Guelphs Collection

Allegory of Law (fresco)
6336443 Allegory of Law (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info.: Detail of the vault of the Palazzo dell Arte dei Giudici e Notai)

Allegory of Law (fresco)
6336442 Allegory of Law (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info.: Detail of the vault of the Palazzo dell Arte dei Giudici e Notai)

Vault with the circular image of Florence as the new Celestial Jerusalem (fresco)
6336441 Vault with the circular image of Florence as the new Celestial Jerusalem (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

The Guelfs split into the white and black after a small incident, 1300
LLM454566 The Guelfs split into the white and black after a small incident, 1300 by Scarpelli, Tancredi (1866-1937); Private Collection; (add.info)

Relics at the Guelph Exhibition, New Gallery, Regent Street (engraving)
1602749 Relics at the Guelph Exhibition, New Gallery, Regent Street (engraving) by Watkins, Frank (fl.1859-94); Private Collection; (add.info.: Relics at the Guelph Exhibition, New Gallery)

Battle and court of justice during Henry VIIs march upon Rome (colour litho)
3638307 Battle and court of justice during Henry VIIs march upon Rome (colour litho) by English School, (20th century); Private Collection; (add.info)

The Great Exhibition (engraving)
1625687 The Great Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Exhibition. Illustration for The Illustrated London News, 7 June 1851)

Ricciardino Langoscos mother in search of her dead son, 1840-1844. Found in the Collection of Musei Civici, Pavia

Pope Clement IV hands his insigna to the captains of the Guelph Party, 1563-1565. Artist: Vasari, Giorgio (1511-1574)
Pope Clement IV hands his insigna to the captains of the Guelph Party, 1563-1565. Found in the collection of the Palazzo Vecchio, Florence

The Torri degli Ardinghelli, San Gimignano, Italy, 1944
Photograph showing the Torri degli Ardinghelli, or Towers of the Guelphs, at the eleventh-century hill-top town of San Gimignano, near Siena, Italy, prior to July 1944

Origin of the Quarrel of the Guelphs and Ghibellines, Designed by F. R. Pickersgill, A
Origin of the Quarrel of the Guelphs and Ghibellines, Designed by F.R. Pickersgill, A.R.A. for Messrs. Rowney and Co. 1851 Engraving

Origin of the Quarrel of the Guelphs and Ghibellines, Designed by F. R. Pickersgill, A
Origin of the Quarrel of the Guelphs and Ghibellines, Designed by F.R. Pickersgill, A.R.A. for Messrs. Rowney and Co. 1851 Engraving

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"Guelphs: Unraveling the Threads of History" Step into a world where art and politics intertwine, as we explore the captivating tale of the Guelphs. From frescoes to engravings, this diverse collection of historical artifacts sheds light on their intriguing story. In the Allegory of Law fresco, witness the symbolic representation of justice and order. The circular image of Florence as the new Celestial Jerusalem in another vaulted masterpiece portrays their aspirations for a harmonious society. The Guelfs' unity was shattered after a seemingly insignificant incident in 1300, leading to their split into white and black factions. This division is vividly depicted in various artworks, showcasing the intensity that fueled their rivalry. At the Guelph Exhibition held at New Gallery on Regent Street, relics from this tumultuous era were proudly displayed. These engravings offer glimpses into their rich heritage and serve as reminders of past struggles. One cannot ignore Henry VII's march upon Rome when discussing these influential figures. Battle scenes and courtrooms come alive through colorful lithographs, illustrating both power struggles and quests for justice during this significant period. Even The Great Exhibition couldn't escape capturing elements related to Guelph history. Engravings from this renowned event provide insights into how they left an indelible mark on society beyond political conflicts alone. Ricciardino Langoscos' mother's poignant search for her lost son between 1840-1844 serves as a haunting reminder of personal sacrifices made amidst larger societal upheavals – a testament to human resilience during turbulent times. Pope Clement IV's symbolic act of handing his insignia to Guelph Party captains showcases religious influence within political dynamics. Vasari's artistic prowess immortalizes this momentous occasion with intricate details that captivate viewers even today. Delve deeper into history with F. R.