Hatred Collection

Passions, plate V, pub. by R. Edwards, London, 18th century (litho)
XND76007 Passions, plate V, pub. by R. Edwards, London, 18th century (litho); Private Collection.

Armida in the battle against the Saracens, 1628-1630. Creator: Teniers, David, the Younger (1610-1690)
Armida in the battle against the Saracens, 1628-1630. Found in the Collection of the Museo del Prado, Madrid.

Godfrey and the council listen to the demand of Armida, 1628-1630. Creator: Teniers, David, the Younger (1610-1690)
Godfrey and the council listen to the demand of Armida, 1628-1630. Found in the Collection of the Museo del Prado, Madrid.

Vajrayogini as Naro Dakini, 18th century. Creator: Unknown
Vajrayogini as Naro Dakini, 18th century. The goddess and Buddha Vajrayogini lunges powerfully as she tramples two figures that symbolize the three mental poisons: delusion, hatred, and desire

Le Grossier Envahisseur; L'epreuve de chaque jour de la femme Francaise en pays... 1914. Creator: Lucien Jonas
Le Grossier Envahisseur; L'epreuve de chaque jour de la femme Francaise en pays envahi: loger l'intrus sous le toit d'ou l'epoux est parti pour repondre a l'appel de la patrie

Rinaldo and Armida, First Half of 17th cen. Creator: Tiarini, Alessandro (1577-1668)
Rinaldo and Armida, First Half of 17th cen. Found in the collection of the Collezione di BPER Banca, Modena

Rinaldo and Armida, 1601. Creator: Carracci, Annibale (1560-1609)
Rinaldo and Armida, 1601. Found in the Collection of the Museo di Capodimonte, Naples

Evil, published September 2, 1816. Creator: William Sharp
Evil, published September 2, 1816

Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from... 1762/77. Creator: A. J
Drawing: Expressions of Emotion (Hate or Jealousy, Anger, Desire, Physical Pain), from Encyclopedie, 1762/77

Hatred or Jealousy, after 1698. Creator: Eduardus Jacobus
Hatred or Jealousy, after 1698

"Cardinal Wolsey and the Duke of Buckingham", by John Gilbert, in the Gallery of the... 1862
"Cardinal Wolsey and the Duke of Buckingham", by John Gilbert, in the Gallery of the British Institution, 1862. Engraving of a painting

Alvas statue being dragged through the streets of Antwerp (litho)
STC357972 Alvas statue being dragged through the streets of Antwerp (litho) by Verlet, Raoul Charles (1857-1923); Private Collection; (add.info.: Ferdinando Alvarez de Toledo, Duke of Alva (1508-82)

Rinaldo preventing Armida from committing suicide, 1664. Private Collection

Pirrie Carlisle Archive - autographs and photo
Pirrie Carlisle Archive - two pages from an album of photographs and autographs of the Carlisle Family 1915-1938, around Britain and the continent including Polzeath Cornwall

Illustration of monkeys, pointed by an umbrella, Cecil Aldin
Illustration of two frightened monkeys, pointed at with an umbrella, by Cecil Aldin. Captioned by the artist, Envy, Hatred, Malice and All Uncharitable, A Sketch from Life'

Bewitchment of love (left) and hate (right) Drawing by Henry de Malvost from "Satanism
ELD4943854 Bewitchment of love (left) and hate (right) Drawing by Henry de Malvost from "Satanism and Magic" by Jules Bois 1895 Private Collection by Malvost

Costume for La Haine for the tragedy Armida, 1764 (watercolour)
GIA4786601 Costume for La Haine for the tragedy Armida, 1764 (watercolour) by French School, (18th century); Bibliotheque de l'Opera Garnier, Paris

Morgan le Fays treason, illustration from The romance of King Arthur and his knights of the Round Table by Alfred W
STC398621 Morgan le Fays treason, illustration from The romance of King Arthur and his knights of the Round Table by Alfred W

