Hell Collection (page 3)

Line drawing of a fresco from Torcello
1578298 Line drawing of a fresco from Torcello; (add.info.: Line drawing of a fresco from Torcello. It is divided into five levels. The first: Christ releases Adam from Limbo)

Line drawing of the Last Judgement tympanum at Rheims
1578301 Line drawing of the Last Judgement tympanum at Rheims; (add.info.: Line drawing of the Last Judgement tympanum at Rheims. Christ, the judge, is the apex f the composition)

Purgatory: Dante and Virgil at the entrance of Hell. Miniature from "The Divine Comedie" (Divina commedia)
AIS5386203 Purgatory: Dante and Virgil at the entrance of Hell. Miniature from "The Divine Comedie" (Divina commedia) by the Italian poet Dante Alighieri (1265-1321)

Romanesque Art: Episode of the Life of Christ: " The descent to limbo" Fresco of the 12th century
JEB4931030 Romanesque Art: Episode of the Life of Christ: " The descent to limbo" Fresco of the 12th century. Church of Saint Quitterie

Romanesque Art: Episode of the Life of Christ (fresco)
JEB4930981 Romanesque Art: Episode of the Life of Christ (fresco); (add.info.: Romanesque Art: Episode of the Life of Christ)

L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861
PCT4275841 L'Hell (La divina commedia) by Dante Alighieri illustrated by Gustave Dore. Edition Hachette 1861. French translation by Pier-Angelo Fiorentino

The Centaurs throw arrows against damns coming out of the Styx marshes. Engraving from The Hell by Dante Alighieri
PCT4265376 The Centaurs throw arrows against damns coming out of the Styx marshes. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861

In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry
PCT4265339 In the fourth circle of Hell, under which Pluto (Hades) presides, the Avares and the Prodigans carry and roll heavy burdens (rocks), colliding with anger

Solfatare de Pouzolles, Italy - Vulcano solfatara (solfatare) of Pozzuoli near Naples (Italy, Italia)
PCT4293709 Solfatare de Pouzolles, Italy - Vulcano solfatara (solfatare) of Pozzuoli near Naples (Italy, Italia, Napoli) - Champs phlegreens (Campi Flegrei): crater of the sulfur volcano

the archangel Saint Michel fights the Demon (Satan, Devil) in the abbey of Issoire, France, 15th century (fresco)
PCT4295987 the archangel Saint Michel fights the Demon (Satan, Devil) in the abbey of Issoire, France, 15th century (fresco); (add.info.: Abbey church of Issoire (Puy-de-Dome)

Gaston as the Diable (Devil) in "Le Ciel et l'Enfer" at the Ambigu Comique
5855440 Gaston as the Diable (Devil) in "Le Ciel et l'Enfer" at the Ambigu Comique; (add.info.: Gaston as the Diable (Devil) in "Le Ciel et l'Enfer" at the Ambigu Comique

Song V of Hell: the second circle where the lush are located. Illustration of the Divine Comedie (Divina Commedia)
VEN5033901 Song V of Hell: the second circle where the lush are located. Illustration of the Divine Comedie (Divina Commedia) by Dante Alighieri (1265-1321)

Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619)
VEN5027535 Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619), Santa Maria del Suffragio, Imola

The resurrection of the dead and the weighing of souls in the last judgment. Lithograph from a 13th century manuscript
NWI4914823 The resurrection of the dead and the weighing of souls in the last judgment. Lithograph from a 13th century manuscript.; (add.info)

Miscellaneous monsters - in " Cosmographia" by Julius Solinus, 14th century
GIA5036690 Miscellaneous monsters - in " Cosmographia" by Julius Solinus, 14th century.; © Giancarlo Costa.

The Devil and the Damned. Strasbourg cathedral (stained glass)
8711578 The Devil and the Damned. Strasbourg cathedral (stained glass); (add.info.: Strasbourg Cathedral. Stained glass. The Devil and the Damned. Strasbourg. France.); © Pascal Deloche/Godong

The Simoniacs, Hell, canto XIX, 1921 (illustration)
8683408 The Simoniacs, Hell, canto XIX, 1921 (illustration) by Bayros, Franz von (Choisy Le Conin) (1866-1924); Biblioteca Comunale Dell'Archiginnasio, Bologna

Paolo and Francesca da Rimini in Hell, before 1861 (India ink wash and white tempera on brown tinted paper)
8683377 Paolo and Francesca da Rimini in Hell, before 1861 (India ink wash and white tempera on brown tinted paper) by Dore, Gustave (1832-83); Musee d'Art Moderne et Contemporain, Strasbourg

A H--ll of a row in a Hell, Mytton shows fight (litho)
8630040 A H--ll of a row in a Hell, Mytton shows fight (litho) by Alken, Henry Thomas (1785-1851) (after); Private Collection; (add.info.: A H--ll of a row in a Hell, Mytton shows fight)

Ignorance Thrust into Hell (engraving)
8673612 Ignorance Thrust into Hell (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Ignorance Thrust into Hell)

The Political Machine that goes without Horses, 1769 (engraving)
8677244 The Political Machine that goes without Horses, 1769 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Political Machine that goes without Horses)

L'Ame de Jesus Descend Dans les Limbes (engraving)
8629355 L'Ame de Jesus Descend Dans les Limbes (engraving) by European School, (19th century); Private Collection; (add.info.: L'Ame de Jesus Descend Dans les Limbes)

Dante's Divine Comedy, Inferno (Hell), Plate XLI (litho)
8668999 Dante's Divine Comedy, Inferno (Hell), Plate XLI (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XLI

