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Hand Collection (page 7)

"The Hand: A Multifaceted Marvel of Human Anatomy" The hand, a remarkable creation, is not merely an appendage but a gateway to our sensory and motor abilities

Background imageHand Collection: The Kitchen Maid, 1651, by Rembrandt Harmenszoon van Rijn

The Kitchen Maid, 1651, by Rembrandt Harmenszoon van Rijn
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. The Kitchen Maid, 1651. National Museum. Stockholm. Sweden

Background imageHand Collection: Advert for Stereoscopic Company, hand-held cameras 1894

Advert for Stereoscopic Company, hand-held cameras 1894
Advert for the London Stereoscopic and Photographic Company, two latest hand-helded cameras: The New Binocular camera, hand camera takes moving objects instantaneously, no need for focussing

Background imageHand Collection: Temple of Ramses III. The pharaoh Ramses III with Khepresh

Temple of Ramses III. The pharaoh Ramses III with Khepresh. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-Habou. Egypt

Background imageHand Collection: Puppet show seen from inside the box

Puppet show seen from inside the box
Au Bon Marche - puppet show seen from inside the box - a man with two glove puppets. (1 of 2) Date: circa 1890s

Background imageHand Collection: Digitally restored war propaganda poster

Digitally restored war propaganda poster. This vintage World War II poster features the hand of a worker punching a time clock. It declares - Victory Starts Here!

Background imageHand Collection: A 3D conceptual image of the world at your fingertips

A 3D conceptual image of the world at your fingertips

Background imageHand Collection: Hands of a primate and a human (pencil on paper)

Hands of a primate and a human (pencil on paper)
XZL151542 Hands of a primate and a human (pencil on paper) by English School, (20th century); Private Collection; English, out of copyright

Background imageHand Collection: Hands of God and Adam, detail from The Creation of Adam, from the Sistine Ceiling

Hands of God and Adam, detail from The Creation of Adam, from the Sistine Ceiling
BAL143446 Hands of God and Adam, detail from The Creation of Adam, from the Sistine Ceiling, 1511 (fresco) (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Background imageHand Collection: The Farce by William Barribal

The Farce by William Barribal
A young red-headed woman seated in a box at the theatre, feigns interest in what her older male companion has to say while secretly enjoying a kiss on the hand from a young, handsome beau. Date: 1917

Background imageHand Collection: Sporty equestrian blond posing with her horse

Sporty equestrian blond posing with her horse
Team-mates - a very pretty sporty equestrian blond in jodhpurs and boots, standing holding the bridle of her thoroughbred black stallion, gloved hand on hip. Date: early 1940s

Background imageHand Collection: Charcoal burners in Epping Forest, Essex, near London, England. The men and their

Charcoal burners in Epping Forest, Essex, near London, England. The men and their families lived in the forest for the summer so that they could be on hand to attend the burning clamps whenever

Background imageHand Collection: Human arm musculature, artwork F007 / 1810

Human arm musculature, artwork F007 / 1810
Human arm musculature, computer artwork

Background imageHand Collection: Cacatua moluccensis, salmon-crested cockatoo

Cacatua moluccensis, salmon-crested cockatoo
Plate 2 from Edward Lears Illustrations of the Family of Psittacidae or Parrots (1832). Hand coloured lithograph

Background imageHand Collection: Perdix perdix, grey partridge

Perdix perdix, grey partridge
Plate 13 from John Goulds The Birds of Great Britain, Vol. 4 (1873). Hand coloured lithograph

Background imageHand Collection: Phalacrocorax aristotelis, European shag

Phalacrocorax aristotelis, European shag
Plate 53 from John Goulds The Birds of Great Britain, Vol. 5 (1873). Hand coloured lithograph

Background imageHand Collection: Aegithalos caudatus, long-tailed tit

Aegithalos caudatus, long-tailed tit
Plate 28 from John Goulds The Birds of Great Britain, Vol. 2 (1873). Hand coloured lithograph

Background imageHand Collection: Handpainted plate by Maria Sibylla Merian

Handpainted plate by Maria Sibylla Merian
Illustration from Neues Blumenbuch (New Book of Flowers) by Maria Sibylla Merian, published in 1680

Background imageHand Collection: Lanius ludovicianus, loggerhead shrike

Lanius ludovicianus, loggerhead shrike
Plate 57 from John James Audubons Birds of America, original double elephant folio (1827-30), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Charadrius melodus, piping plover

Charadrius melodus, piping plover
Plate 220 from John James Audubons Birds of America, original double elephant folio (1834-35), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Anas platyrhynchos, mallard

Anas platyrhynchos, mallard
Plate 221 from John James Audubons Birds of America, original double elephant folio (1834-35), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Corvus brachyrhynchos, American crow

Corvus brachyrhynchos, American crow
Plate 156 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Sitta canadensis, red-breasted nuthatch

Sitta canadensis, red-breasted nuthatch
Plate 105 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Kingfisher

Kingfisher
Plate 336, hand coloured copperplate etching from George Edwards The Gleanings of Natural History, Vol. 3 (1764). Annotated Crested kingfisher

Background imageHand Collection: Plate from The Natural History of Carolina by Mark Catesby

Plate from The Natural History of Carolina by Mark Catesby
Illustration from The Natural History of Carolina, Florida and the Bahama islands (1731) Vol 1 by Mark Catesby (1683-1749)

Background imageHand Collection: Iceland spar

Iceland spar
A specimen of Iceland spar from Rodefjord, Iceland. Transparent crystal composed of the mineral, calcite (calcium carbonate) which has unusual property of double refraction

Background imageHand Collection: Sterna antillarum, least tern

Sterna antillarum, least tern
Plate 319 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Oxyura jamaicensis, ruddy duck

