Hand Colored Aquatint Collection

Trinity College Dublin published March 1793 James Malton
Trinity College, Dublin, published March 1793, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 263 × 377 mm (image), 315 × 425 mm (plate)

Saint Patricks Cathedral Dublin published March 1793
Saint Patricks Cathedral, Dublin, published March 1793, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 263 × 375 mm (image), 315 × 425 mm (plate)

Royal Infirmary Phoenix Park Dublin published July 1794
Royal Infirmary Phoenix Park, Dublin, published July 1794, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 263 × 380 mm (image), 315 × 425 mm (plate)

West Front St. Patricks Cathedral published November 1793
West Front of St. Patricks Cathedral, published November 1793, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 263 × 373 mm (image)

Leinster House Dublin published July 1792 James Malton
Leinster House, Dublin, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 317 × 428 mm (plate), 420 × 538 mm (sheet)

Dublin published July 1792 James Malton English
Dublin, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 425 × 315 mm (plate), 547 × 420 mm (sheet)

Barracks Dublin published July 1795 James Malton
Barracks, Dublin, published July 1795, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 191 × 382 mm (image), 257 × 435 mm (plate)

Powerscourt House Dublin published July 1795
Powerscourt House, Dublin, published July 1795, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 267 × 383 mm (image), 315 × 425 mm (plate)

Tholsel Dublin published June 1793 James Malton
Tholsel, Dublin, published June 1793, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 265 × 377 mm (image), 315 × 425 mm (plate)

Blue-Coat Hospital Dublin published March 1798
Blue-Coat Hospital, Dublin, published March 1798, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 255 × 377 mm (image), 315 × 425 mm (plate)

Lying-In Hospital Dublin published December 1795
Lying-In Hospital, Dublin, published December 1795, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 257 × 380 mm (image), 315 × 425 mm (plate)

Great Courtyard Dublin Castle published July 1792
Great Courtyard, Dublin Castle, published July 1792, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 257 × 373 mm (image), 315 × 425 mm (plate)

Parliament House Dublin published November 1793
The Parliament House, Dublin, published November 1793, James Malton, English, 1761-1803, England, Hand-colored aquatint in black on ivory wove paper, 259 × 370 mm (image), 315 × 425 mm (plate)

Rival Whiskers ca 1824 Hand-colored aquatint
Artokoloro

Opera ! Last Man 1827 Hand-colored aquatint sheet
Artokoloro

All Professionally Made to Order for Quick Shipping

"Hand Colored Aquatint: A Glimpse into Dublin's Architectural Heritage" Step back in time with these exquisite hand-colored aquatints, capturing the architectural splendor of Dublin in the late 18th century. Published between 1792 and 1798 by James Malton, these captivating artworks provide a window into the city's rich history and cultural significance. Trinity College Dublin takes center stage in one of Malton's masterpieces, published in March 1793. The iconic institution stands proudly, its grandeur immortalized through delicate brushstrokes and vibrant hues. Similarly, Saint Patrick's Cathedral Dublin shines under Malton's artistic touch as he unveils its majestic beauty in another publication from March 1793. Venturing further afield, we encounter the Royal Infirmary Phoenix Park Dublin, unveiled to the world through an aquatint published in July 1794. This architectural gem nestled amidst nature showcases both elegance and functionality. Malton also turns his attention to St. Patrick's Cathedral once more with his November 1793 publication depicting its impressive West Front. The intricate details of this Gothic masterpiece are brought to life through meticulous coloring techniques. Leinster House Dublin is not forgotten either; James Malton presents it to us via a July 1792 publication that highlights its neoclassical charm. As an English artist working on Irish soil during this period, his unique perspective adds depth and intrigue to each piece. Moving on to Barracks Dublin published in July 1795, we witness military architecture at its finest—a testament to Ireland's historical context during that era. Powerscourt House Dublin follows suit with another July 1795 publication showcasing opulence intertwined with natural beauty. The Tholsel Dublin captures our attention next; James Malton reveals this civic building’s grandeur through a June 1793 artwork filled with vibrant colors that bring it alive before our eyes.