Hands On Hips Collection (page 6)

Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch
652129 Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch, Both Small Full-Length, the Former in a Blue Coat and Waistcoat Holding a Black Tricorn

A Mussel Gatherer, (pencil and watercolour with white heightening)
652070 A Mussel Gatherer, (pencil and watercolour with white heightening) by Caffieri, Hector (1847-1932); 35.6x25.4 cm; Private Collection; (add.info.: A Mussel Gatherer)

Best of Friends, 1928 (oil on canvas)
651474 Best of Friends, 1928 (oil on canvas) by Saccaggi, Cesare (1868-1934); 148x96.5 cm; Private Collection; (add.info.: Best of Friends. Cesare Saccaggi (1868-1934). Oil on canvas

The Flemish Peasant; La Paysanne Flamande, c. 1935 (oil on board)
653561 The Flemish Peasant; La Paysanne Flamande, c.1935 (oil on board) by Smet, Gustave de (1877-1943); 87x58 cm; Private Collection; (add.info.: The Flemish Peasant; La Paysanne Flamande)

Glorification of Beauty, 1925 (bronze)
1768939 Glorification of Beauty, 1925 (bronze) by Antonio, Niccolo d (15th century); 49.6 (height) cm; Private Collection; (add.info.: Glorification of Beauty. Alexander Archipenko (1887-1964)

Portrait of a Gentleman, Thought to be English Navigator Thomas Cavendish (oil on panel)
1765055 Portrait of a Gentleman, Thought to be English Navigator Thomas Cavendish (oil on panel) by Bettes, John the Younger (c.1530-1615/6) (attr.to); 91.1x73.7 cm; Private Collection; (add.info)

American Athlete; Athlete Americain, 1901; c. 1927-1935
1768038 American Athlete; Athlete Americain, 1901; c. 1927-1935 (bronze with brown and green patina) by Rodin, Auguste (1840-1917); 40 (height) cm; Private Collection; (add.info)

A Tlatilco female figure, c. 900-600 B. C
1767142 A Tlatilco female figure, c.900-600 B.C. by Tlatilco culture (1250-800 BC); 35.6 high cm; Private Collection; (add.info.: A Tlatilco female figure, Middle Preclassic, Ca. 900-600 B.C)

Crouching Nude; Nu accroupi, 1890s (charcoal on paper, laid down on board)
1196539 Crouching Nude; Nu accroupi, 1890s (charcoal on paper, laid down on board) by Degas, Edgar (1834-1917); 50x47.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Isabella, (oil on board)
1199613 Isabella, (oil on board) by Strudwick, John Melhuish (1849-1937); 31.1x23.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Peasant Woman by a Brook, 1912 (oil on canvas)
1195909 Peasant Woman by a Brook, 1912 (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 100.3x67.3 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Portrait of Emperor Alexander III (1845-1894) (pencil and w / c on paper)
1195775 Portrait of Emperor Alexander III (1845-1894) (pencil and w/c on paper) by Zichy, Mihaly von (1827-1906); 34.9x24.6 cm; Private Collection; (add.info.: Zichy)

Tattooed American soldier, c. 1941 (b / w photo)
1142035 Tattooed American soldier, c.1941 (b/w photo); Private Collection; Prismatic Pictures; out of copyright

Rottura in Campagna, (oil on canvas)
1197475 Rottura in Campagna, (oil on canvas) by Irolli, Vicenzo (1860-1945); 104.5x77.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Costume design for Madame Trouchanova in La Peri
1195697 Costume design for Madame Trouchanova in La Peri, 1911 (lithograph printed in colours, with gold paint, on paper) by Bakst

The Scholar, 1895 (oil on panel)
823554 The Scholar, 1895 (oil on panel) by Deutsch, Ludwig (1855-1935); 34.3x23.8 cm; Private Collection; (add.info.: The Scholar. Ludwig Deutsch (1855-1935). Oil on panel. Signed and dated 1895

A Cavalier, (oil on canvas)
823529 A Cavalier, (oil on canvas) by Detti, Cesare-Auguste (1847-1914); 77.5x62.2 cm; Private Collection; (add.info.: A Cavalier. Cesare Auguste Detti (1847-1914). Oil on canvas

Glassmakers, (oil on canvas)
989558 Glassmakers, (oil on canvas) by Firmin-Girard, Marie Francois (1838-1921); 75x103 cm; Private Collection; (add.info.: Glassmakers; Verriers au Four. Marie Francois Firmin-Girard (1838-1921)

