Handwritten Collection (page 9)

Page 26. The Chinese Duck;the Flying Rat from Botany Bay Glider possum, 1810-17 (w / c & manuscript text)
5669999 Page 26. The Chinese Duck; the Flying Rat from Botany Bay Glider possum, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 20. The Toucan;Black Backed Gull, 1810-17 (w / c & manuscript text)
5669990 Page 20. The Toucan; Black Backed Gull, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); Mitchell Library

Page 19. Two antient stone inkstands;the Golden Pheasant, 1810-17 (w / c & manuscript text)
5669989 Page 19. Two antient stone inkstands; the Golden Pheasant, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 17. A beautiful Sea Shrub;a very large Tortoise shell;the horn of the Unicornfish
5669987 Page 17. A beautiful Sea Shrub; a very large Tortoise shell; the horn of the Unicornfish, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 16. Proserpine;God Terminus, 1810-17 (w / c & manuscript text)
5669986 Page 16. Proserpine; God Terminus, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 7. The ruff about the size of a thrush;the Cockatoo;, 1810-17 (w / c & manuscript text)
5669977 Page 7. The ruff about the size of a thrush; the Cockatoo;, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Page 1. A Japanese Idol;an antient Helmet, 1810-17 (w / c & manuscript text)
5669971 Page 1. A Japanese Idol; an antient Helmet, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

A Bishop, from the Codex Capodilista (vellum)
488822 A Bishop, from the Codex Capodilista (vellum) by Italian School, (15th century); Biblioteca Civica, Padua, Italy; (add.info.: A Bishop)

Remains of Bristol Castle (pencil & w / c on paper)
2832193 Remains of Bristol Castle (pencil & w/c on paper) by British School, (19th century); Bristol Museum and Art Gallery, UK; © Bristol Museums

Ms. 30141, pp172-173 (pen & ink on paper)
2919699 Ms. 30141, pp172-173 (pen & ink on paper) by British School, (19th century); The University of St. Andrews, Scotland, UK; © University of St. Andrews Library

Illustration from the Codex Capodilista (vellum)
488851 Illustration from the Codex Capodilista (vellum) by Italian School, (15th century); Biblioteca Civica, Padua, Italy

Calligraphy (ink on paper)
1763731 Calligraphy (ink on paper) by Sun Wen (Sun Yat-sen) (1866-1925); 176x93 cm; Private Collection; (add.info.: Dedicated to Liu Guansan (1872-1925)); Photo eChristies Images; Chinese

Constitutional Convention: collection of letters and documents signed by 54 of the 55
2561293 Constitutional Convention: collection of letters and documents signed by 54 of the 55 delegates to the historic 1787 Convention (pen & ink on paper) (see also 2561290-92) by American School

Commission of bankruptcy, 20th July 1786 (pen & ink on paper) (see also 2561291-93)
2561290 Commission of bankruptcy, 20th July 1786 (pen & ink on paper) (see also 2561291-93) by Franklin, Benjamin (1706-90); Private Collection; (add.info.: Constitutional Convention)

Inscription to Maurice Cremnitz from Le Poete Assassine
2909783 Inscription to Maurice Cremnitz from Le Poete AssassinA©, 1916 (pen & ink on paper) by Apollinaire, Guillaume (1880-1918)

Signed page from Micrographia: or Some Physiological Descriptions of Minute Bodies
1208391 Signed page from Micrographia: or Some Physiological Descriptions of Minute Bodies Made by Magnifying Glasses, 1665 (pen & ink and print on paper) by Hooke

Autograph manuscript of Lincolns election victory speech as President
489209 Autograph manuscript of Lincolns election victory speech as President, delivered in Washington D.C. from the window of the White House on the evening of 10th November

Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint)
3112268 Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Prelude, Fugue and Allegro in E flat BWV 998, c. 1735-40 (pen & ink on paper)
3531016 Prelude, Fugue and Allegro in E flat BWV 998, c.1735-40 (pen & ink on paper) by Bach, Johann Sebastian (1748-78); 34.5x21.3 cm; Private Collection; Photo eChristies Images; German

