Hell Collection (page 7)

Devils cooking men in cauldrons in hell
LSE4103862 Devils cooking men in cauldrons in hell by Unknown Artist, (19th century); Private Collection; (add.info.: Devils cooking men in cauldrons in hell)

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Japanese depiction of the Great Judge of Hell - Yama
The Great Judge of Hell. In East Asian and Buddhist mythology, Yama (sometimes known as the King of Hell, King Yan or Yanluo) is a dharmapala (wrathful god)

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Dante and Virgil in Hell, 1850 (oil on canvas)
938625 Dante and Virgil in Hell, 1850 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 280.5 x 225.3 cm; Musee d Orsay, Paris, France; (add.info.: Dante et Virgile); French

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca
Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dantes Inferno, Canto XXVV, ca. 1825-27

Dante and the eagle
Travel arrangements between Purgatory and Paradise are rudimentary: an eagle carries Dante from the lower regions to the celestial heights where hell meet Beatrice Portinari

DIVINE COMEDY / DAMNED
Dante & Virgil contemplate some of the damned... Date: First published: 1307-21?

DANTE IN HELL
Virgil is Dantes guide on a tour of Inferno; they come across some evildoers punished by being placed up to their necks in ice

Demons in Hell
Demons frolicking in their home in Hell

Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger
Aeneas and the Sibyl in the Underworld, 1630s

The Last Judgment, 1730s-1740s. Creator: Tiepolo, Giambattista (1696-1770)
The Last Judgment, 1730s-1740s. Found in the Collection of Palazzo Leoni Montanari, Vicenza

Dante and Virgil in the Second Circle of Hell, 1823. Creator: Koch, Joseph Anton (1768-1839)
Dante and Virgil in the Second Circle of Hell, 1823. Found in the Collection of Thorvaldsens Museum, Copenhagen

Christian enters the Valley of the Shadow of Death, c1910. Creator: Unknown
Christian enters the Valley of the Shadow of Death, c1910. Scene from " The Pilgrims Progress", by John Bunyan. Glass lantern slide produced by the Church Army Lantern Department which in

WW1 - Ypres - Hell Fire Corner, British Demarcation Stone
WW1 - Ypres - Hell Fire Corner on the Menin Road, British Demarcation Stone - the inscription reads (in English): " Here the invader was brought to a standstill"

Nyiragongo volcano lava lake, Virungas National Park, Democratic Republic of Congo February 2015

Detail of hell and Sant Michael, front of Soriguerola. Painting on wood

Portrait of the Admiral Anne Chretien Louis de Hell (1783-1864), c. 1832
Portrait of the Admiral Anne Chre tien Louis de Hell (1783-1864), c. 1832. Private Collection

Der Bapstesel zu Rom (The Papal Ass or The Pope Ass of Rome), 1523. Private Collection

Inferno. (Abyss of Hell). Illustration to the Divine Comedy by Dante Alighieri (Detail), 1480-1490. Found in the collection of Biblioteca Apostolica Vaticana

Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccet)
Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccetti), 1612. Private Collection

Last Judgment, the Seven Works of Mercy, and the Seven Deadly Sins, c. 1490-1499. Found in the Collection of Maagdenhuismuseum, Antwerp

The Harrowing of Hell. Private Collection

The Tree Man, c. 1505. Found in the collection of Albertina, Vienna

The sea gave up its dead (The Last Judgement, Detail), 12th century. Artist: Anonymous
The sea gave up its dead (The Last Judgement, Detail), 12th century. Found in the collection of Cattedrale di Santa Maria Assunta, Torcello

Inferno Landscape. Artist: Bosch, Hieronymus, (School)
Inferno Landscape. Found in the collection of Museo del Prado, Madrid

The Descent into Hell. Artist: Russian icon
The Descent into Hell. Found in the collection of State Open-air Museum Kirillo-Belozersky Monastery

The Last Judgment, 1885-1896. Artist: Vasnetsov, Viktor Mikhaylovich (1848-1926)
The Last Judgment, 1885-1896. Found in the collection of the State Tretyakov Gallery, Moscow

The Hell. Found in the Collection of Battistero di San Giovanni, Firenze

Hindu concept of the universe, c1880. The universe is encircled by a serpent, the symbol of eternity. Mount Meru represents paradise, the earth below it is supported by six elephants

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Artist: Gustave Dore
Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil

Dante protected by Virgil from harm by demons, 1863. Artist: Gustave Dore
Dante protected by Virgil from harm by demons, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil, and in his Divina Commedia (Divine Comedy)

Hell a42_04846
York Minster, Minster Yard, York. A detailed view of a carved stone in the crypt of York Minster, also known as St Peters Cathedral Church. The stone is set within a wall and has a carving of hell

Dante / Divine Comedy / Map
A map of Inferno to Dantes La Divina Commedia. Date: First published: 1307-21?

MILTON: PARADISE LOST. Satan and the snake. Engraving after Gustave Dore to a 19th century edition of John Miltons Paradise Lost (Book IX, lines 182-183)

Etna
Massimo Tamajo

The path to
Barré Thierry

Crying Devil
Treechild

Concrete Hell
Roman Robroek

Triptych with the Triumph of Death and the Last Judgement by
Renaissance. Triptych with the Triumph of Death and the Last Judgement by Hermann Tom Ring (1521-1596), around 1550. Museum Catharijneconvent. Utrecht. Netherlands. Detail

4th Century Bc Acheron Aeneid Allegoric Allegorical
4th, century, bc, acheron, aeneid, allegoric, allegorical, allegory, ancient, age, art, boat, boatman, boundary, campania, charon, cross, dead, death, deceased, ferry, ferryman, gravestone, greek

Francesco Traini. Italian painer active form 1321-1365. The Triumph of Death, 1355. Fresco. Camposanto. Pisa. Italy

Cartoon, Sin, Death, and the Devil, Vide Milton, by James Gillray. A parody of a scene from John Milton's epic poem, Paradise Lost, showing Prime Minister William Pitt (left) as Death

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.