The Woodcutters, (oil, gouache and pastel over traces of pencil on paper)
989529 The Woodcutters, (oil, gouache and pastel over traces of pencil on paper) by Raffaelli, Jean Francois (1850-1924); 58.5x76.8 cm; Private Collection; (add.info.: The Woodcutters)

Portrait of a Gentleman standing, half-length, in oriental costume, (oil on canvas)
990162 Portrait of a Gentleman standing, half-length, in oriental costume, (oil on canvas) by Soldi, Andrea (1703-71); 93x74.5 cm; Private Collection; (add.info.: Portrait of a Gentleman standing)

Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel)
989917 Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel) by Boutibonne, Charles Edouard (1816-97); 55.8x78.7 cm; Private Collection; (add.info.: Sir Walter Raleigh and Queen Elizabeth)

An Elegant Courtier, 1872 (oil on panel)
989839 An Elegant Courtier, 1872 (oil on panel) by Vannutelli, Scipione (1834-94); 23.2x18.5 cm; Private Collection; (add.info.: An Elegant Courtier. Scipione Vannutelli (1834-1894). Oil on panel

The Water Girl, (oil on canvas)
989524 The Water Girl, (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 160.3x73.3 cm; Private Collection; (add.info.: The Water Girl. William Adolphe Bouguereau (1825-1905)

Who Could Have Sent It?, 1885 (albumen print)
990435 Who Could Have Sent It?, 1885 (albumen print) by Robinson, Henry Peach (1830-1901); 54.61x41.27 cm; Private Collection; (add.info.: Who Could Have Sent It? Henry Peach Robinson (1830-1901)

Portrait of Don Matias Edmundo Tirel y Gomez de las Casas
990405 Portrait of Don Matias Edmundo Tirel y Gomez de las Casas, the future Second Marquis of Ulagares and Viscount of Castel Ruiz, standing three-quarter length dressed as a Majo

Woman in a Garden, 1887 (oil on canvas)
989060 Woman in a Garden, 1887 (oil on canvas) by Gogh, Vincent van (1853-90); 50.8x62.5 cm; Private Collection; (add.info.: Woman in a Garden; Femme dans un Jardin. Vincent van Gogh (1853-1890)

Illustration of Man Wearing Double-Breasted Suit, c. 1925 (print)
1126019 Illustration of Man Wearing Double-Breasted Suit, c.1925 (print) by Webb, A. (fl.1925); Private Collection; (add.info.: Vintage illustration of a dapper man wearing a double-breasted suit)

The Bad Girl Of The Family by Frederick Melville (b / w photo)
3093958 The Bad Girl Of The Family by Frederick Melville (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Bad Girl Of The Family by Frederick Melville)

A Special Celebration, 1877 (oil on canvas)
827083 A Special Celebration, 1877 (oil on canvas) by Nilson, Johan Severin (1846-1918); 85x119.4 cm; Private Collection; (add.info.: A Special Celebration. Johan Severin Nilson (1846-1918)

The Odalisque; L Odalisque, (oil on canvas)
827478 The Odalisque; L Odalisque, (oil on canvas) by Richter, Edouard Frederic Wilhelm (1844-1913); 97.2x66.7 cm; Private Collection; (add.info)

Departure of Prisoners; Depart de Prisonniers, 1906 (oil on canvas)
827240 Departure of Prisoners; Depart de Prisonniers, 1906 (oil on canvas) by Cogghe, Remy (1854-1935); 10.7x155 cm; Private Collection; (add.info.: Departure of Prisoners; Depart de Prisonniers)

Hook my Frock, 1858 (oil on panel)
828467 Hook my Frock, 1858 (oil on panel) by Hemsley, William (1819-1906); 30.5x25 cm; Private Collection; (add.info.: Hook my Frock. William Hemsley (1819-1906). Oil on panel. Signed and dated 1858

Three Women in the Garden; Trois Femmes dans le Jardin, 1905-1915 (oil on canvas)
825733 Three Women in the Garden; Trois Femmes dans le Jardin, 1905-1915 (oil on canvas) by Martin, Henri (1860-1943); 65.7x81.2 cm; Private Collection; (add.info)

The End of the Story, (oil on canvas)
828435 The End of the Story, (oil on canvas) by Moore, Albert Joseph (1841-93); 87.6x32.8 cm; Private Collection; (add.info.: The End of the Story. Albert Joseph Moore (1841-1893). Oil on canvas

Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)
827602 Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash) by Cades, Giuseppe (1750-99); 32x38.5 cm; Private Collection; (add.info.: Hercules at the Crossroads)

