Hans Von Collection

Chariot, c1880, (1943). Creator: Hans von Marees
Chariot, c1880, (1943). Zweigespann (Biga), chariot with two horses. Drawing in the Staatliche Graphische Sammlung, Munich, Germany

Bartholomeus Spranger, ca. 1618. Creators: Jan Muller, Hans von Aachen
Bartholomeus Spranger, ca. 1618

The Judgement of Paris, 1589. Creator: Raphael Sadeler
The Judgement of Paris, 1589

The Making of Armours, from Hymmelwagen auff dem, wer wol lebt... 1517

An Old Pilgrim Walking to the Right, from Hymmelwagen auff dem, wer wol lebt... 1517

The Devil Offering Poison to a Knight, from Hymmelwagen auff dem, wer wol lebt... 1517

The Madonna of Mercy, from Hymmelwagen auff dem, wer wol lebt... 1517

A Farmer and his Patron, from Hymmelwagen auff dem, wer wol lebt... 1517

The Birds Eating the Seeds of the Sower, from Hymmelwagen auff dem, wer wol lebt... 1517

The Holy Trinity, from Hymmelwagen auff dem, wer wol lebt... 1517

A Man Praying before a Crucifix, from Hymmelwagen auff dem, wer wol lebt... 1517

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt... 1517

The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff dem, wer wol lebt... 1517

Portrait of a Young Man; (reverse) Girl Making a Garland, ca. 1508. Creator: Hans von Kulmbach
Portrait of a Young Man; (reverse) Girl Making a Garland, ca. 1508

The Little Jacob, 1876-1906, (1906). Creator: Hans von Bartels
The Little Jacob, 1906. Watercolour by German artist Hans Von Bartels (1856-1913). From " The Royal Institute of Painters in Water Colours", edited by Charles Holme

St John in Patmos, 1903. Artist: Hans von Kulmbach
St John in Patmos, 1903. Plate taken from The Burlington Magazine, number VII, volume III (September/October 1903)

Joseph Joachim and Hans von Bulow, c1900. Musicians Joseph Joachim (1831-1907) and Hans von Bulow (1830-1894). French advertising for Liebig, extract of meat, c1900

The Fishermans Wifes, 1896. Artist: Hans von Bartels
The Fishermans Wifes, 1896. Bartels, Hans, von (1856-1913). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Amputation of a leg without anaesthetic, 1593. A surgeon uses a bow-saw to remove a patients leg blow the knee while his assistant holds the foot

Crucifixion Hans von Aachen German 1552 1615
The Crucifixion; Hans von Aachen (German, 1552 - 1615); about 1587; Pen and brown ink and gray wash, heightened with white gouache, over black chalk; 33.3 x 45.9 cm (13 1, 8 x 18 1, 16 in.)

Nude Woman Mirror Hans von Kulmbach German 1480
Nude Woman with a Mirror; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1500 - 1505; Pen and brown ink; 17 × 10.5 cm (6 11, 16 × 4 1, 8 in.)

Judgment Solomon Hans von Kulmbach German 1480
The Judgment of Solomon; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1510 - 1515; Pen and brown ink and gray wash; 27.6 cm (10 7, 8 in.)

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"Hans von Marees: A Master of Artistic Expression" Hans von Marees, a renowned artist of the late 19th century, left an indelible mark on the world of art with his captivating creations. Born in 1847, he dedicated his life to capturing the essence of human emotions and experiences through his brushstrokes. One of his notable works is "Chariot, " painted around 1880. This masterpiece depicts a majestic chariot gliding through time, symbolizing the eternal cycle of life and death. Von Marees' attention to detail and skillful use of colors transport viewers into a realm where imagination intertwines with reality. In collaboration with Jan Muller, Hans von Aachen created another remarkable piece called "Bartholomeus Spranger" circa 1618. This painting showcases their combined talent in portraying intricate details and evoking profound emotions within each stroke. Von Marees also drew inspiration from Raphael Sadeler's "The Judgement of Paris" from 1589. Through this artwork, he explored themes such as beauty, desire, and temptation while paying homage to Sadeler's original creation. Furthermore, Von Marees showcased his versatility by delving into printmaking as seen in "The Making of Armours" from Hymmelwagen auff dem wer wol lebt. . 1517 series. These prints depict scenes ranging from an old pilgrim walking towards enlightenment to the devil offering poison to a knight – all intricately crafted with meticulous precision. His artistic prowess extended beyond religious subjects as well. In "The Madonna of Mercy, " Von Marees captured both grace and compassion radiating from Mary's visage – a testament to his ability to convey deep emotion through paintbrush alone. Additionally, Von Marees explored everyday life in pieces like "A Farmer and His Patron. " Here he portrayed the symbiotic relationship between laborers and those who support them, highlighting the interconnectedness of society.