Suprematism: Stages of its Development, after 1923 (pen & ink on paper)
957197 Suprematism: Stages of its Development, after 1923 (pen & ink on paper) by Malevich, Kazimir Severinovich (1878-1935); Private Collection; Photo eChristies Images; Russian, out of copyright

Autograph letter to Melchor Fernandez Alamgro, Granada, late January 1926
957196 Autograph letter to Melchor Fernandez Alamgro, Granada, late January 1926 (pen & ink and crayon on paper) (see also 957195) by Garcia Lorca

Map from Red Books, for Mogenhanger in Bedfordshire
495319 Map from Red Books, for Mogenhanger in Bedfordshire, a Seat of Godfrey Thornton Esq. 1792 (w/c on paper) (see also 495318 and 497306-7) by Repton

Letter from The Complete Dossier of the Meeting of the Bar du Chateau
475039 Letter from The Complete Dossier of the Meeting of the Bar du Chateau, 19th February, 1929 (pen & ink on paper) (see also 475036 to 475040) by Crevel

Letter from Nicholas Hardcastle accepting invitation to stand as city councillor for St
3898321 Letter from Nicholas Hardcastle accepting invitation to stand as city councillor for St Johns Ward, Newcastle upon Tyne

Letter to Felix Bracquemond, October 1880 (pen & ink with w / c on paper)
3927239 Letter to Felix Bracquemond, October 1880 (pen & ink with w/c on paper) by Manet, Edouard (1832-83); 20.2x12.3 cm; Private Collection; (add.info.: Letter in which Manet)

Letter written by Isaac Newton, 28 November 1679 (pen & ink on paper)
3849890 Letter written by Isaac Newton, 28 November 1679 (pen & ink on paper) by Newton, Isaac (1642-1727); Trinity College, Cambridge

Page from a notebook for The White Company, The Newberry Library Vault Folio
3526721 Page from a notebook for The White Company, The Newberry Library Vault Folio Case MS 5116 no. 2 (pen & ink on paper) by Doyle, Arthur Ignatius Conan (1859-1930); Newberry Library, Chicago

Letter to James Muirhead, 16th July 1873 (pen & ink on paper)
5667114 Letter to James Muirhead, 16th July 1873 (pen & ink on paper) by Linnell, John (1792-1882); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Diary, containing details of ship, date, master, country, destination, departure
6334140 Diary, containing details of ship, date, master, country, destination, departure, weight and draught of water each voyage, 1859-60 (pen & ink on paper) by English School

Diary, containing details of ship, date, master, country, destination, departure
6334139 Diary, containing details of ship, date, master, country, destination, departure, weight and draught of water each voyage, 1859-60 (pen & ink on paper) by English School

Page 2 of a letter from Howard Carter to Kingsmill Marrs
5975337 Page 2 of a letter from Howard Carter to Kingsmill Marrs, 25th October 1908 (pen & ink on paper) by Carter, Howard (1873-1939); 25.8x20.4 cm; Massachusetts Historical Society, Boston, MA

Princeteau and Lautrec (handwritten letter to the artists uncle)
5846764 Princeteau and Lautrec (handwritten letter to the artists uncle), 1881 (pen & ink on paper) by Toulouse-Lautrec, Henri de (1864-1901)

Extract from Christopher Wrens report on the design for the summit of the Monument
KDC384183 Extract from Christopher Wrens report on the design for the summit of the Monument to the Great Fire of London of 1666, 28 July 1675 (pen and ink on paper) by Wren

Handwriting and signature of Rembrandt from a letter to Constantine Huygens requesting
KDC384243 Handwriting and signature of Rembrandt from a letter to Constantine Huygens requesting payment of a sum of money owed, c. 1640 (pen & ink on paper) by Rembrandt Harmensz

Handwriting and signature of Albrecht Duerer (pen & ink on paper)
KDC384210 Handwriting and signature of Albrecht Duerer (pen & ink on paper) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Design for the East Elevation, Chatsworth House (w / c on paper)
621573 Design for the East Elevation, Chatsworth House (w/c on paper) by Wyatville, Jeffry (1766-1840); eThe Devonshire Collections, Chatsworth; (add.info.: Chatsworth House, North Derbyshire)