Oxyura jamaicensis, ruddy duck
Plate 343 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Picoides borealis, red-cockaded woodpecker

Picoides borealis, red-cockaded woodpecker
Plate 389 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Background imageHand Collection: Common Quail (Coturnix coturnix) egg, held in hand, Rufford, Lancashire, England, October

Common Quail (Coturnix coturnix) egg, held in hand, Rufford, Lancashire, England, October

Background imageHand Collection: 1975 Argentinian Grand Prix - Arturo Merzario and Ronnie Peterson

1975 Argentinian Grand Prix - Arturo Merzario and Ronnie Peterson
1975 Argentinian Grand Prix. Buenos Aires, Argentina. 10-12 January 1975. Arturo Merzario, Williams FW Ford, is passed by Ronnie Peterson, Lotus 72E Ford. Ref: 75ARG13

Background imageHand Collection: LCC- MFB motorised senior officers car

LCC- MFB motorised senior officers car
At the turn of the century motorised transport was making its presence felt in Londons fire brigade, Seen here is Superintendent Cs Egerton

Background imageHand Collection: NATIVE AMERICANS: SIGN LANGUAGE. The Shoshone chief Tendoy using signs to communicate with

NATIVE AMERICANS: SIGN LANGUAGE. The Shoshone chief Tendoy using signs to communicate with Huerito, an Apache chief, at Washington, D.C

Background imageHand Collection: Garden fork in dug soil on allotment, Suffolk, England, august

Garden fork in dug soil on allotment, Suffolk, England, august

Background imageHand Collection: Touch receptors

Touch receptors

Background imageHand Collection: Healthy hand

Healthy hand. Hand of a human arm that is bent at the wrist

Background imageHand Collection: Massaging baby toes

Massaging baby toes
MODEL RELEASED. Massaging baby toes. Hands massaging the feet and toes of a baby. Massage is used to promote relaxation, relieve muscle spasms

Background imageHand Collection: Hand anatomy, 19th Century illustration

Hand anatomy, 19th Century illustration. Historical hand coloured lithographic print showing the muscles (brown), tendons (white) and blood vessels (red and blue) of the human hand

Background imageHand Collection: Caring for the elderly, conceptual image

Caring for the elderly, conceptual image
MODEL RELEASED. Caring for the elderly, conceptual image. Close-up of a young person and an elderly person holding hands

Background imageHand Collection: Wiesmann MF4 Coupe

Wiesmann MF4 Coupe

Background imageHand Collection: Used Car Dealership

Used Car Dealership Forecourt 2009

Background imageHand Collection: Decorating Pottery - Barons Art - Barnstaple

Decorating Pottery - Barons Art - Barnstaple
Decorating by hand at Barons Art Pottery at Barnstaple, Devon. Here William Baron (grandson of the pottery founder William Leonard Baron) can be seen painting the pottery

Background imageHand Collection: Poole Pottery

Poole Pottery on display at the Gieves Gallery at 22 Old Bond Street, London. Poole Pottery was founded in 1873 on Poole quayside

Background imageHand Collection: Dead Mans Handle

Dead Mans Handle
A dead mans handle is a switch that is automatically operated in case the human operator becomes incapacitated. Photograph by Heinz Zinram

Background imageHand Collection: Woman reclining on couch

Woman reclining on couch
A rather annoyed looking young woman reclines on a couch, deep in thought

Background imageHand Collection: British and Indian soldiers - WWI allies (2 / 3)

British and Indian soldiers - WWI allies (2 / 3)
Comrades at Arms British and Indian troops fighting together during WWI

Background imageHand Collection: Marriage proposal

Marriage proposal
Engraving showing a young man on his knees kissing a young womans hand, possibly during a marriage proposal. The image originally accompanied a story called Blind Love in the ILN, by Wilkie Collins

Background imageHand Collection: Penelope Brings the Bow

Penelope Brings the Bow
At Ithaca, Odysseus despondent wife Penelope and her maids bring Odysseus bow to the Suitors. If any of them are strong enough to string it, they win her hand

Background imageHand Collection: Crandon & Houdini

Crandon & Houdini
Margery in a fraud-proof box devised by Richardson and Houdini; the latter is holding her left hand, her other hand is held by Walter Prince



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"The Hand: A Multifaceted Marvel of Human Anatomy" The hand, a remarkable creation, is not merely an appendage but a gateway to our sensory and motor abilities. As depicted in the Sensory Homunculus and Motor Homunculus models, this intricate structure holds immense significance in our daily lives. Exploring the palmistry map of the hand reveals how ancient cultures believed that every line on our hands held secrets about our destinies. Similarly, the Cave of the Hands in Argentina showcases prehistoric art where early humans left their mark through handprints. In literature, Sir Gawain's encounter with the Green Knight by William McLaren highlights both bravery and vulnerability as he faces his adversary with trembling hands. Meanwhile, Albrecht Durer's iconic artwork "Praying Hands" captures devotion and faith through delicate fingers intertwined. Moving forward in time, Portsmouth's aviation poster symbolizes progress and innovation as aircrafts soar above open palms. Charles and Flora McDonald exemplify unity as they hold hands while facing life's challenges together. On a different note, propaganda posters from Wonsan City in North Korea depict clenched fists representing strength and determination amidst adversity. In contrast, Cid Officers portrayed as dockers emphasize hard work and resilience within their community. Lastly, let us not forget the Westfield SEI British car - its sleek design allows drivers to experience exhilaration at their fingertips while navigating roads with precision akin to a motor homunculus model. From palmistry to art masterpieces; historical events to modern innovations – each aspect sheds light on how hands shape our world physically, emotionally, and culturally. The hand truly embodies humanity’s ability to create beauty or wield power; it remains an enduring symbol of connection between individuals across time and space.