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Hayez Collection

Francesco Hayez (1791-1882) was an Italian painter known for his captivating and emotive artworks

Background imageHayez Collection: HAYEZ: THE KISS. Francesco Hayez (1791-1882): The Kiss. Canvas

HAYEZ: THE KISS. Francesco Hayez (1791-1882): The Kiss. Canvas

Background imageHayez Collection: HAYEZ, Francesco (1791-1882)

HAYEZ, Francesco (1791-1882). The kiss. Romanticism. Oil on canvas

Background imageHayez Collection: Boat with Greek Fugitives, 1834. Creator: Hayez, Francesco (1791-1882)

Boat with Greek Fugitives, 1834. Creator: Hayez, Francesco (1791-1882)
Boat with Greek Fugitives, 1834. Private Collection

Background imageHayez Collection: Triumphant Athlete, 1813

Triumphant Athlete, 1813. Found in the Collection of Accademia di San Luca

Background imageHayez Collection: Matilde Bacon Pirovano Visconti, c.1837-1840. Creator: Hayez, Francesco (1791-1882)

Matilde Bacon Pirovano Visconti, c.1837-1840. Creator: Hayez, Francesco (1791-1882)
Matilde Bacon Pirovano Visconti, c.1837-1840. Private Collection

Background imageHayez Collection: L'ultimo bacio dato a Giulietta da Romeo (The Last Kiss of Romeo and Juliet), 1823

L'ultimo bacio dato a Giulietta da Romeo (The Last Kiss of Romeo and Juliet), 1823. Found in the Collection of the Villa Carlotta, Tremezzo.

Background imageHayez Collection: Portrait of Count Francesco Borgia (1794-1861), before 1825. Creator: Hayez, Francesco (1791-1882)

Portrait of Count Francesco Borgia (1794-1861), before 1825. Creator: Hayez, Francesco (1791-1882)
Portrait of Count Francesco Borgia (1794-1861), before 1825. Found in the Collection of the Galerie Canesso.

Background imageHayez Collection: The doge Marino Faliero accusa il giovane Steno di essere the author of the writing..., 1844

The doge Marino Faliero accusa il giovane Steno di essere the author of the writing..., 1844
The doge Marino Faliero accusa il giovane Steno di essere the author of the writing infamante sul Doge e la Dogaressa, 1844. Found in the Collection of the Galerie Canesso.

Background imageHayez Collection: Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Creator: Hayez, Francesco (1791-1882)

Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Creator: Hayez, Francesco (1791-1882)
Portrait of sculptor Pompeo Marchesi (1789-1858), 1830. Found in the Collection of the Galleria d'arte moderna, Milano.

Background imageHayez Collection: Portrait of Giuseppe Roberti, 1819. Creator: Hayez, Francesco (1791-1882)

Portrait of Giuseppe Roberti, 1819. Creator: Hayez, Francesco (1791-1882)
Portrait of Giuseppe Roberti, 1819. Found in the Collection of the Museo Civico, Bassano del Grappa.

Background imageHayez Collection: Portrait of the opera singer Giulia Grisi (1811-1869). Creator: Hayez, Francesco (1791-1882)

Portrait of the opera singer Giulia Grisi (1811-1869). Creator: Hayez, Francesco (1791-1882)
Portrait of the opera singer Giulia Grisi (1811-1869). Private Collection

Background imageHayez Collection: Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833

Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Creator: Hayez, Francesco (1791-1882)
Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Found in the Collection of the Museo Civico, Lodi

Background imageHayez Collection: Tamar, 1847. Creator: Hayez, Francesco (1791-1882)

Tamar, 1847. Creator: Hayez, Francesco (1791-1882)
Tamar, 1847. Found in the Collection of the Museo Civico, Varese

Background imageHayez Collection: Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833

Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Creator: Hayez, Francesco (1791-1882)
Portrait of Countess Teresa Zumali Marsili with her son Giuseppe, 1831-1833. Found in the Collection of the Museo Civico, Lodi

