Hell Collection (page 9)

Orpheus and his lyre put to sleep Cerbere the dog with three heads, 1926 (Illustration)
7304408 Orpheus and his lyre put to sleep Cerbere the dog with three heads, 1926 (Illustration) by Rabier, Benjamin (1869-1939); Private Collection; (add.info)

L'Hell (La divina commedia) by Dante Alighieri, 1861 (engraving)
PCT4275884 L'Hell (La divina commedia) by Dante Alighieri, 1861 (engraving) by Dore, Gustave (1832-83); (add.info.: L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

The hellmouth, set design from Il Pomo D'Oro, 1668. Creator: Mathaus Küsel
The hellmouth, set design from Il Pomo D'Oro, 1668

Christ descending into Limbo, 1566. Creator: Mario Cartaro
Christ descending into Limbo, 1566

Christ in Limbo with Adam and Eve, ca. 1500-1534. Creator: Marcantonio Raimondi
Christ in Limbo with Adam and Eve, ca. 1500-1534

The Last Judgment, 1922. 1922. Creator: Anon
The Last Judgment, 1922

The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, ... ca. 1460-80. Creator: Anon
The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, Pisa, ca. 1460-80

The Last Judgement Painting by Jean Cousin the Son (1522-1594) 16th century Sun. 1, 45x1, 42 m
JLJ4677079 The Last Judgement Painting by Jean Cousin the Son (1522-1594) 16th century Sun. 1, 45x1, 42 m by Cousin, Jean the Younger (1522-94); Louvre, Paris

Devils tormenting the lush in a well of fire and sulfur - in "Grand Calendrier et Compost des Bergers", Lyon
XEE4148387 Devils tormenting the lush in a well of fire and sulfur - in " Grand Calendrier et Compost des Bergers", Lyon, 1633 by Unknown Artist

Dante et Virgil surrounded by the violents (song 14 from Hell, in the Divine Comedy) - miniature 14th century
LRI4636821 Dante et Virgil surrounded by the violents (song 14 from Hell, in the Divine Comedy) - miniature 14th century by Italian School, (14th century); Girolamini Library, Naples, Campania

Art Islam: Page of a falnama: Iman Reza fights a Div (demon). Painting in "Livre des presages", 1550
JLJ4596657 Art Islam: Page of a falnama: Iman Reza fights a Div (demon). Painting in " Livre des presages", 1550. Dim: 0, 44 x 0, 59m

The last judgment: the damns are taken into the underworld by demons. 1432-1435 (Tempera on wood)
LRI4613328 The last judgment: the damns are taken into the underworld by demons.1432-1435 (Tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 22
XEE4145640 The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 22: Alichino and Calcabrina grapple above the pitch - by Dante Alighieri (1265-1321)

The counterfeiters (song 30 from Hell, in the Divine Comedy - miniature, 15th century)
LRI4636888 The counterfeiters (song 30 from Hell, in the Divine Comedy - miniature, 15th century by Unknown Artist, (15th century); Biblioteca del Seminario Vescovile, Padua

Circle of Violents: Dante and Virgil meet Centaurs weapons of bows and arrows
LRI4665913 Circle of Violents: Dante and Virgil meet Centaurs weapons of bows and arrows. Illuminated page illustrating the 7th song of Hell from the " Divina Commedia" by Dante Alighieri

Sus! sus! les diables! sus demons! in "Grand Calendrier et Compost des Bergers", Lyon, 1633
XEE4148390 Sus! sus! les diables! sus demons! in " Grand Calendrier et Compost des Bergers", Lyon, 1633 by Unknown Artist, (17th century); Private Collection; (add.info.: Sus! sus)

Circle of Traitors: Dante and Virgil meet the souls of the traitors of benefactors
LRI4665953 Circle of Traitors: Dante and Virgil meet the souls of the traitors of benefactors. Illuminated page illustrating the 34th song of Hell draws from the " Divina Commedia" by Dante

The blasphemers (song 14 from Hell, in the Divine Comedy) - miniature 15th century
LRI4636907 The blasphemers (song 14 from Hell, in the Divine Comedy) - miniature 15th century by Unknown Artist, (15th century); Biblioteca del Seminario Vescovile, Padua

A child named Guillaume observes the torments of the damns in Enfer Miniature in "Le miroir historial"
LRI4665384 A child named Guillaume observes the torments of the damns in Enfer Miniature in " Le miroir historial" (Speculum Historiale) (ms. 1196 fol)

The devils tormentors force toads and snakes to the gluttons - "Grand Calendrier et Compost des Bergers"
XEE4148391 The devils tormentors force toads and snakes to the gluttons - " Grand Calendrier et Compost des Bergers", Lyon, 1633 by Unknown Artist

Circle of violent towards God, nature and art: Dante and Virgil meet blasphemers
LRI4665943 Circle of violent towards God, nature and art: Dante and Virgil meet blasphemers. Illuminated page illustrating a song of Hell draws from the " Divina Commedia" by Dante

The Last Judgement Painting by Jacob Jordaens (1593-1678) 1653 Sun. 3, 91x3 m
JLJ4684980 The Last Judgement Painting by Jacob Jordaens (1593-1678) 1653 Sun. 3, 91x3 m by Jordaens, Jacob (1593-1678); Louvre, Paris

The temptation of Saint Anthony the Great (or Saint Anthony the Hermit or Saint Anthony the Abbe)
JLJ4661627 The temptation of Saint Anthony the Great (or Saint Anthony the Hermit or Saint Anthony the Abbe). Painting by Jacques Callot (1592-1635), 17th century

The hay tryptic: infernal constructions. Right interior panel. Painting on wood by Hieronymus Van Aeken (Aken)
LRI4602842 The hay tryptic: infernal constructions. Right interior panel. Painting on wood by Hieronymus Van Aeken (Aken) dit Jerome Bosch (1450-1516) 1500-1502 Dim

Representations of the creatures of the underworld beating the damns Miniature taken from "The Apocalypse of
JLJ4670943 Representations of the creatures of the underworld beating the damns Miniature taken from " The Apocalypse of Cambrai" enluminated by the French School of the 13th century. Ms

Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)
LRI4651230 Tryptic of the Last Judgement, central panel, c.1504 (painting on wood) by Bosch, Hieronymus (c.1450-1516); 127x163 cm; Gemaldegalerie der Bildenden Kunste, Vienna

Death of the Strong Wicked Man, illustration from The Grave by Robert Blair
1785950 Death of the Strong Wicked Man, illustration from The Grave by Robert Blair, engraved by Louis Schiavonetti (hand-coloured etching) (see also 1785949-52) by Blake

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.