlard Collection

Hadgi (Mecca pilgrims) encamped near Antioch, on the banks of the Orontes, Turkey, 1841. Artist: Henry Adlard
Hadgi (Mecca pilgrims) encamped near Antioch, on the banks of the Orontes, Turkey, 1841. From Syria, the Holy land and Asia Minor, volume I, by John Carne, published by Fisher, Son & Co

Viaduct on the Baltimore & Washington Railroad, c1838. Artist: Henry Adlard
Viaduct on the Baltimore & Washington Railroad, c1838. Illustration after a painting by William Henry Bartlett (1809-1854) who visited the United States in the 1830s

Danejohn Hill, c1829. Creator: Henry Adlard
Danejohn Hill, c1829. The Dane John Mound, a former Roman cemetery at Canterbury in Kent, was converted into a motte-and-bailey castle in the 11th century

Falls of Niagara, mid 19th century. Creator: Henry Adlard
Falls of Niagara, mid 19th century. View of Niagara Falls, North America. [Longman & Co. London]

Rue du Chapeau Rouge, Bordeaux, mid 19th century. Creator: Henry Adlard
Rue du Chapeau Rouge, Bordeaux, mid 19th century. View of a street in the city of Bordeaux, southwestern France

A bridge at Eltham Palace, Kent, 1828. Artist: Henry Adlard
A bridge at Eltham Palace, Kent, 1828. View with cattle in the foreground

View of the London Bridge Station, Bermondsey, London, 1845. Artist
View of the London Bridge Station, Bermondsey, London, 1845

London Bridge Station, Bermondsey, London, 1845. Artist: Henry Adlard
London Bridge Station, Bermondsey, London, 1845. View of the London Terminus of the Brighton and Dover Railway. People stop to talk, (one is a man on crutches)

The Convict Ship, c1820. Artist: Henry Adlard
The Convict Ship, c1820. Transportation of convicts from Britain to Australia, parts of which were used as a penal colony

Lord Anson, 1762. Artist: Henry Adlard
Lord Anson, 1762. George Anson, 1st Baron Anson was a Royal Navy officer, and went on to be First Lord of the Admiralty during the Seven Years War. After Joshua Reynolds (1723-1792)

The Ruins of Carthage, c1850. Artist: Henry Adlard
The Ruins of Carthage, c1850. After Grenville Temple (1799-1847). [The London Printing and Publishing Company Limited, London, c1850]

St. Albans Abbey, 1859. Artist: Henry Adlard
St. Albans Abbey, 1859. A Church of England cathedral in St Albans, England with much of its architecture dating from Norman times

Canterbury Cathedral. Kent, c1831. Artist: Henry Adlard
Canterbury Cathedral. Kent, c1831. Henry Gastineau (1791-1876). [Geo Virtue, London]

Shakeseares Cliff, Dover. Kent, 1831. Artists: Henry Gastineau, Henry Adlard
Shakeseares Cliff, Dover. Kent, 1831. After Henry Gastineau (1791-1876). [Geo Virtue, London, 1831]

Rochester Castle, Kent, mid 19th century. Artist: Henry Adlard
Rochester Castle, Kent, mid 19th century. Built on the site of a Roman fortification, this Norman castle was an important royal stronghold. It was besieged twice by rebel barons, in 1215 and 1264

Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Artist: Henry Adlard
Beit-El-Ma, the site of the ancient city of Riblah, Israel, 1841. Riblah was an ancient town on the northern frontier of Israel, 35 miles north-east of Baalbec, and 10 or 12 south of Lake Homs

Queen Charlotte (1744-1818) with the future King George IV (1762-1830), 19th century. Artist: Henry Adlard
Queen Charlotte (1744-1818) with the future King George IV (1762-1830), 19th century. King George IV was king of Great Britain and Ireland between 1820 and 1830

Mary Robinson (1757-1800), English poet and novelist, 1830. Artist: Henry Adlard
Mary Robinson (1757-1800), English poet and novelist, 1830. Robinson was also known for her role as Perdita (heroine of Shakespeares A Winters Tale) in 1779

Melon Islands, and Irrigating Wheel, China, c1840. Artist: Henry Adlard
Melon Islands, and Irrigating Wheel, China, c1840

Wesleyan Institute, Richmond, 19th century. Artist: Henry Adlard
Wesleyan Institute, Richmond, 19th century

