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Hell Collection (page 5)

"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil

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Hell Collection: Dante and Virgil meet Lucifer, the dechu angel, the King of Hell who beats the damns
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Hell Collection: Dante Alighieri (1265-1321) Italian poet: Inferno first part of his Divina Commedia (Divine Comedy)
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Hell Collection: The Hell of Dante Alighieri (the Divine Comedie), 1861 (engraving)
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Hell Collection: Orpheus and his lyre put to sleep Cerbere the dog with three heads, 1926 (Illustration)
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Hell Collection: L'Hell (La divina commedia) by Dante Alighieri, 1861 (engraving)
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Hell Collection: Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
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Hell Collection: The hellmouth, set design from Il Pomo D'Oro, 1668. Creator: Mathaus Küsel
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Hell Collection: Christ descending into Limbo, 1566. Creator: Mario Cartaro
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Hell Collection: Christ in Limbo with Adam and Eve, ca. 1500-1534. Creator: Marcantonio Raimondi
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Hell Collection: The Last Judgment, 1922. 1922. Creator: Anon
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Hell Collection: The Inferno according to Dante, after the Last Judgment fresco in the Campo Santo, ... ca
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Hell Collection: The Last Judgement Painting by Jean Cousin the Son (1522-1594) 16th century Sun. 1, 45x1, 42 m
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Hell Collection: Devils tormenting the lush in a well of fire and sulfur - in 'Grand Calendrier et Compost des
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Hell Collection: Dante et Virgil surrounded by the violents (song 14 from Hell)
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Hell Collection: Art Islam: Page of a falnama: Iman Reza fights a Div (demon). Painting in 'Livre des presages', 1550
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Hell Collection: The last judgment: the damns are taken into the underworld by demons. 1432-1435 (Tempera on wood)
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Hell Collection: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 22
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Hell Collection: The counterfeiters (song 30 from Hell, in the Divine Comedy - miniature, 15th century)
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Hell Collection: Circle of Violents: Dante and Virgil meet Centaurs weapons of bows and arrows
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Hell Collection: Sus! sus! les diables! sus demons! in 'Grand Calendrier et Compost des Bergers', Lyon, 1633
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Hell Collection: Circle of Traitors: Dante and Virgil meet the souls of the traitors of benefactors
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Hell Collection: The blasphemers (song 14 from Hell, in the Divine Comedy) - miniature 15th century
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Hell Collection: A child named Guillaume observes the torments of the damns in Enfer Miniature in 'Le miroir
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Hell Collection: The devils tormentors force toads and snakes to the gluttons - 'Grand Calendrier et Compost des
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Hell Collection: Circle of violent towards God, nature and art: Dante and Virgil meet blasphemers
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Hell Collection: The Last Judgement Painting by Jacob Jordaens (1593-1678) 1653 Sun. 3, 91x3 m
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Hell Collection: The temptation of Saint Anthony the Great (or Saint Anthony the Hermit or Saint Anthony the Abbe)
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Hell Collection: The hay tryptic: infernal constructions. Right interior panel
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Hell Collection: Representations of the creatures of the underworld beating the damns Miniature taken from 'The
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Hell Collection: Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)
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Hell Collection: Death of the Strong Wicked Man, illustration from The Grave by Robert Blair


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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.