Dante's Divine Comedy, Inferno (Hell), Plate XXXIV (litho)
8668990 Dante's Divine Comedy, Inferno (Hell), Plate XXXIV (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXXIV

Dante's Divine Comedy, Inferno (Hell), Plate XXVI (litho)
8668983 Dante's Divine Comedy, Inferno (Hell), Plate XXVI (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXVI

Dante's Divine Comedy, Inferno (Hell), Plate XXIII (litho)
8668979 Dante's Divine Comedy, Inferno (Hell), Plate XXIII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XXIII

Dante's Divine Comedy, Inferno (Hell), Plate XIII (litho)
8668969 Dante's Divine Comedy, Inferno (Hell), Plate XIII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate XIII

Dante's Divine Comedy, Inferno (Hell), Plate X (litho)
8668968 Dante's Divine Comedy, Inferno (Hell), Plate X (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate X

Dante's Divine Comedy, Inferno (Hell), Plate VIII (litho)
8668966 Dante's Divine Comedy, Inferno (Hell), Plate VIII (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate VIII

Dante's Divine Comedy, Inferno (Hell), Plate VI (litho)
8668963 Dante's Divine Comedy, Inferno (Hell), Plate VI (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate VI

Dante's Divine Comedy, Inferno (Hell), Plate IV (litho)
8668960 Dante's Divine Comedy, Inferno (Hell), Plate IV (litho) by Schuler, Bernhard (fl. 1890-99); Private Collection; (add.info.: Dante's Divine Comedy, Inferno (Hell), Plate IV

Heaven and Hell, c.1850 (oil on fabric)
XOS5879770 Heaven and Hell, c.1850 (oil on fabric) by Tassaert, Octave (1800-74); 121x90.5 cm; Cleveland Museum of Art, OH

Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE
3561190 Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE, WHO ENTER HERE." Sculpture by Mastroianni depicting an episode from Canto III in

Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie)
PCT4265335 Dante and Virgil meet the Minotaur. Engraving from The Hell by Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861

The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861
PCT4265309 The Hell of Dante Alighieri (the Divine Comedie) illustrated by Gustave Dore. French edition of 1861. Dante and Virgil at the entrance of Hell:" Lasciate ogni speranza

The three routes to eternity. 19th century French allegorical woodcut
5306230 The three routes to eternity. 19th century French allegorical woodcut; Universal History Archive/UIG.

Representation of the Degrees of Man's Age' Engraving 1820 Civica raccolta delle stampe Bertarelli, Milan
BEN5478758 Representation of the Degrees of Man's Age' Engraving 1820 Civica raccolta delle stampe Bertarelli, Milan; Photo © Raffaello Bencini.

Woodblock engraving depicting a victim of the Spanish Inquisition being led to the stake wearing a San Benito
5308577 Woodblock engraving depicting a victim of the Spanish Inquisition being led to the stake wearing a San Benito, a linen overall painted with figures of demons and creatures from Hell

God on the Day of Judgment, with Mary and Saint John, kings, popes and monks emerging from tombs to enter heaven
FLO4974711 God on the Day of Judgment, with Mary and Saint John, kings, popes and monks emerging from tombs to enter heaven

Les diables ailes sortent des Enfers. Manuscrit du 14eme siecle
GIA5034628 Les diables ailes sortent des Enfers. Manuscrit du 14eme siecle.; (add.info.: Les diables ailes sortent des Enfers. Manuscrit du 14eme siecle.); © Giancarlo Costa.

Myths and legends: Dragon's mouth in hell burning demons. Colouring engraving from an edition of Augsburg, 1473
NWI4930897 Myths and legends: Dragon's mouth in hell burning demons. Colouring engraving from an edition of Augsburg, 1473; (add.info.: Myths and legends)

Mlle. Louise Perigat as Melusine in "Le Ciel et L'Enfer" at the Ambigu Comique
5855442 Mlle. Louise Perigat as Melusine in "Le Ciel et L'Enfer" at the Ambigu Comique; (add.info.: Mlle. Louise Perigat (Periga)

Death arriving on his white horse as described in the book of revelations. Reproduction of a painting by Benjamin West
NWI4960410 Death arriving on his white horse as described in the book of revelations. Reproduction of a painting by Benjamin West.; (add.info)

La chute des anges (les angels dechus, rebelles) engraving by Jean Jacques Flatters
PCT4297947 La chute des anges (les angels dechus, rebelles) engraving by Jean Jacques Flatters, (1786-1845) to illustrate " Paradise Lost" by John Milton (1608-1674)

Francisco de Goya (1746-1828)
3499693 Francisco de Goya (1746-1828); (add.info.: Francisco de Goya (1746-1828). Spanish painter and engraver. The Road to Hell, 1818. Drawing on black pencil. National Library

Vision of Hell, 17th century (engraving)
3480621 Vision of Hell, 17th century (engraving); (add.info.: Vision of Hell. Engraving from 'Tableaux du temple des muses' (1655) by Michel de Marolles (1600 - 1681)

A Gaming 'Hell': men wearing Beaver Hats, 1850
3478311 A Gaming 'Hell': men wearing Beaver Hats, 1850; (add.info.: Illustration titled 'A Gaming 'Hell': men wearing 'Beaver Hats')

Literature. Dante Alighieri in the Inferno. Illustration by Julius Schmidt in: The Divine Comedy, by Dante Alighieri
3433988 Literature. Dante Alighieri in the Inferno. Illustration by Julius Schmidt in: The Divine Comedy, by Dante Alighieri, Germany, c.1910 (postcard); (add.info.: Litterature. Coll. Part)

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.