Unnatural parents, Hellemmes, France, 1897 (colour litho)
971901 Unnatural parents, Hellemmes, France, 1897 (colour litho) by French School, (19th century); Private Collection; (add.info.: Unnatural parents, Hellemmes, France, 1897)

Antisemitism and Persecution of Jews by Crusaders, 1881 (lithograph)
694998 Antisemitism and Persecution of Jews by Crusaders, 1881 (lithograph) by Hungarian School (19th century); Private Collection; (add.info.: illustration from a History of the World)

Predella of the Profanation of the Host: The Body of the Jewish Pawnbroker Guarded by Angels and Devils, c
ALG80443 Predella of the Profanation of the Host: The Body of the Jewish Pawnbroker Guarded by Angels and Devils, c.1468 (tempera on panel) (detail) by Uccello, Paolo (1397-1475); Palazzo Ducale

Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Rinaldo and Armida
FIA5382018 Rinaldo and Armida by Stroiffi, Ermanno (1616-1693); Pushkin Museum, Moscow, Russia; (add.info.: Rinaldo et Armida (Rinaldo and Armida) " Renaud et Armide"

Apollo and Daphne, (oil on canvas)
657742 Apollo and Daphne, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); Private Collection; (add.info.: Apollo and Daphne. Wilfred Gabriel de Glehn (1870-1951). Oil on canvas

Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483)
XIR341927 Herod II and Herodias at the Feast of Herod (oil on panel) (detail of 222483) by Francken, Frans the Elder (1542-1616); Musee Municipal, Dunkirk

Rinaldo and Armida. Creator: Guercino (1591-1666)
Rinaldo and Armida. Private Collection

Predella of the Profanation of the Host: The Repentant Christian Woman is Hanged for
BEN80445 Predella of the Profanation of the Host: The Repentant Christian Woman is Hanged for Pawning the Consecrated Host, c.1468 (tempera on panel) (detail) by Uccello

Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to
BEN80444 Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to the Altar, c.1468 (tempera on panel) (detail) by Uccello, Paolo (1397-1475); Palazzo Ducale, Urbino

Predella of the Profanation of the Host: The Jewish Pawnbroker Roasting the Consecrated
ALG80442 Predella of the Profanation of the Host: The Jewish Pawnbroker Roasting the Consecrated Host in the Fire Which Streams with Blood Arousing the Attention of the Bailiffs who Batter Down

Allegory of hatred. Her corselet is topped with iron tips
XEE4135671 Allegory of hatred. Her corselet is topped with iron tips, her helmet surrounds with an aspie and she holds a basin on which is a heart that she sprinkles with fiel

Morpeth, Northumberland (engraving)
3649046 Morpeth, Northumberland (engraving) by English School, (19th century); Private Collection; (add.info.: Morpeth, Northumberland)

Hannibal at nine years of age, swearing enmity to the Romans (engraving)
5233480 Hannibal at nine years of age, swearing enmity to the Romans (engraving) by Gravelot, Hubert Francois (1699-1773); Private Collection; (add.info.: Hannibal at nine years of age)

Religion Overthrowing Heresy and Hatred, c. 1697 (marble)
704374 Religion Overthrowing Heresy and Hatred, c.1697 (marble) by Le Gros, Pierre the Younger (1666-1719); Church of the Gesu, Rome

The Vitriol Thrower, 1894 (colour litho)
CEC131716 The Vitriol Thrower, 1894 (colour litho) by Grasset, Eugene (1841-1917); The Higgins Art Gallery & Museum, Bedford, UK; eThe Higgins Art Gallery & Museum; French, out of copyright

Passions from Physiognomy, 1829 (engraving)
5893741 Passions from Physiognomy, 1829 (engraving) by Smellie, William (1697-1763); (add.info.: Passions from Johann Caspar Lavaters Physiognomy)

The Greek philosopher Aristotle (383-322 BC) teaches his students morality
LRI4666843 The Greek philosopher Aristotle (383-322 BC) teaches his students morality and contempt for women (mysoginia) Miniature from an Italian manuscript of the 14th century