City of Mexico, 1883. Artist: Henry Adlard
City of Mexico, 1883. View of Mexicos capital city

Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. Artist: Henry Adlard
Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. For many centuries the House of Orleans was one of the most important noble families in France

Palace of Saint-Cloud, Paris, France, 1875. Artist: Henry Adlard
Palace of Saint-Cloud, Paris, France, 1875. The residence of several French rulers, the Palace of Saint-Cloud near the River Seine was built in 1572

John Ericsson, Swedish-US inventor
John Ericsson (1803-1889), Swedish-US inventor and engineer. Ericsson served in the Swedish army as an engineer for six years, then resigned to become an inventor

Tilbury Fort, Essex, engraved by Henry Adlard, c. 1832 (engraving)
XJF451344 Tilbury Fort, Essex, engraved by Henry Adlard, c.1832 (engraving) by Campion, George Bryant (1796-1870) (after); Private Collection; (add.info)

Chipping Ongar, Essex, engraved by Henry Adlard, 1832 (engraving)
XJF451343 Chipping Ongar, Essex, engraved by Henry Adlard, 1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Henry Adlard (fl.1828-69); ); English

Braintree, Essex, engraved by Henry Adlard, 1832 (engraving)
XJF451340 Braintree, Essex, engraved by Henry Adlard, 1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Henry Adlard (fl.1828-69); ); English

Maldon, Essex, engraved by Henry Adlard, 1831 (engraving)
XJF451342 Maldon, Essex, engraved by Henry Adlard, 1831 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; English, out of copyright

Harwich, Essex, engraved by Henry Adlard, c. 1832 (engraving)
XJF451338 Harwich, Essex, engraved by Henry Adlard, c.1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Henry Adlard (fl.1828-69); ); English

Little Warley Hall, Essex, engraved by Henry Adlard, 1833 (engraving)
XJF451315 Little Warley Hall, Essex, engraved by Henry Adlard, 1833 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Little Warley Hall near Brentwood, Essex)

Easton, near Great Dunmow, Essex, engraved by Henry Adlard, 1832 (engraving)
XJF451303 Easton, near Great Dunmow, Essex, engraved by Henry Adlard, 1832 (engraving) by Baynes, Thomas Mann (1794-1854) (after); Private Collection; (add.info)

Felix Hall, Essex, engraved by Henry Adlard, 1833 (engraving)
XJF447376 Felix Hall, Essex, engraved by Henry Adlard, 1833 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: also known as Fillols Hall, near Kelvedon)

Audley End, Essex, engraved by Henry Adlard, 1832 (engraving)
XJF447358 Audley End, Essex, engraved by Henry Adlard, 1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Audley End, near Saffron Walden)

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Henry Adlard, a talented artist of the 19th century, captured the essence of various landscapes and historical scenes through his remarkable artworks. In one of his captivating paintings, he depicted Hadgi (Mecca pilgrims) encamped near Antioch on the banks of the Orontes in Turkey during 1841. With meticulous attention to detail, Adlard transported viewers back in time to witness this significant cultural event. Another masterpiece by Adlard showcases a viaduct on the Baltimore & Washington Railroad around 1838. Through his brushstrokes, he immortalized this engineering marvel that connected two bustling cities and revolutionized transportation during that era. Adlard's artistic prowess extended beyond landscapes as seen in his portrayal of Danejohn Hill circa 1829. This artwork reveals his ability to capture architectural beauty while also conveying a sense of tranquility within nature. The Falls of Niagara were another subject that fascinated Adlard. His mid-19th-century painting transports us to this majestic natural wonder where we can almost hear the roar and feel the mist on our faces. In Rue du Chapeau Rouge, Bordeaux, also from the mid-19th century, Adlard skillfully captures the charm and character of a bustling street scene in France. The vibrant colors and lively atmosphere transport us into an era long gone but forever preserved through art. Eltham Palace's bridge is yet another example showcasing Adlard's talent for capturing architectural splendor with precision and elegance. Painted in 1828, it offers a glimpse into history while highlighting both man-made structures and their harmonious integration with nature. London Bridge Station was another subject that caught Adlard's eye; he painted it twice - once in Bermondsey London during 1845 - emphasizing its importance as a hub connecting people from all walks of life. Adlard's versatility shines through even more with "The Convict Ship, " a painting from around 1820.