Background imageHayez Collection: Tamar, 1847. Creator: Hayez, Francesco (1791-1882)

Tamar, 1847. Creator: Hayez, Francesco (1791-1882)
Tamar, 1847. Found in the Collection of the Museo Civico, Varese

Background imageHayez Collection: Romeo and Juliet, before 1881. Creator: Hayez, Francesco (1791-1882)

Romeo and Juliet, before 1881. Creator: Hayez, Francesco (1791-1882)
Romeo and Juliet, before 1881. Private Collection

Background imageHayez Collection: A woman accused of venality by her disappointed lover

A woman accused of venality by her disappointed lover is judged by Queen Eleanor of Aquitaine. Handcoloured copperplate engraving by Verico after Francesco Hayez from Giulio Ferrarios Ancient

Background imageHayez Collection: Rinaldo and Armida (Detail), 1812-1813. Creator: Hayez, Francesco (1791-1882)

Rinaldo and Armida (Detail), 1812-1813. Creator: Hayez, Francesco (1791-1882)
Rinaldo and Armida (Detail), 1812-1813. Found in the Collection of Gallerie dell Accademia, Venice

Background imageHayez Collection: Rebecca at the Well, 1848. Creator: Hayez, Francesco (1791-1882)

Rebecca at the Well, 1848. Creator: Hayez, Francesco (1791-1882)
Rebecca at the Well, 1848. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Ritratto della moglie Vincenza Scaccia, 1816. Creator: Hayez, Francesco (1791-1882)

Ritratto della moglie Vincenza Scaccia, 1816. Creator: Hayez, Francesco (1791-1882)
Ritratto della moglie Vincenza Scaccia, 1816. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Carlo Della Bianca, 1823. Creator: Hayez, Francesco (1791-1882)

Portrait of Carlo Della Bianca, 1823. Creator: Hayez, Francesco (1791-1882)
Portrait of Carlo Della Bianca, 1823. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: The Repentant Mary Magdalene, 1833. Creator: Hayez, Francesco (1791-1882)

The Repentant Mary Magdalene, 1833. Creator: Hayez, Francesco (1791-1882)
The Repentant Mary Magdalene, 1833. Found in the Collection of Galleria d arte moderna, Milano

Background imageHayez Collection: Giovanni David as Agobar in Opera Gli arabi nelle Gallie by Giovanni Pacini, 1830

Giovanni David as Agobar in Opera Gli arabi nelle Gallie by Giovanni Pacini, 1830
Giovanni David as Agobar in Opera " Gli arabi nelle Gallie" by Giovanni Pacini, 1830. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Camillo Benso, Count of Cavour, 1864

Portrait of Camillo Benso, Count of Cavour, 1864. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Bathseba im Bade, 1845

Bathseba im Bade, 1845. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Pietro Rossi, 1818-1820

Pietro Rossi, 1818-1820. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Melancholy, 1841-1842

Melancholy, 1841-1842. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Il doge Francesco Foscari destituito, 1844

Il doge Francesco Foscari destituito, 1844. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Massimo d Azeglio (1798-1866), 1864

Portrait of Massimo d Azeglio (1798-1866), 1864. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Franz Joseph I of Austria, Between 1857 and 1859

Portrait of Franz Joseph I of Austria, Between 1857 and 1859. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of the Cicognara family, with the bust of Antonio Canova, 1816-1817

Portrait of the Cicognara family, with the bust of Antonio Canova, 1816-1817. Private Collection

Background imageHayez Collection: Rinaldo and Armida, 1812-1813

Rinaldo and Armida, 1812-1813. Found in the Collection of Gallerie dell Accademia, Venice

Background imageHayez Collection: Self-Portrait in a group of friends, Between 1826 and 1828

Self-Portrait in a group of friends, Between 1826 and 1828. Found in the Collection of Museo Poldi Pezzoli, Milan

Background imageHayez Collection: Caterina Cornaro Receives News of Deposition of Queen of Cyprus, ca 1857