Design for the Lodges in Edensor in Chatsworth Park, 1837 (w / c on paper)
621569 Design for the Lodges in Edensor in Chatsworth Park, 1837 (w/c on paper) by Wyatville, Jeffry (1766-1840); eThe Devonshire Collections, Chatsworth; (add.info.: Edensor, Derbyshire)

Catherine of Braganza, Queen of Charles II (litho)
619440 Catherine of Braganza, Queen of Charles II (litho) by Lely, Peter (1618-80) (after); Private Collection; (add.info)

Certificate of Vaccination, the Health Department of the City of New York
1079127 Certificate of Vaccination, the Health Department of the City of New York... 1882 (engraving [certificate] filled out with ink) by American School

Page from the Codex Sinaiticus (vellum)
1630114 Page from the Codex Sinaiticus (vellum) by Greek, (4th century AD); Monastery of Saint Catherine, Mount Sinai, Egypt; (add.info)

Page from the Codex Sinaiticus (vellum)
1630113 Page from the Codex Sinaiticus (vellum) by Greek, (4th century AD); Monastery of Saint Catherine, Mount Sinai, Egypt; (add.info)

One of a set of playing cards with 100 poets and poems, sold at the Exposition
1147439 One of a set of playing cards with 100 poets and poems, sold at the Exposition Universelle in Paris in 1867 (pen & ink on paper) by Japanese School

Verso of a bust of a girl, c. 1850 (pen & ink and print on paper) (see 876003)
876004 Verso of a bust of a girl, c.1850 (pen & ink and print on paper) (see 876003) by Lucas, Richard Cockle (1800-83); 35x31.5x11 cm; Leeds Museums and Art Galleries (Leeds City Museum)

Detail of A Picture of Ancient Trees, Rock, and Bamboo, 1623 (ink on paper)
873586 Detail of A Picture of Ancient Trees, Rock, and Bamboo, 1623 (ink on paper) by Zhu, Zhifan (16th-17th century); 121.6 x56.83 cm; San Diego Museum of Art

Memorial Portrait of Utagawa Hiroshige, 1858 (woodblock)
873540 Memorial Portrait of Utagawa Hiroshige, 1858 (woodblock) by Kunisada, Utagawa (Toyokuni III) (1786-1865); 35.56 x23.81 cm; San Diego Museum of Art

Letter from Alexander Pope to Lord Halifax asking him not to forget his translation of
KDC441038 Letter from Alexander Pope to Lord Halifax asking him not to forget his translation of Homer, which he had given to Lord Halifax prior to publication and also thanking him for favours

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"Capturing the Essence of Handwritten Beauty: A Journey Through Time" Step into a world where words come alive, penned by the hands of masters. From Wolfgang Amadeus Mozart's delicate strokes composing Ave Verum Corpus to Arabella Stuart's heartfelt letter to the Countess of Shrewsbury, handwritten treasures abound. Marvel at Frederick George Netherclift's artistic genius as he intertwines beetle illustrations with Arabella Stuart's poignant words, transporting us back to the late 16th - early 17th century. The Knight from Codex Capodilista emerges on vellum, whispering tales of chivalry and honor. Pawlyn & Sons' stationery from Victoria Square in Truro, Cornwall invites us to feel the texture beneath our fingertips as we explore their timeless creations. Ink meets paper once more in The Brandenburger Concertos No. 5 D-Dur, an exquisite symphony captured through pen and ink mastery. Ravoninahitriniarivo takes us on a visual journey with his albumen print capturing Berlin in May 1883—a testament to photography preserving moments that would otherwise fade away. A smartly dressed man graces a comic greetings card, bringing laughter and joy through his hand-drawn charm. John Baggridge enchants us with Jack Double-head—his watercolor strokes breathing life into this enigmatic character. Prince Alamayu gazes upon Ryde, England—an Ethiopian prince finding solace far from home but forever immortalized through portraiture. The artistry continues with calligraphy from 1605-6—a mesmerizing dance between ink and gouache on paper that transports us back centuries. And finally, a woman of Procida sits gracefully upon w/c paper—the embodiment of grace and poise frozen in time. Handwritten wonders unfold before our eyes—each stroke telling stories untold until now.