Havell Collection (page 2)

Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint)
1196941 Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

Wood Ibis, 1834 (hand-coloured etching with aquatint engraving)
985858 Wood Ibis, 1834 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 99.6x66.7 cm; Private Collection; (add.info.: Wood Ibis; Tantalus Loculator)

Raven, (hand-coloured etching with aquatint engraving)
985856 Raven, (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 99.6x66.7 cm; Private Collection; (add.info.: Raven; Corvus Corax)

Black-bellied Darter, 1836 (hand-coloured etching with aquatint engraving)
991223 Black-bellied Darter, 1836 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info)

Purple Heron, c. 1835 (Hand-coloured etching with aquatint engraving)
991220 Purple Heron, c.1835 (Hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 (folio) cm; Private Collection; (add.info)

Great Turn, Male, Spring Plumage, 1836 (hand-coloured etching with aquatint engraving)
985899 Great Turn, Male, Spring Plumage, 1836 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info.: Great Turn)

Fish Hawk, 1830 (hand-coloured etching with aquatint engraving)
985898 Fish Hawk, 1830 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info.: Fish Hawk; Falco Hallaetus)

Night Heron or Lua Bird, 1835 (hand-coloured etching with aquatint engraving)
985897 Night Heron or Lua Bird, 1835 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info)

Black and Yellow Warbler and Flowering Raspberry, c. 1826-1838
985670 Black and Yellow Warbler and Flowering Raspberry, c.1826-1838 (hand-coloured etching with aquatint engraving) by Audubon

The town of Sydney in New South Wales, central section of a panoramic view, c
NSW71449 The town of Sydney in New South Wales, central section of a panoramic view, c.1821 (aquatint) by Taylor, Major James (early 19th century) (after); 42x69 cm; Mitchell Library

The Entrance of Port Jackson, and part of the town of Sydney in New South Wales
NSW71448 The Entrance of Port Jackson, and part of the town of Sydney in New South Wales, left section of panoramic view, c.1821 (aquatint) by Taylor

Common Cormorant, 1835 (hand-coloured etching with aquatint engraving)
985902 Common Cormorant, 1835 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info)

Assemblage of Ghoorkas, 1820 (hand-coloured aquatint engraving)
985854 Assemblage of Ghoorkas, 1820 (hand-coloured aquatint engraving) by Fraser, James Baillie (1783-1856) (after); 54.5x57 cm; Private Collection; (add.info.: Assemblage of Ghoorkas)

Brown Pelican, 1835 (coloured lithograph)
985803 Brown Pelican, 1835 (coloured lithograph) by Audubon, John James (1785-1851) (after); 26x16.7 cm; Private Collection; (add.info.: Brown Pelican; Pelecanus Fuscus (male adult)

American Crow, 1833 (hand-coloured etching with aquatint engraving)
985669 American Crow, 1833 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 (folio) cm; Private Collection; (add.info)

Blue Titmouse (Parus Caeruleus), 1835 (hand-coloured engraving)
986246 Blue Titmouse (Parus Caeruleus), 1835 (hand-coloured engraving) by Perrott, Charlotte L. E. (fl.1835) (after); 50x32.5 cm; Private Collection; (add.info.: Blue Titmouse (Parus Caeruleus)

View of the Bay and City of New York from Weehawken, 1840. Creator: Robert Havell
View of the Bay and City of New York from Weehawken, 1840

Pheasant Shooting near Uxbridge, c1824, (1943). Creator: Unknown
Pheasant Shooting near Uxbridge, c1824, (1943). Hunters and dogs in the countryside to the west of London. From " Wildlife of Britain, by F. Fraser Darling. [Collins, London, 1943]

The Valley of the Jumna Showing the Two Grand Peaks of Bunder Punch, 1946. Creators
The Valley of the Jumna Showing the Two Grand Peaks of Bunder Punch, 1820, (1946). View over the Himalayas in northern India, showing the Bandarpunch (or Bandarpoonch) massif

Sadler Over The Lighthouse, Dublin, 1817, (1920). Creator: Robert Havell
Sadler Over The Lighthouse, Dublin, 1817, (1920). James Sadler (1753-1828) above Dublin Lighthouse on route to Holyhead 24 July 1817 by artist Robert Havell. Photogravure

The Tower of London, c1821. Creator: Robert Havell
The Tower of London, c1821. After R.Havell & Son. The Tower of London was founded towards the end of 1066 as part of the Norman Conquest of England

Westminster Hall and Abbey, c1819. After J. Gendall Creator: Daniel Havell
Westminster Hall and Abbey, c1819. After J.Gendall. Westminster Hall, the oldest existing part of the Palace of Westminster, was erected in 1097

Crimson Cliffs, 1819. Creator: Daniel Havell
Crimson Cliffs, 1819. A View of the Coloured Snow in Lat. 76. 25N. & Long. 65. W. Unusually coloured landscape in the North Atlantic

View of London Docks, 1816. Artist: Daniel Havell
View of London Docks, 1816

Tower of London, 1819. Artist: Daniel Havell
Tower of London, 1819. View from the River Thames with boats and passengers on the river

Coronation banquet of King George IV, Westminster Hall, London, 1821 (1824). The Royal Banquet. The bringing up of the First Course