Caterina Cornaro Receives News of Deposition of Queen of Cyprus, ca 1857. Private Collection

Background imageHayez Collection: Self-Portrait, c1822

Self-Portrait, c1822. Private Collection

Background imageHayez Collection: Ruth, 1853

Ruth, 1853. Found in the Collection of Collezioni Comunali d Arte, Bologna

Background imageHayez Collection: Study of a sitting warrior, 1813-1814

Study of a sitting warrior, 1813-1814. Found in the Collection of Collezioni Comunali d Arte, Bologna

Background imageHayez Collection: The Odalisque, 1839

The Odalisque, 1839. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: The Last Moments of Doge Marin Faliero, 1867

The Last Moments of Doge Marin Faliero, 1867. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Teresa Manzoni Stampa Borri, 1847-1849

Portrait of Teresa Manzoni Stampa Borri, 1847-1849. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Self-Portrait, Aged 57, 1848

Self-Portrait, Aged 57, 1848. Found in the Collection of Pinacoteca di Brera, Milan

Background imageHayez Collection: Portrait of Sarah Louise Strachan (1818-1881), principessa di Sant Antimo, 1840-1844

Portrait of Sarah Louise Strachan (1818-1881), principessa di Sant Antimo, 1840-1844. Found in the Collection of Museo Nazionale di San Martino, Napoli

Background imageHayez Collection: The Destruction of the Temple of Jerusalem

The Destruction of the Temple of Jerusalem. Found in the collection of Gallerie dell Accademia, Venice

Background imageHayez Collection: Philoctetes, 1818-1820

Philoctetes, 1818-1820. Found in the Collection of Museo d Arte Moderna, Bologna

Background imageHayez Collection: The Nun

The Nun. Private Collection

Background imageHayez Collection: I due Foscari (The Two Foscari), 1838-1840

I due Foscari (The Two Foscari), 1838-1840. Found in the Collection of Fondazione Cariplo

Background imageHayez Collection: I due Foscari (The Two Foscari), 1838

I due Foscari (The Two Foscari), 1838. Private Collection

Background imageHayez Collection: I Vespri Siciliani (The Sicilian Vespers), 1844-1845

I Vespri Siciliani (The Sicilian Vespers), 1844-1845. Found in the collection of Museo Nazionale di San Martino, Napoli



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Francesco Hayez (1791-1882) was an Italian painter known for his captivating and emotive artworks. One of his most famous pieces, "The Kiss, " depicts a passionate embrace between two lovers, capturing the intensity of their love in every brushstroke on canvas. Hayez's talent extended beyond romantic scenes, as seen in "Boat with Greek Fugitives" from 1834. This artwork portrays the struggles faced by Greek refugees during a turbulent period in history, showcasing Hayez's ability to convey powerful narratives through his art. In "Triumphant Athlete" painted in 1813, Hayez captures the strength and determination of an athlete celebrating victory. The painting exudes energy and showcases the artist's mastery over human anatomy. Another significant work by Hayez is "Sicilian Vespers" from 1846. This historical piece depicts a pivotal event where Sicilians rebelled against French rule. Through this artwork, Hayez highlights themes of revolution and patriotism. It also found inspiration in literature, as shown in his portrayal of Shakespeare's iconic characters Romeo and Juliet before 1881. His interpretation beautifully captures the tragic love story that has captivated audiences for centuries. One cannot overlook Hayez's skillful portraiture either. In works like "Ritratto della moglie Vincenza Scaccia" from 1816 or "Portrait of Carlo Della Bianca" painted in 1823, he brings individuals to life on canvas with meticulous attention to detail. Religious subjects were not absent from Hayez's repertoire either; one notable example is "The Repentant Mary Magdalene" created in 1833. This painting reflects both spiritual introspection and emotional depth through its depiction of repentance. Lastly, we have "Rebecca at the Well, " completed by Francesco Hayez in 1848.