Harmensz Collection

Rembrandt in his Studio (oil on canvas)
THA15404 Rembrandt in his Studio (oil on canvas) by Gilbert, John (1817-97); 119.4x149.9 cm; Towneley Hall Art Gallery and Museum, Burnley, Lancashire; eTowneley Hall Art Gallery and Museum; English

Rembrandt (1606-69) visiting the studio of Gabriel Metsu (1629-87) (oil on canvas)
NWP153590 Rembrandt (1606-69) visiting the studio of Gabriel Metsu (1629-87) (oil on canvas) by Ten Kate, Herman Frederick Carel (1822-91); 68.6x99.1 cm; Newport Museum and Art Gallery

Self-portrait of Rembrandt Date: 1634

Biblical Figure at a Study Desk Date: 1634

Statue of Rembrandt Van Rijn (1606-69) 1852 (bronze)
KW217444 Statue of Rembrandt Van Rijn (1606-69) 1852 (bronze) by Royer, Louis (1793-1868); Amsterdam, The Netherlands; (add.info.: moved to the park in 1876; ); Ken Welsh; Dutch, out of copyright

Shah Jahan and Dara Shikoh; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; about 1654 - 1656; Pen and brown ink and brown wash

Embracing Couple (Mercury and Lara?); Jan Harmensz. Muller, Dutch, 1571 - 1628; 1588 - about 1594; Black chalk, pen and brown ink, brush with brown wash, heightened with white gouache

St. Bartholomew; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1661; Oil on canvas; Unframed: 86.7 x 75.6 cm (34 1/8 x 29 3/4 in.), Framed: 121.6 x 110.2 x 11.7 cm (47 7/8 x 43 3/8 x 4 5/8 in.)

A Young Scholar and his Tutor; Workshop of Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; about 1629 - 1630; Oil on canvas; Unframed: 102.9 x 88.3 cm (40 1/2 x 34 3/4 in.)

Daniel and Cyrus Before the Idol Bel; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1633; Oil on panel; Unframed: 23.5 x 30.2 cm (9 1/4 x 11 7/8 in.)

Portrait of the Artist with Hat and Gold Chain, 1633. Oil on wood. Rembrandt Harmensz van Rijn (1606-1669) Dutch painter

Jacob Fighting the Angel c1660, oil on canvas. Story from Bible: Genesis 32: 23-24
Jacob Fighting the Angel c1660, oil on canvas. Story from Bible: Genesis 32:23-24. Rembrandt Harmensz van Rijn (1606-1669) Dutch painter

Tobit and Anna, 1626, oil on panel. Rembrandt Harmensz van Rijn (1606-1669) Dutch painter. Tobit, recently blinded, prays after rebuked for accusing Anna of stealing a goat

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"Harmensz: A Glimpse into the World of Rembrandt" Step into the captivating world of Harmensz, where artistry and imagination intertwine. In his Studio, Rembrandt's oil on canvas masterpiece comes to life, revealing the artist's meticulous attention to detail. As we delve deeper, we witness a moment frozen in time when Rembrandt himself visits Gabriel Metsu's studio. This oil on canvas painting showcases two great minds converging, exchanging ideas and inspiration. A self-portrait of Rembrandt from 1634 allows us to peer into the soul of this enigmatic artist. The brushstrokes capture his introspection and passion for his craft. Biblical Figure at a Study Desk transports us back to 1634 as we observe Rembrandt immersed in deep contemplation while surrounded by ancient texts. His dedication to capturing human emotion shines through every stroke. Through an engraving bearing his name, we see how Rembrandt left an indelible mark on history with his artistic prowess. His legacy lives on through this intricate piece that immortalizes him forever. The bronze statue of Rembrandt Van Rijn erected in 1852 stands tall as a testament to his enduring influence. It serves as a reminder that true talent transcends time and continues to inspire generations. In Shah Jahan and Dara Shikoh, Harmensz explores themes of power and familial bonds with masterful strokes. The complexity within their embrace tells stories untold yet felt deeply by those who gaze upon it. St Bartholomew reveals another facet of Harmensz's genius as he captures raw emotions etched onto the face of this biblical figure. Each line speaks volumes about suffering and resilience. A Young Scholar and his Tutor unveils an intimate scene between mentorship and knowledge-seeking youth—a timeless representation reminding us that learning is a lifelong journey worth pursuing ardently.