Peasant Woman Leaning on a Pitchfork, (oil on canvas)
827450 Peasant Woman Leaning on a Pitchfork, (oil on canvas) by Dupre, Julien (1851-1910); 140.3x90.2 cm; Private Collection; (add.info.: Peasant Woman Leaning on a Pitchfork)

Toreador, 1869 (gouache with pen & ink on white wove paper)
877074 Toreador, 1869 (gouache with pen & ink on white wove paper) by Fortuny y CarbAo (Fortuny i Marsal), Mariano JoseMarAia Bernardo (1838-74)

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c
2972681 Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper) by Whistler

On Stage, (watercolour and pencil on board)
650980 On Stage, (watercolour and pencil on board) by Demuth, Charles (1883-1935); 33.3x25.4 cm; Private Collection; (add.info.: On Stage. Charles Demuth (1883-1935). Watercolour and pencil on board

Portrait of Diaz Albertini, 1909 (oil on canvas)
651485 Portrait of Diaz Albertini, 1909 (oil on canvas) by Boldini, Giovanni (1842-1931); 101.5x95.2 cm; Private Collection; (add.info.: Portrait of Diaz Albertini. Giovanni Boldini (1842-1931)

The Faggot Gatherer, 1883 (watercolour on paper)
650526 The Faggot Gatherer, 1883 (watercolour on paper) by Homer, Winslow (1836-1910); 35.6x50.8 cm; Private Collection; (add.info.: The Faggot Gatherer. Winslow Homer (1836-1910)

Three Dancers; Trois Danseuses, (charcoal on tan paper laid down on board)
656761 Three Dancers; Trois Danseuses, (charcoal on tan paper laid down on board) by Degas, Edgar (1834-1917); 67x56.8 cm; Private Collection; (add.info.: Three Dancers; Trois Danseuses)

Portrait of a Gentleman, Standing half length, Wearing a Blue Costume with Gold
659288 Portrait of a Gentleman, Standing half length, Wearing a Blue Costume with Gold Embroidery and a White Lace Collar, (oil on canvas) by Moreelse, Paulus (1571-1638) (attr)

In the Shadow of an Italian Pergola, A Warm Afternoon in Anacapri, 1884 (oil on canvas)
658673 In the Shadow of an Italian Pergola, A Warm Afternoon in Anacapri, 1884 (oil on canvas) by Monsted, Peder (1859-1941); 122.5x96 cm; Private Collection; (add.info)

Unloading the Catch, (oil on panel)
656951 Unloading the Catch, (oil on panel) by Williams, Terrick (1860-1936); 58.5x40.5 cm; Private Collection; (add.info.: Unloading the Catch. Terrick Williams (1860-1937). Oil on panel

Billie Burke and two dogs at Burkeleigh Crest, her house in Hastingson, New York
MNY381344 Billie Burke and two dogs at Burkeleigh Crest, her house in Hastingson, New York, 1912 (silver gelatin print) by Byron Company (fl.1890-1942); 25.4x20.3 cm; Museum of the City of New York

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"Hands on Hips: A Glimpse into Time and Expression" In the captivating painting "Between Two Fires" by Francis Davis Millet, a figure stands with hands confidently placed on hips, embodying resilience amidst adversity. The year is 1892, and this powerful stance symbolizes strength in the face of challenges. A sepia photograph captures Sigmund Freud in 1921, his hands resting firmly on his hips. In this pose, he exudes authority and intellectual prowess as he delves into the depths of the human mind. Jolly Beach in Antigua offers vibrant designs for sale that catch the eye. As visitors admire these colorful creations with their hands playfully perched on their hips, they embrace the joyous spirit of Caribbean culture. Wendy Padbury, known for her role as Zoe Herriot in Doctor Who, strikes a confident pose with hands planted firmly on her hips. Her portrayal embodies intelligence and determination as she navigates through time and space. The Temple of the Emerald Buddha at Bangkok's Grand Palace showcases serene beauty. Visitors stand before its grandeur with hands gently resting upon their hips; an expression of reverence for Thailand's rich cultural heritage. Surrounded by eager autograph hunters at Cannes Film Festival in May, actress Diana Dors maintains composure with her hands confidently placed on her hips. Amidst chaos and adoration alike, she radiates poise and charm. La Bretonne captivates viewers with her enigmatic gaze while standing against a backdrop of Pont-Aven's rustic charm. With one hand elegantly positioned upon her hip, she exudes gracefulness amidst rural simplicity. Film producer Anthony Asquith pauses to provide instruction during a scene at Twickenham Studios in London circa 1932. His authoritative posture -hands planted resolutely on his hips- commands attention from cast and crew alike.