View of the box entrance in the Kings Theatre, Haymarket, London, 1837

View of Westminster Hall and Abbey, from Westminster Bridge, London, 1819

Interior view of the Chapel Royal in St Jamess Palace, Westminster, London, 1816. The Chapel Royal is also known as the German Chapel

Covent Garden Market, Westminster, London, 1827. Artist: Frederick James Havell
Covent Garden Market, Westminster, London, 1827. View of Covent Garden Market with fruit and vegetable stalls in the piazza and an apple seller seated beneath a lamppost in the foreground

Interior view of the green closet in Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

Water craft on the River Thames with Vauxhall Bridge in the distance, London, 1821. In the foreground a figure in a boat is gathering in a fishing net

Holland House, Kensington, London, 1817. Artist: Robert Havell
Holland House, Kensington, London, 1817

The Bank of England, City of London, 1816. Artist: Daniel Havell
The Bank of England, City of London, 1816. View with figures, horses and carriages in Threadneedle Street

View of the east side of Southwark Bridge, London, 1820. Artist
View of the east side of Southwark Bridge, London, 1820. The dome of St Pauls can be seen on the other side of the River Thames

Anniversary meeting of the charity children in St Pauls Cathedral, City of London, 1826

Romford, Essex, 1817. Artist: Daniel Havell
Romford, Essex, 1817. Romford is now in the London borough of Havering

South-east view of St Pauls Cathedral with figures and carriages outside, City of London, 1818

Geometrical landscape of the River Thames, 1828. Artist: Robert Havell
Geometrical landscape of the River Thames, 1828. Geometrical landscape with tables of the relative altitudes from the high water mark of the River Thames to the principal public and other edifices

Buckingham House and St Jamess Park in the winter, London, 1817. Artist: Robert Havell
Buckingham House and St Jamess Park in the winter, London, 1817. Snowy scene with people skating on a frozen lake. A tent has been erected and a group of figures gather around a fire on the ice

Scene of Honourable Artillery Company, City Road, Finsbury, Islington, London, 1829
Scene of Honourable Artillery Company passing in review before Prince Augustus Frederick, Duke of Sussex, at the Artillery Ground, City Road, Finsbury, Islington, London, 1829

Egyptian Gallery in the British Museum, London, c1840. Artist: Robert Havell
Interior of the British Museum, London, c1840; showing the Egyptian Gallery as viewed through two large pillars

London Bridge (Old), London, 1820. Artist: Robert Havell
View of old London Bridge, London, 1820. On the left is the Custom House, with Margate steam yachts and other boats on the River Thames in the foreground

View of Charterhouse, Finsbury, London, 1813. Artist: Robert Havell
View of Charterhouse, Finsbury, London, 1813. Masters in mortarboards talk in the shade of a tree as boys play on the green in front of the school building

Royal Exchange (2nd) exterior, London, 1816. Artist: Daniel Havell
A view of the Royal Exchanges south front, London, 1816, including a newspaper office and Boltons medicines shop. Also with figures, coach and horses and a water pump outside

Custom House and River Thames, 1839. Artist: Frederick James Havell
View of the Port of London showing the Custom House and shipping on the River Thames, London, 1839

The Unitarian Chapel, South Place, Finsbury, London, 1828. Artist: Frederick James Havell
The Unitarian Chapel, South Place, Finsbury, London, 1828

View of London, 1816. Artist: Robert Havell
View of London from the New Customs House, 1816; showing the River Thames in the foreground with ships, boats and barges on it

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Havell: A Legacy of Artistic Brilliance The name Havell resonates with artistic excellence, spanning across various mediums and capturing the beauty of nature and architecture. From the vibrant American Flamingo to the graceful Louisiana Heron, John James Audubon's masterpieces showcase his unrivaled talent in ornithological illustration. Frederick James Havell's brushstrokes transport us to Limehouse, London in 1828, where we can almost feel the serenity emanating from the Entrance to Regents Canal Dock. The intricate details bring this tranquil scene to life, inviting us to explore its hidden wonders. Upton House stands as a testament to Thomas Picken's architectural prowess during the mid-19th century. Its grandeur is captured flawlessly, showcasing an era defined by elegance and sophistication. Daniel Havell immortalizes Brocket Hall in Herts as Lord Melbourne's majestic seat in 1817. With every stroke of his brush, he transports us back in time, allowing us a glimpse into a world filled with opulence and regality. John James Audubon once again mesmerizes with his depiction of the Snowy Owl—a creature that exudes both mystery and grace. His attention to detail allows us to marvel at each feather intricately portrayed on paper. As we delve deeper into Audubon's portfolio, we encounter another avian wonder—the Blue Jay—whose vivid colors burst forth from its portrait like fireworks against a clear sky. This masterpiece serves as a reminder of nature's boundless beauty. Lastly, let us not forget Audubon’s Tropic Bird—an exquisite representation of exotic allure that takes flight through his artistry. Its striking plumage captivates our imagination while reminding us of Earth’s diverse ecosystems waiting for exploration. Through their collective works—Audubon’s avian marvels alongside Frederick James Havell’s landscapes—we are transported through time and space, witnessing the world's wonders through their gifted eyes.