Atalanta and Hippomenes, 1612 (oil on canvas)
JLJ4597423 Atalanta and Hippomenes, 1612 (oil on canvas) by Reni, Guido (1575-1642); Prado, Madrid, Spain; (add.info.: Atalante)

Allegory of treason. An awful old woman caresses a handsome young man
XEE4135589 Allegory of treason. An awful old woman caresses a handsome young man and at the same time prepares to stab him

Envy in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
STC227386 Envy in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c.1850 (colour litho) by Boilly, Louis Leopold (1761-1845) (after); Private Collection; (add.info)

Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism
CHT293260 Cartoon indicting the hypocrisy and double standards of Western Europe in their criticism and behaviour towards China and the Ottoman Empire; by Lemot

Scene from the childhood of Hannibal (chromolitho)
2817020 Scene from the childhood of Hannibal (chromolitho) by French School, (19th century); Private Collection; (add.info.: Scene from the childhood of Hannibal)

The Rival Queens, Mary Queen of Scots Defying Queen Elizabeth
3493270 The Rival Queens, Mary Queen of Scots Defying Queen Elizabeth, 1857-72 (Hand-colored lithograph) by Currier, N. (1813-88) and Ives, J.M

The Threefold Demon, or Envy, Hatred, and Malice (engraving)
2800258 The Threefold Demon, or Envy, Hatred, and Malice (engraving) by English School, (19th century); Private Collection; (add.info.: The Threefold Demon, or Envy, Hatred, and Malice)

The calumny of Apelles (Tempera on canvas, 1494)
LRI4575632 The calumny of Apelles (Tempera on canvas, 1494) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

They flung him into a pit, illustration from Through the Bible
IL197711 They flung him into a pit, illustration from Through the Bible, Virtue Publishing, 1928 (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; English, out of copyright

Costume for a demon in Armide, Psyche and several other operas
STC94434 Costume for a demon in Armide, Psyche and several other operas, engraved by the artist, c.1780 (coloured engraving) by Martin

The Shire Horse Societys Show at the Royal Agricultural Hall (engraving)
1056028 The Shire Horse Societys Show at the Royal Agricultural Hall (engraving) by English School, (19th century); Private Collection; (add.info)

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"Hatred: A Dark Tapestry of Human Emotion" In the depths of the Pirrie Carlisle Archive, amidst autographs and faded photographs, lies a haunting reminder of humanity's capacity for animosity. An illustration by Cecil Aldin depicts monkeys, their mischievous eyes filled with malice, pointing accusingly under the shelter of an umbrella. It serves as a metaphorical mirror reflecting our own tendencies towards hatred. Henry de Malvost's drawing from "Satanism and Magic" captures the stark contrast between love and hate. The bewitchment of love on the left exudes warmth and tenderness, while its sinister counterpart on the right emanates malevolence that can consume even the purest souls. The Alvas statue being dragged through Antwerp's streets evokes a chilling scene where collective anger morphs into mob mentality. It reminds us how easily they are spread like wildfire, engulfing communities in its destructive wake. Rinaldo's valiant act in preventing Armida from committing suicide speaks to love triumphing over despair. Yet it also hints at how they are drive individuals to contemplate such desperate measures when consumed by darkness. A costume designed for La Haine during Armida's tragic tale further illustrates how art imitates life; showcasing how deep-seated enmity can infiltrate every aspect of human existence. As we delve deeper into history, famine ravages India in vivid color lithographs – a poignant reminder that hatred not only festers within hearts but also manifests itself in societal neglect and indifference towards fellow beings. Lynch mobs depicted in vibrant hues serve as harrowing reminders of America's dark past – testaments to racial prejudice fueled by blind rage rather than reason or justice. Morgan le Fay’s treasonous act portrayed in Alfred W. Pollard’s lithograph highlights betrayal born out of spiteful resentment – revealing that even those closest to us are not immune to harboring hatred.